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Michael’s work delves into the essence of sound using live code and custom machine listening systems to create tightly woven synesthetic experiences where music is both seen and heard. Michael uses live coding as a primary instrument in his creative work, leaning upon the paradigms unique capacity for spontaneous generation of audio-visual visions. Michael’s musical compositions are deeply inspired by New York’s vibrant hip-hop and electronic music scenes. Michael’s work has found its way to various stages, from music festivals to intimate venues across New York City and beyond. Michael approaches each opportunity with humility and a firm belief that art and technology, together, hold the power to enrich our understanding of the world and each other, creating spaces for connection and discovery. 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Eric Lee, aka easterner, is an interdisciplinary audiovisual artist/musician from London/Hong Kong, currently based in New York, who explores the cyborg condition: what does it mean to live in interconnected human-machine communities in a precarious world? He experiments with–and glitches–old and new technologies, ubiquitous to obsolete, to explore their poetic potential, as well as to critique their role in society.

He is a member of the livecode.nyc art collective, organises and performs audiovisual shows, and curates exhibitions and workshops.

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elekhlekha (Nitcha Tothong–ณิชชา โตทอง & Kengchakaj–เก่งฉกาจ) is a Bangkok-born collaborative artist practice focusing on research that examines and decoded past histories by creating, using code, algorithm, multimedia, and technology to experiment, explore, and define decolonized possibilities. They are currently based in Lenapehoking (Brooklyn). elekhlekha has received support from Babycastles, Rhizome, Processing Foundation and etc. In 2022, they were awarded The Lumen Prize Gold Award for their debut project, Jitr (จิตร), a performative audio-visual that utilizes historical research, Southeast Asian sound cultures, and live coding tools to reconcile Southeast Asia’s shared heritage.

” [“post_title”]=> string(50) “elekhlekha อีเหละเขละขละ” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “elekhlekha-2” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5489763” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [10]=> object(WP_Post)#2637 (24) { [“ID”]=> int(5528499) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(799) “Francisco Barretto is a multimedia artist, creative coder, professor, and researcher who explores the intersection between artificial intelligence, creativity and computational art. His work seeks to reveal subtle and relevant aspects of how we represent and perceive ourselves, as well as to explore new interfaces for interacting with various digital algorithms. Barretto uses technology to explore the interconnection between humans and the natural world, and the interaction between the physical and the digital in his works, which include mapped projections, LED panels, and immersive environments. Barretto has exhibited a series of interactive artworks at various art festivals and exhibitions across Brazil for over 10 years. He performs with Micaelle Lages in a group called “the code.”” [“post_title”]=> string(7) “thecode” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(7) “thecode” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5528499” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [11]=> object(WP_Post)#2676 (24) { [“ID”]=> int(5104929) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1068) “

Tristan Kneschke’s Metamyther project explores three-movement song structures to craft cinematic industrial odysseys. Kneschke has quickly gained a reputation in the local New York scene for his intense live shows, and works to support his local community by producing live events like the dark-themed Electric Abyss through the New York Modular Society, as well as a monthly showcase of local artists at Wonderville. He has contributed scores to several films, including the documentary Conceiving Our Future, which enjoyed the distinction of screening DocNYC, America’s biggest documentary film festival. Kneschke has taught classes at the School of the Visual Arts in New York City as an adjunct professor. He has contributed anthology chapters published by Bloomsbury Academic, Routledge, and Dancecult, and has focused on writing about electronic music for cultural publications including Tiny Mix Tapes, Pop Matters, Metal Sucks, Decoder Magazine, Echoes and Dust, and Hyperallergic, among others.

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