Reviewing

My ______ is an Ecosystem

LiveCode.NYC

Featuring Melody Loveless, Cameron Alexander, Eric Lee

DATES AND TIMES
Two weekends of events and exhibition, opening April 26th and closing May 5th
Free and open to the public Fridays, Saturdays and Sundays (11am-5pm)
Performances daily at 3pm. Workshops, talks, and presentations on Saturdays and Sundays at 1pm.

LOCATION: Harvestworks Art and Technology Program Building 10a, Nolan Park, Governors Island

Calendar of Events

Exhibition

List of Participants

Processes. Loops. Glitch. Noise. Feedback. Nostalgia. Sustainability. World building. An ecosystem of ecosystems. This year’s show, My ______ is an Ecosystem (said “my blank is an ecosystem”) features a selection of art, workshops, discussions, and performances that explore the former ideas in many ways.

From interactive installations to video art, and audiovisual performances to sculpture, this exhibition features artists using live coding, artificial intelligence, custom electronics and software, repurposed electronics and e-waste, permacomputing, and more. 

The title of the show refers to the relationships these featured artists build with their imaginations and tools. An alternative name for this show could be “This is an ecosystem,” referring to this collection of work, the event, and the community of artists involved.


About LiveCode.NYC

LiveCode.NYC is a New York City-based leaderless social group and artist collective devoted to the real-time programming technique called live coding. Members include artists, engineers, actors, designers, educators, musicians, game developers, and writers. The group has no formal membership or hierarchy, and anyone is welcome to join, attend, participate in, and host algoraves.

Live coding and algoraves (algorithm + rave) are global movements, they “are a way to experience something as abstract as algorithmic music with your whole body, with your mind and with your feet, and everything in between” (Alex McLean). Where traditional music and visuals are effectively opaque, a key component to live coding is transparency, performers display the code which produces the sights and sounds the audience experiences. Some guiding principles of our community include: Exposing algorithmic processes, being wary of established institutions, collapsing hierarchies, respecting other communities, equitable diversity and inclusion in lineups and audiences, and making space for experimentation and failure.

Website: livecode.nyc
Instagram:@livecodenyc 

PAST INTERVIEWS AND PRESS COVERAGE

  1. https://www.nytimes.com/2019/10/04/style/live-code-music.html 
  2. https://www.vice.com/en/article/j5wgp7/who-killed-the-american-demoscene-synchrony-demoparty  

This is a Satellite Event for this year’s International Conference of Live Coding (ICLC)
Main Organizer/Producer: Melody Loveless
Co-Organizers/Producers: Cameron Alexander and Eric Lee
Stage Manager and Web Editor: Fuguo Xue

Thank you to Carol at Harvestworks for her generosity and openness with us!


Accessibility

Mobility 

Ferry

Governors Island is only accessible by ferry.  The ferry from the Governors Island Ferry Terminal in lower Manhattan (10 South Street) to Soissons Landing on Governors Island is wheelchair-accessible. 

More Info:

Getting to the Exhibition

It is about a 7-10 minute walk from Soissons Landing to the Harvestworks house. Most paths on the island are wheelchair accessible. However, the path and entrance to the exhibition features an uneven surface. (approx. last 50 ft of the journey.) 

Exhibition

Accessibility is limited for wheelchair users and others who need step-free access. The exhibition is in a two-story house with stairs (approx. seven) leading into the building. 

There are wheelchair accessible restrooms near Soissons Landing. The closest restrooms have stairs.

There is no heat, AC, and/or running water in the building. We recommend dressing for the elements and consulting the weather forecast to prepare for your trip.

More Info:

Sensory Advisory

Not all, but many parts of the exhibition include dark rooms and flashing lights. Discretion is advised.

COVID Safety

Please mask while indoors / in our space. We will have limited masks at the door.

Code of Conduct

Livecode.NYC is dedicated to providing harassment-free discord, meetup, performance, and event experiences for everyone, regardless of gender, gender identity and expression, age, sexual orientation, disability, physical appearance, body size, race, ethnicity, religion (or lack thereof), or technology choices. We do not tolerate harassment of community members in any form. For more details, visit: livecode.nyc/coc.html

Melody Loveless

Melody Loveless is a musician, performer, educator, creative
technologist, and multimedia artist based in Brooklyn, NY. Her work ranges from live
coding performance, generative sound installations, multisensory performance, and
more. An active performer and member of the NYC creative community, she has
performed around the city in various venues, including Babycastles, Wonderville,
(le) poisson rouge, Performance Space New York, and Eyebeam. Additionally, she has
also organized/co-organized events including various concerts/performances,
exhibitions, conferences, hackathons, and more. Past honors include artist
residencies (local and international), performances and talks at conferences and
festivals, and awards and press for her music and work as a creative technologist
(see below for details). She has presented talks on music education and her artistic
practice for various organizations and events including the New Music Gathering,
Monthly Music Hackathon, Bates Digital Music Symposium, and Pathways: Art and
Technology. As an educator, she has taught in various institutes and organizations
including New York University, the New School, Hunter College, Music Hackspace, and
Harvestworks. She is also part of the first cohort of Cycling 74’s Max Certified
Trainer Program.

Cameron Alexander

Cameron Alexander (aka emptyflash) is an artist, programmer, and
scientist based in New York. His work explores the relationship between math and
nature (especially in fractals, feedback, and non-linear systems), altered and
esoteric states of consciousness, and the essence of reality through generative art,
livecoded performances, and alternative process photography. Cameron received his
B.S. in Computer Science from the University of Houston in 2015. He has been
creating generative art since 2011, and his work has been exhibited, installed, and
performed in galleries, theaters, clubs, and venues across the U.S. Cameron is a
member of the New York-based collective livecode.nyc, where he organizes shows,
gives livecoding workshops, and performs livecoded visuals and music at algoraves.

Eric Lee

Eric Lee, aka easterner, is an interdisciplinary audiovisual artist/musician from London/Hong Kong, currently based in New York, who explores the cyborg condition: what does it mean to live in interconnected human-machine communities in a precarious world? He experiments with–and glitches–old and new technologies, ubiquitous to obsolete, to explore their poetic potential, as well as to critique their role in society.

He is a member of the livecode.nyc art collective, organises and performs audiovisual shows, and curates exhibitions and workshops.