array(22) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2759 (10) { [“term_id”]=> int(149) [“name”]=> string(12) “Installation” [“slug”]=> string(12) “installation” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(149) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(175) [“filter”]=> string(3) “raw” } } [“location”]=> string(17) “Governor’s Island” [“other_location_name”]=> string(0) “” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20220701” [“end_date”]=> string(8) “20220702” [“time”]=> string(0) “” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(18) “Michael Schumacher” [“secondary_artists”]=> string(58) “Featuring Brian Chase, Lee Gilboa, Dan Joseph, Zach Layton” [“listed_artists”]=> array(5) { [0]=> object(WP_Post)#2617 (24) { [“ID”]=> int(5882835) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1237) “Lee Gilboa is a US based Israeli composer, researcher, and audio engineer. In her work Lee uses speech, audio spatialization and vocal processing, and engages with different themes around the sonic identity such as naming, representation, collectivity, self-expression. While living in New York between 2017-19 Lee began her work as a curator for Daniel Neumann’s CT::SWaM, and developed her debut album The Possibility of Sonic Portraiture which was released by Contour Editions. Her works have been presented at Roulette Intermedium, The Immersion Room in NYU, The Cube at Virginia Tech, Ars Electronica Forum Wallis Festival and NYCEMF among others, and in conferences such as The Audio Testimonies Symposium, Borderline Sonorities, and The Sound of Sound Studies. She participated in several master classes and artist residencies internationally, including the Atlantic Center for the Arts, The Honk Tweet, and IRCAM Manifeste Academy. Lee holds degrees from Berklee College of Music and Columbia University. Currently, she is pursuing a Ph.D. at Brown University’s Music and Multimedia Composition program and serves as an Assistant Professor at Berklee College of Music’s Electronic Production and Design department.” [“post_title”]=> string(10) “Lee Gilboa” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(10) “lee-gilboa” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-17 16:31:39” [“post_modified_gmt”]=> string(19) “2025-03-17 16:31:39” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5882835” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2727 (24) { [“ID”]=> int(5138635) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2071) “Michael J. Schumacher has worked with spatialized sound, computers and electronics since the 1980s, creating multi-channel, generative “Room Pieces” presented in galleries, museums, concert halls, public and private spaces. XI Records has published a DVD set of five sound installations as computer applications, playable on up to eight speakers, which may be installed on a computer to create sound environments in the home. “Living Room Pieces” is another generative installation designed for home listening; in 2021 Schumacher created an edition of 10 for Raspberry Pi. “The Portable Multi-channel Sound System” is an 8 or 12 channel system that fits in a suitcase, with which he has toured Europe and the United States. His interest in the intersections of musical form, architecture and social spaces led to the founding, in 1996, of Diapason, a gallery devoted to the presentation of multi-channel sound installations, long-duration performances and intermedia artworks. In its 15 years of existence Diapason presented over 300 artists, at a time when sound art was emerging as a distinct practice in the United States. Schumacher is the music director of the Liz Gerring Dance Company and performs regularly with choreographer Sally Silvers. He studied music composition with Stanley Applebaum, Bernhard Heiden, John Eaton and Vincent Persichetti and piano with Seymour Bernstein, John Ogdon and Shigeo Neriki, and has degrees from Indiana University and Juilliard. He also worked with La Monte Young and Milton Babbitt. He has collaborated with choreographers, poets, architects, musicians and filmmakers including Oren Ambarchi, Bruce Andrews, Tom Chiu, Charles Curtis, Ken Jacobs, Victoria Meyers and Ursula Scherrer.” [“post_title”]=> string(18) “Michael Schumacher” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(18) “michael-schumacher” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-17 16:27:54” [“post_modified_gmt”]=> string(19) “2025-03-17 16:27:54” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5138635” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [2]=> object(WP_Post)#2698 (24) { [“ID”]=> int(5041544) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1210) “Brian Chase is a drummer and composer living in Brooklyn, NY. His diverse range of work includes that with Grammy nominated rock band Yeah Yeah Yeahs, the community of the New York experimental music scene, and his solo project entitled Drums and Drones. Performance collaborators range from leading improvisors Zeena Parkins, Anthony Coleman and Catherine Sikora to contemporary classical groups String Noise and Experiments in Opera to visual artists Ursula Scherrer, Erik Zajaceskowski and Keti Kartveli. Presentations of Drums and Drones have included those at arts festivals and venues such as New Ear Festival (Fridman Gallery, NYC), X Avant Festival (Toronto), Constellation (Chicago), National Sawdust (Brooklyn) and Secret Project Robot (Brooklyn). As an educator, Brian was a visiting professor at Bennington College and guest lecturer at So Percussion’s Summer Institute at Princeton University. Writings have appeared in John Zorn’s Arcana anthology, Modern Drummer magazine and Talkhouse culture blog. Performer and artist residencies have been held at The Stone and Headlands Center for the Arts. 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He began his career as a drummer in the vibrant punk scene of his native Washington, DC. During the late 1980s, he was active in the experimental tape music underground, producing ambient-industrial works for independent labels in the U.S. and abroad. He spent the ‘90s in California where he studied at CalArts and Mills College. His principal teachers include Pauline Oliveros, Alvin Curran and Mel Powell. Equally influential were his studies with Terry Riley during several workshops in California and Colorado. A New York resident since 2001, Dan’s work has been presented at Merkin Concert Hall (NYC), Diapason Gallery for Sound (NYC), Roulette (NYC), Issue Project Room (NYC) The Kitchen (NYC) Yerba Buena Center for the Arts (CA), Human Resources (CA), Harrison House (CA) and other venues. He has received commissions from several ensembles and performers, including Gamelan Son of Lion, the sfSoundGroup, baritone Thomas Buckner, and clarinetist Matt Ingalls. Dan has held residencies at Headlands Center for the Arts, the Lower Manhattan Cultural Council and Harvestworks Digital Media Arts Center. As an artist who embraces the musical multiplicity of our time, Dan works simultaneously in a variety of media and contexts, including instrumental chamber music, free improvisation, and various forms of electronica and sound art. Since the late 1990s, the hammer dulcimer has been the primary vehicle for his music. As a performer he is active with his own chamber ensemble, The Dan Joseph Ensemble, as well as in various improvisational collaborations and as an occasional soloist. He has collaborated with a variety of creative artists including Miya Masaoka, Pamela Z, Loren Dempster, JD Parran, India Cooke, Andrea Williams, William Winant and Miguel Frasconi and John Ingle. As curator and presenter, he has organized over 100 concerts as an independent producer and as a member of organizations such as Harvestworks, Mutable Music (producers of the acclaimed Interpretations series) and the San Francisco Electronic Music Festival. He currently produces the monthly music and sound series Musical Ecologies at The Old Stone House in Park Slope, Brooklyn, and is a co-producer of the Music for Contemplation series in Williamsburg, Brooklyn. 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Zach’s work has been performed by the Cleveland Chamber Symphony and has been exhibited at the International Congress for Performance Art in Berlin, Neue Berliner Initiative, and many other venues in New York and Europe. He also is the curator of Brooklyn’s monthly experimental music series “darmstadt: classics of the avant garde” which features leading composers and improvisers from around New York City. 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