array(22) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2740 (10) { [“term_id”]=> int(150) [“name”]=> string(11) “Performance” [“slug”]=> string(11) “performance” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(150) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(317) [“filter”]=> string(3) “raw” } } [“location”]=> string(19) “Harvestworks Studio” [“other_location_name”]=> string(0) “” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20221008” [“end_date”]=> string(0) “” [“time”]=> string(6) “3:00pm” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(6) “EMKVLT” [“secondary_artists”]=> string(0) “” [“listed_artists”]=> array(3) { [0]=> object(WP_Post)#2614 (24) { [“ID”]=> int(5169782) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1411) “With an interdisciplinary career blending classical training, sound/audio data research, and innovative computational arts education, Margaret Anne Schedel transcends the boundaries of disparate fields to produce integrated work at the nexus of computation and the arts. She has a diverse creative output with works spanning interactive multimedia operas, virtual reality experiences, sound art, video games, and compositions for a wide variety of classical instruments and custom controllers. She is internationally recognized for the creation and performance of ferociously interactive media. Her research focuses on gesture in music, the sustainability of technology in art, and sonification of data; she co-authored a paper published in Frontiers of Neuroscience on using familiar music to sonify the gaits of people with Parkinson’s Disease. She serves as a regional editor for Organised Sound and served as an editor for the open access journal Cogent Arts and Humanities. As an Associate Professor of Music with a core appointment in the Institute at Advanced Computational Science at Stony Brook University, she serves as the co-director of computer music and is the Chair of Art while teaching computer music composition at the Peabody Institute of the Johns Hopkins University. She is the co-founder of www.arts.codes, a platform and artist collective celebrating art with computational underpinnings.” [“post_title”]=> string(20) “Dr. Margaret Schedel” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(16) “margaret-schedel” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5169782” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2704 (24) { [“ID”]=> int(5433919) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2259) “

Jess Rowland is a multimedia artist and composer working at the intersection of sound, technology, and culture. Her practice engages with critical questions about how media and technology shape human experience, often through playful, absurd, and provocative works that challenge conventions. Whether designing wearable sound sculptures, creating interactive installations, or composing experimental music, Jess’s work blurs the boundaries between art, technology, and the everyday, inviting audiences to rethink their relationship with media.

Jess received her MFA in Art Practice from UC Berkeley and continues to have extensive experience as an educator at institutions such as Princeton University, UC Berkeley, and the School of Visual Arts in NYC. She was the 2018 – 2020 Peter B. Lewis Fellow in Art at the Lewis Center for the Arts, and continues work in her ongoing visual, sound, and multimedia practice.

Her work also bridges science and sound. She is published in leading peer-reviewed journals in Auditory Neuroscience, Music Psychology, and Perception, and she has worked at The NYU Center for Neural Science on speech and music research.

Jess brings a unique blend of technical expertise, creative vision, and cultural critique to her work. Her art has been exhibited internationally in galleries, festivals, and academic settings, reflecting her commitment to expanding the possibilities of sound and media art.

Jess’s ongoing projects explore the relationship between sound and physical space, interactive systems, and the use of new technologies in art, often focusing on American culture’s most deeply ingrained beliefs and assumptions. Her work has been supported and featured by organizations such as Harvestworks Digital Media Arts Center, where she has held residencies and solo exhibitions.

Jess Rowland’s art challenges our expectations, pushing the boundaries of how we think about and engage with the sonic world around us.

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Sofy Yuditskaya is a site-specific media artist and educator working with sound, video, interactivity, projections, code, paper, and salvaged material. Her work focuses on techno-occult rituals, street performance, and participatory art. Sofy’s performances enact and reframe hegemonies, she works with materials that exemplify our deep entanglement with petro-culture and technology’s affect on consciousness. She has worked on projects at Eyebeam, 3LD, the Netherlands Institute voor Media Kunst, Steim, ARS Electronica, Games for Learning Institute, The Guggenheim (NYC), The National Mall and has taught at GAFFTA, MoMA, NYU, Srishti, and the Rubin Museum. She is a PhD Candidate in Audio-Visual Composition at NYU GSAS.

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