array(13) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2618 (10) { [“term_id”]=> int(148) [“name”]=> string(10) “Exhibition” [“slug”]=> string(10) “exhibition” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(148) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(61) [“filter”]=> string(3) “raw” } } [“location”]=> string(19) “Harvestworks Studio” [“other_location_name”]=> string(19) “Harvestworks Studio” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20210508” [“end_date”]=> string(8) “20210808” [“time”]=> string(0) “” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(111) “Dafna Naphtali, Jakob Dwight, Valérie Hallier, Charlotte Mundy, Andrew Demirjian, Joseph Morris, Sergey Kasich” [“secondary_artists”]=> string(124) “Mari Kimura, Viv Corringham, Amanda Gutierrez, Nick Hwang, Eric Sheffield, Anthony T. Marasco, Surabhi Saraf, Dorothy Santos” [“listed_artists”]=> array(7) { [0]=> object(WP_Post)#2726 (24) { [“ID”]=> int(5763359) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1692) “Originally trained as a painter, Jakob Dwight was drawn to digital software as an opportunity to explore the transformative impact of digital media on painting and the painterly perspective. Inspired by the opiated, meditative quality of the screen-based televisual space, the artist employs multiple media including painting, drawing, digital photography, collage and smartphone apps to explore the contemporary modes of image-making and viewing, and the televisual art experience itself. Dwight’s work has been presented internationally, including in Amsterdam, Los Angeles, Berlin, Atlanta, Vienna, and New York. He has exhibited in Kassel, Germany as part of the Kreuzberg Pavillon at dOCUMENTA (13), 2012. In the same year, he was awarded the Harvestworks New Works residency in New York. In 2010, Dwight was invited to attend GlogauAIR artists’ residency in Germany, and in the following year, 2011, he was awarded a United States artist’s residency. As part of the Aesthetics & Therapeutics Lab, a collectively run platform developed to initiate installations and experiments in immersive art and healing, Dwight has installed a multi-sensory environment at Vortex Immersion Media Dome in LA in 2014. He was commissioned by the Seattle Art Museum to create new work for the Disguise: Masks and Global African Art exhibition at UCLA’s Fowler Museum, which traveled to the Brooklyn Museum, New York in April 2016.” [“post_title”]=> string(12) “Jakob Dwight” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “jakob-dwight” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5763359” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2704 (24) { [“ID”]=> int(5035233) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2705) “Inspired by the French Medieval “crieur public”, ScreamNow is the first public screaming booth of an upcoming series. The artwork takes a fundamental yet repressed human expression to generate visuals. ScreamNow: Inside/Out reflects our current social distancing and deeply transformative times. The new set up expands in space with a studio, adding the concept of Inside/Out to the project’s original purpose of offering a sanctuary for people to scream their heart out. The screams generated from inside are released outside, shielded by the open booth structure. Recorded via a microphone in the booth, the screams are processed inside of the studio. Flower petals picked outside are covering the walls of the studio where the recorded screams are transformed into visuals and projected back in and out of the booth. The screamer can instantly visualize the power generated by her voice. Hallier’s work explores how control and its release color the dynamics between the natural, the human and the technological realms. Her multimedia work aims to break away from the patriarchal hegemony of vision as our primary sense. By stimulating all senses, the artist’s goal is to offer spaces where meaningful experiences can be created and new scenarii on being can be imagined. Hallier’s early multimedia work has received prizes at ACM Siggraph (FL), SCAN Arts Symposium (PA), Ars Electronica in Finland and Anima Mundi in Brazil. She has shown her work internationally, in the US with most recently a solo show at NARS Foundation this past February 2020, at BRIC Arts Media, MediaNoche gallery and CAS Arts Center in New York. In Europe, solo shows venues include the ESAM in Caen, France and Nadiana Idriss gallery in Berlin, Germany. Group shows in the US include Trestle gallery, A.I.R. gallery, BRIC, Brooklyn Council for the Arts and Dumbo Arts Center in Brooklyn, SVA Flatiron gallery and Tribes galleries in Manhattan, and The Housatonic Museum (CT). Hallier worked on a commission for the Drawing Center (NYC) and was selected for BRIC’s first edition Biennial in Brooklyn. Residencies include LMCC Swing Space artist residency on Governors Island, Pioneer Works, NARS Foundation, Trestle Art Space and currently Harvestworks New Work Residency in NYC.” [“post_title”]=> string(16) “Valérie Hallier” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “valrie-hallier” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5035233” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [2]=> object(WP_Post)#2727 (24) { [“ID”]=> int(5393004) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(3550) “Created by vocalist and composer Charlotte Mundy, ‘Light as a Feather’ is a ghost opera inspired by the parlor room of 10a Nolan Park. In a room covered in sighing pink tissue paper, invisible voices beckon, whisper, growl and swirl around listeners, lights glow and change color, and floral scents waft through the space. Light as a Feather takes inspiration from the healing, psychedelic visions of medieval abbess Hildegard of Bingen; the visionary 1949 film The Wizard of Oz; and girlish sleepover games. Spanning 24 minutes and three scenes, the ghost opera will not feature any live performers, but will feature Mundy’s own layered and stretched voice channeled through an eight-speaker array, accompanied by simple machines built and programmed by Mundy with multimedia artist Melody Loveless. Mundy’s compositions have been presented on the Chance and Circumstance Festival, Resonant Bodies Festival, and Periapsis Music and Dance series. As a soloist, founding member of TAK Ensemble and core member of Ekmeles vocal ensemble, she is one of the foremost voices shaping contemporary music in New York City today. Mundy specializes in music that is new, daring and sublime. She has been called a “daredevil with an unbreakable spine” (SF Classical Voice), and her performances have been described as “an oasis of radiant beauty” (NYTimes) and “marvelously appealing” (The Log). Mundy was awarded the Jan DeGaetani prize for contemporary song performance from the 2019 Joy in Singing Competition, and has performed with the Resonant Bodies Festival, BAM New Wave Festival and New York Festival of Song. She has appeared as a soloist at the 92nd Street Y, Metropolitan Museum, Park Avenue Armory and the Library of Congress and given critically acclaimed renditions of Schoenberg’s Pierrot Lunaire, Boulez’s Le Marteau sans Maître, Feldman’s Three Voices and Messiaen’s Poémes Pour Mí. Mundy “slays the thorniest material like it’s nothing” (WQXR) with TAK ensemble at venues including Issue Project Room, Miller Theater and the Look and Listen festival; she sings stratospheric microtonal lines with Ekmeles vocal ensemble at venues including The Kitchen and Philadelphia’s Rotunda. Mundy was a host of WQXR’s new music station, Q2music, from 2012-2015 and currently co-hosts, co-edits and co-produces the TAK Editions Podcast. Her compositions have been featured on the Resonant Bodies Festival, Chance and Circumstance Festival, Periapsis Music and Dance festival, Higher Ground festival and Broad Statements. She has lectured on writing for voice and participated in readings, workshops and performances of student compositions at institutions including Columbia University, Princeton, Yale, Stanford, Cornell, McGill, and Juilliard. Mundy studied at the Contemporary Performance Program at the Manhattan School of Music, and the Faculty of Music at the University of Toronto. She was born and raised in Toronto, Canada and currently resides in Brooklyn.” [“post_title”]=> string(15) “Charlotte Mundy” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(15) “charlotte-mundy” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5393004” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [3]=> object(WP_Post)#2698 (24) { [“ID”]=> int(5272478) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1733) “Sergey Kasich is an interdisciplinary artist, curator and producer with focus in sound arts, technological media and music. Graduated as a Psychology major in 2006 from Lomonosov’s MSU, he was involved in postgraduate research in behavioral genetics and psychodiagnostics until 2010, while at the same time being a permanent resident at a studio for electronic music at the Theremin Center of Moscow State Conservatory. For 2012-2013 he joined an international research program at STRELKA institute for media, architecture and design to study urban data collection and processing and D.I.Y. and “hacker\maker” culture around the world. In 2011 he initiated SoundArtist.ru (a.k.a. SA)) ) – the Russian sound arts community. And later in 2014 he founded Moscow Sound Art Gallery SA))_gallery and Moscow Sound Art Studio SA))_studio. From 2011 until 2018 he has lectured in Rodchenko’s Art School in Moscow on the topic of technologic basics of interactive arts. Kasich curates and produces critically acclaimed events and projects supported by residents of SA)) which include: an annual festival, exhibitions and international showcases. Since 2008 kasich’s artistic practice has focused on interactive and generative sound and multimedia art installations, performances and mixed media projects. Kasich also works as a composer and sound-producer across a broad spectrum of the performing arts from theatrical productions and performances to pop-music.” [“post_title”]=> string(13) “Sergey Kasich” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(13) “sergey-kasich” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5272478” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [4]=> object(WP_Post)#2731 (24) { [“ID”]=> int(5250015) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(125) “Walking in Azcapotalco, a live duo performance containing 360 video, field recordings, voice and electronic voice processing.” [“post_title”]=> string(35) “Viv Corringham and Amanda Gutierrez” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(35) “viv-corringham-and-amanda-gutierrez” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5250015” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [5]=> object(WP_Post)#2695 (24) { [“ID”]=> int(5935662) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(193) “Collab-Hub, a tool for interconnected audiovisual performance and installations. A workshop followed by a performance by the participants that is documented on the Harvestworks YouTube channel.” [“post_title”]=> string(49) “Nick Hwang, Eric Sheffield and Anthony T. Marasco” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(47) “nick-hwang-eric-sheffield-and-anthony-t-marasco” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5935662” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [6]=> object(WP_Post)#2736 (24) { [“ID”]=> int(5144279) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(227) “Body in Transit. Made during the 2016 US election as countless individuals grappled with the imposed immigration ban, Body in Transit explores the anxiety and disorientation of displacement through transit and forced migration.” [“post_title”]=> string(32) “Surabhi Saraf and Dorothy Santos” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(32) “surabhi-saraf-and-dorothy-santos” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5144279” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } } }