array(13) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2618 (10) { [“term_id”]=> int(192) [“name”]=> string(8) “Workshop” [“slug”]=> string(8) “workshop” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(192) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(172) [“filter”]=> string(3) “raw” } } [“location”]=> string(5) “Other” [“other_location_name”]=> string(13) “Dumbo Archway” [“address”]=> string(60) “Water Street between Adams and Anchorage Place, New York, NY” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20120621” [“end_date”]=> string(0) “” [“time”]=> string(6) “4:00pm” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(28) “Hans Tammen, Phillip Stearns” [“secondary_artists”]=> string(0) “” [“listed_artists”]=> array(2) { [0]=> object(WP_Post)#2613 (24) { [“ID”]=> int(5019431) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2585) “​​Hans Tammen creates sounds that have been described as an alien world of bizarre textures and a journey through the land of unending sonic operations. He produces rapid-fire juxtapositions of radically contrastive and fascinating noises, with micropolyphonic timbres and textures, aggressive sonic eruptions, but also quiet pulses and barely audible sounds. Signal To Noise called his guitar works “…a killer tour de force of post-everything guitar damage”, All Music Guide recommended him: “…clearly one of the best experimental guitarists to come forward during the 1990s.” He currently plays an analog modular synthesizer built around chaotic behaviors, where small changes in the settings may yield widely diverging sonic and rhythmic changes, forcing the player to constantly rethink and rearrange music. Hans Tammen’s numerous projects include site-specific performances and collaborative efforts with dance, light, video, and theatre, utilizing technology from planetarium projectors to guitar robots and disklavier pianos. He received a Fellowship from the New York Foundation of the Arts (NYFA) in the category Digital/Electronic Arts in 2009 for the ”Endangered Guitar” – a hybrid guitar/software instrument used to control interactive live sound processing. His THIRD EYE ORCHESTRA open form compositions for large ensembles and live sound processing, or laptop/electronic ensembles, are inspired by Earle Brown’s Available Forms, and based on numerous scored “building blocks” that are constantly rearranged when performed. His works have been presented on festivals in the US, Canada, Mexico, Russia, India, South Africa and all over Europe. He recorded on labels such as Innova, ESP-DISK, Nur/Nicht/Nur, Creative Sources, Leo Records, Potlatch, Cadence, and Hybrid. Hans Tammen received grants and composer commissions from MAPFund, Mid-Atlantic Arts Foundation, American Music Center, Chamber Music America, New York State Council On The Arts (NYSCA), New York Foundation For The Arts (NYFA), American Composers Forum w/ Jerome Foundation, New York State Music Fund, Goethe Institute w/ Foreign Affairs Office, among others.” [“post_title”]=> string(11) “Hans Tammen” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “hans-tammen” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-17 16:44:27” [“post_modified_gmt”]=> string(19) “2025-03-17 16:44:27” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5019431” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2705 (24) { [“ID”]=> int(5306525) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1727) “Based in Brooklyn, NY, Phillip Stearns is the creator of the Year of the Glitch, a yearlong glitch-a-day project, and Glitch Textiles, a project exploring the intersection of digital art and textile design. He received his MFA in music composition and integrated media from the California Institute of Arts in 2007 and his BS in music technology from the University of Colorado at Denver in 2005. His work has been exhibited internationally at electronics arts festivals, museums, and galleries including: Turku Biennial 2013, WRO Biennale 2013, Transmediale 2013, Denver Art Museum (2013), The Photographer’s Gallery London (2012), The Camera Club of New York (2012), Eyebeam (2012, 2007), Harvestworks (2010, 2012); Gli.tc/H 2112; Festival De Arte Digital 2010; FILE 2009; NIME 2009; Filmer La Musique 2009; FONLAD 2009; Torrance Art Museum (2008, 2007); Optica Film Festival & (2011 2008). He has participated in residencies at the Making Lab of the 4th APAP ( Korea 2013), Textielmuseum in Tilburg, NL (2013), Institute for Electronic Arts (2012, 2013), Museums Quartier (Vienna 2010), STEIM (Amsterdam 2007, 2013), Experimental Television Center (2009), Harvestworks (NY 2010), Free103Point9 (2012). 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