array(22) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2646 (10) { [“term_id”]=> int(148) [“name”]=> string(10) “Exhibition” [“slug”]=> string(10) “exhibition” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(148) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(61) [“filter”]=> string(3) “raw” } } [“location”]=> string(17) “Governor’s Island” [“other_location_name”]=> string(0) “” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20230630” [“end_date”]=> string(8) “20230827” [“time”]=> string(0) “” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(274) “Lauren Petty, Shaun Irons, Zach Layton, Stephanie Rothenberg, Suzanne Thorpe, Michelle Jaffe, David Reeder, Phil Edelstein, Marta Grasso, Kevin Ramsay, Efraín Rozas, Amelia Marzec, Ursula Endlicher, Woody Sullender, Emmett Palaima, Elico Suzuki, Bob Bielecki, David Behrman” [“secondary_artists”]=> string(268) “Featuring Efraín Rozas, Amelia Marzec, Bob Bielecki, David Behrman, Elico Suzuki, Woody Sullender, Stephanie Rothenberg, Suzanne Thorpe, Michelle Jaffe, David Reeder, Phil Edelstein, Marta Grasso, Kevin Ramsay, Lauren Petty, Shaun Irons, Zach Layton, Ursula Endlicher” [“listed_artists”]=> array(15) { [0]=> object(WP_Post)#2717 (24) { [“ID”]=> int(5872033) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(542) “Lauren Petty and Shaun Irons (AutomaticRelease) are Brooklyn based, interdisciplinary artists who make multimedia performances, installations, films and interactive video scores for live performance. Shaun and Lauren’s projects have been seen in NYC, nationally, and internationally and they have received numerous awards including grants, fellowships and residencies from the NEA, NYSCA, NYFA, LMCC, Jerome Foundation, Harvestworks, Asian Cultural Council, Signal Culture, Yaddo, MacDowell, Camargo Foundation and the Bogliasco Foundation.” [“post_title”]=> string(28) “Lauren Petty and Shaun Irons” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(28) “lauren-petty-and-shaun-irons” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5872033” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2720 (24) { [“ID”]=> int(5623881) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1451) “Emmett Palaima is an artist working with electronics and esoteric processes of sound creation. His practice is conceptually rooted in the idea that technology and magic are one and the same, and that electricity is a manifestation of the divine or elemental forces underlying physical reality. In his work he seeks alternatively to celebrate the power of this force and give it worship, through the creation of devotional objects and intensely physical electronic experiences, and to analyze humanity’s relationship to this force in the context of a globalized industrial economy. His past work includes solo and group gallery exhibitions, exhibition at Currents New Media Festival and Fusebox Festival, work as a Sound Technologist for immersive art installations with Meow Wolf Creative Studios and Dadalab, work on installation audio for the Whitney Biennial and the Palm Springs Art Museum, performance as a touring musician with Elizabeth Colour Wheel, and professional design of guitar pedals and synthesizers. His practice is a consolidation of these diverse influences, combining elements of functional and aesthetic design, sound, performance, and immersive space. 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His work was described as “An incredible physical presence that transformed the stage into a soundscape” by The New York Times, “A heady confluence of technology, culture and cognition” by The New Yorker, and “A deep psychonautic dive” by Wire Magazine. He is a Jerome Artist Fellow 2023-2025 for combined arts. He was a resident at The Kitchen on 2021 and recipient of the NY State Council on the Arts Arts Assistance Fund. He has performed at Lincoln Center, Kennedy Center, Brooklyn Museum, Queens Museum, Levitation Festival, Museum of Contemporary art of Lima and Summerstage/Fania Records 50th anniversary. He has published albums internationally and the book “Fusión: a soundtrack for Perú.”” [“post_title”]=> string(13) “Efraín Rozas” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “efran-rozas” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5004734” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [3]=> object(WP_Post)#2721 (24) { [“ID”]=> int(5546290) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1191) “Lisa Moren is a multi-disciplinary artist who works with emerging media, bio-matter, public space, AR\XR and works-on-paper. She has exhibited her work at the Chelsea Art Museum, Creative Time, and the Drawing Center in New York, the Cranbrook Art Museum and international venues including uShaka Museum (South Africa), Ars Electronica (Austria), and Akademie der Kunste (Germany), and the Artists Research Network (Australia) and has a forthcoming one-person exhibition at the Peale Museum in Baltimore, Maryland. She received the National Endowment for the Arts award, is a Fulbright Scholar; a multi-year recipient of the Maryland State Arts Council and CEC Artslink International and the Saul Zaentz Innovation Fellowship in Film and Media at Johns Hopkins University. Her work has appeared in Performance Research; Visible Language; Inter Arts Actuel; New Media Caucus for her curated work “Algorithmic Pollution: Artists working with Dataveillance and Societies of Control” and “CYBER IN” [“post_title”]=> string(10) “Lisa Moren” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(10) “lisa-moren” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5546290” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [4]=> object(WP_Post)#2609 (24) { [“ID”]=> int(5231726) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1243) “Dr. Tsvetan Bachvaroff’s is a marine biologist whose research is focused on dinoflagellate evolution with special emphasis on the parasitic dinoflagellates, using large scale sequencing and phylogenetic methods to describe the evolutionary history of different types of genes in dinoflagellates. He uses DNA sequence analysis from data collection, assembly, annotation and phylogeny; has received numerous academic awards, including the William Trager Award from the Journal of Eukaryotic Microbiology, International Society of Protistologists, culture independent methods such as single cell PCR, sequencing, and sequence analysis; Establishing dinoflagellate cultures. He received the Marsho award, Mid-Atlantic Section of the American Society for Plant Biology, University of Maryland College Park, and the Chemistry Prize, Trinity School, New York. Tsvetan Bachvaroff received his B.A. degree from Johns Hopkins University and Ph.D. from the University of Maryland College Park. He was a Post-doctoral Fellow at the Center of Marine Biotechnology and subsequently with the Smithsonian Institution. He is an Associate Research Professor for the Institute of Marine and Environmental Technology (IMET) at The University System of Maryland.” [“post_title”]=> string(22) “Dr. Tsvetan Bachvaroff” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(21) “dr-tsvetan-bachvaroff” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5231726” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [5]=> object(WP_Post)#2723 (24) { [“ID”]=> int(5383592) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1310) “Amelia Marzec is an American artist focused on rebuilding and engaging with local communications infrastructure to prepare for an uncertain future. Her work has been exhibited at SIGGRAPH, MIT, ISEA (Canada), University of the Arts Helsinki (Finland), ONCE Foundation Contemporary Art Biennial (Spain), NODE Forum for Digital Arts Biennial (Germany), and is part of the Rhizome ArtBase. She has been a resident at Eyebeam, Ox-Bow, and Harvestworks, a fellow at NYSCA/NYFA and A.I.R. Gallery, a Tow Fellow at Columbia University, a visiting artist at the Center for Integrated Media at Calarts, a grantee of the Research Foundation of CUNY, and a nominee for the World Technology Awards for Art. Her work has been featured in Wired, Make, Hyperallergic, Neural Magazine, Metropolis Magazine, Creators, and the front page of Reddit. She holds an MFA in Design and Technology from Parsons School of Design, and a BFA from Mason Gross School of the Arts. She co-founded the Radical Networks conference; has written for the Huffington Post; and taught at Hunter College, Queens College, and Pratt Institute.” [“post_title”]=> string(13) “Amelia Marzec” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(13) “amelia-marzec” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 17:30:24” [“post_modified_gmt”]=> string(19) “2025-03-14 17:30:24” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5383592” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [6]=> object(WP_Post)#2613 (24) { [“ID”]=> int(5018991) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(620) “Bob Bielecki is a sound designer, specializing in the creative use of technology in the electronic arts; additional expertise as audio engineer, exhibition designer, electrical engineer, software developer, and artist/collaborator. Since the mid-1970’s Bob has worked with many artists including Laurie Anderson, La Monte Young, Annea Lockwood, Steven Vitiello, and others on work that has included the creation of unique instruments and interfaces used in performance installations.. Bob has received grants from Andy Warhol Foundation and New York State Council on the Arts and has taught at Bard College since 1997.” [“post_title”]=> string(12) “Bob Bielecki” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “bob-bielecki” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5018991” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [7]=> object(WP_Post)#2619 (24) { [“ID”]=> int(5413106) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1322) “David Behrman has been active as a composer and artist since the 1960s. Over the years he has made sound and multimedia installations for gallery spaces as well as musical compositions for performance in concerts. Many of his works feature flexible structures and a use of technology in personal ways; they rely on interactive real-time relationships with imaginative performers. Working at Columbia Records in the late Sixties, Behrman produced many of the “Music of Our Time” series of new music recordings. Together with Robert Ashley, Alvin Lucier and Gordon Mumma, he founded the Sonic Arts Union in 1966. He had a long association with the Cunningham Dance Company. Long Throw, Unforeseen Events, My Dear Siegfried, Leapday Night, On the Other Ocean, Interspecies Smalltalk, Open Space with Brass and ViewFinder are among Behrman’s works for soloists and small ensembles. His works have been recorded on Lovely Music, Alga Marghen, XI, Black Truffle and other labels. Black Truffle recently released a long-neglected 1981 collaboration, She’s More Wild, with Terri Hanlon, Fern Friedman and Paul DeMarinis.” [“post_title”]=> string(13) “David Behrman” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(13) “david-behrman” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5413106” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [8]=> object(WP_Post)#2620 (24) { [“ID”]=> int(5404973) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(844) “Elico Suzuki is an interdisciplinary sound artist based in Tokyo, Japan. She is also active as an improviser and composer under the name “suzueri”. She graduated from Musashino Art University and IAMAS in Japan, and is an adjunct lecturer at Musashino Art University Imaging Arts and Sciences, and the University of Tokyo. She is currently in New York as a fellow of the Asian Cultural Council 2022 NY. She has presented her work nationally and internationally, including at Experimental Intermedia (US), ISSUE Project Room (US), Goethe Institute Boston (US), NTT InterCommunication Center (Japan), LUFF Festival (Switzerland), Audiograft Festival (England), Festival Tsonami (Chile), and others. https://suzueri.org” [“post_title”]=> string(12) “Elico Suzuki” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “elico-suzuki” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5404973” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [9]=> object(WP_Post)#2722 (24) { [“ID”]=> int(5390103) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2272) “Woody Sullender is a media artist and musician based in Queens, NY. His pieces encompass a myriad of media including sculpture, video games, performance, theater, music, installation, architecture, origami, and sonic weaponry. His recent work utilizes video game space as an arena to undermine specific modernist ideologies and rituals of music reception. Previously, Sullender was recognized as a pre-eminent experimental banjo improviser. Sullender has performed internationally at venues such as the Kitchen (with Sergei Tcherepnin + Okkyung Lee), Issue Project Room (Brooklyn, NY), the River to River Festival, the Schindler House (Los Angeles), Knockdown Center (NYC), SculptureCenter (NYC), Abrons Art Center (NYC), Les Instants Chavirés (Paris), Chicago Cultural Center, DNK-Amsterdam (with Seamus Cater), and many others. He recently completed the Art & Code cohort at NEW INC (partnered with Rhizome and the New Museum) and has been an artist in residence or visiting artist at Pioneer Works (Brooklyn), STEIM (Amsterdam), Harvestworks (NYC), Peabody Institute at Johns Hopkins (Baltimore), Volunteer Lawyers for the Arts (NYC) and Brown University’s MEME program. His work has been reviewed internationally by such widely disparate publications as Wire Magazine, Art in America, Fast Company, and Maximumrocknroll. Other projects include the music album “Four Movements” constructed in video game space, as well as a special music review issue of EAR WAVE EVENT written entirely by AI. Additionally over the past few years, Sullender has worked on re-interpreting the work of Maryanne Amacher at venues such as the Stedelijk Museum (Amsterdam) and REDCAT (Los Angeles) as a member of Supreme Connections, as well as in collaboration with Daniel Neumann and members of Yarn/Wire. Among other activities, he is founding co-editor (will Bill Dietz) of the sonic arts publication Ear Wave Event.” [“post_title”]=> string(15) “Woody Sullender” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(15) “woody-sullender” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5390103” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [10]=> object(WP_Post)#2618 (24) { [“ID”]=> int(5180562) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1468) “Stephanie Rothenberg’s interdisciplinary art draws from digital culture, science and economics to explore symbiotic relationships between human designed systems and biological ecosystems. Moving between real and virtual spaces, she engages a variety of media platforms that include interactive installation, drawing, sculpture, video and performance. She has exhibited internationally in venues and festivals including MassMOCA (US), Sundance Film Festival (US), House of Electronic Arts / HeK (CH), LABoral (ES), Transmediale (DE), and ZKM Center for Art & Media (DE). She has received awards from Harpo Foundation, NYSCA and Creative Capital among others and has participated in numerous residencies including Lower Manhattan Cultural Council Workspace/LMCC and Eyebeam Art and Technology Center in NYC, Santa Fe Art Institute, and ZK/U in Berlin. Her work is in the collection of the Whitney Museum of American Art and has been widely reviewed including Artforum, Artnet, The Brooklyn Rail and Hyperallergic. She is Professor in the Department of Art at University at Buffalo SUNY where she co-directs the Platform Social Design Lab, an interdisciplinary design studio collaborating with local social justice organizations.” [“post_title”]=> string(20) “Stephanie Rothenberg” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(20) “stephanie-rothenberg” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5180562” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [11]=> object(WP_Post)#2718 (24) { [“ID”]=> int(5845606) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1920) “Suzanne Thorpe is an interdisciplinary artist-scholar whose creative research intersects electronic music, feminist and ecological theory. She interweaves critical listening practices with acoustic ecology, improvisation and technology to craft immersive sound engagements and creative research sites that question circulations of power within human and nonhuman systems. As an electroacoustic flutist and sound artist she’s performed and exhibited internationally, has a large discography, with releases on Columbia Records, Beggars Banquet, Geffin, V2, and her research has been published in journals and edited volumes. Thorpe has been granted several residencies and awards for her artistry and research, such as the Frog Peak Collective Award for innovative research in technology, a Gold Record from the Recording Industry Association of Americas, as well as grants from the MAP Fund, NYSCA, New Music USA and Harvestworks Digital Media Foundation. Thorpe holds an MFA in Electronic Music & Media from Mills College, a Ph.D. in Integrative Studies from the University of California, San Diego, and is a certified Deep Listening Instructor, having studied in depth with pioneering composer and Deep Listening Founder Pauline Oliveros. Most recently she was a Mellon Fellow and member of the Society of Fellows at Columbia University, and is currently Assistant Professor of Sound Studies at Manhattan College. She also remains a co-founder and director of TECHNE, a nonprofit arts-education organization dedicated to dismantling social and cultural barriers in technical learning environments.” [“post_title”]=> string(14) “Suzanne Thorpe” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “suzanne-thorpe” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5845606” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [12]=> object(WP_Post)#2622 (24) { [“ID”]=> int(5702012) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1375) “Michelle Jaffé is an American interdisciplinary artist who creates immersive works that prompt active listening. Her sculpture, sound and video installations present complex experiential propositions. Over the past 20 years, Jaffé has brought sound directly into the participant’s 3-D space, through cutting edge programing in SuperCollider & speaker technologies such as Holosonic & Wave Field Synthesis. She works with sound to expand sculptural experience, as a gestalt to forge new neural connections, by engaging mind, body & limbic brain simultaneously. She has exhibited at The New Media Gallery, Vancouver, Beall Center for Art + Technology, UC Irvine, Duke University Power Plant Gallery, Urban Institute for Contemporary Arts, Grand Rapids, Transylvania University, Lexington, KY, Milton Art Bank, Milton, PA, and in New York City at 11 Rivington, Bosi Contemporary, WhiteBox, NY, NYCEMF, Wald & Po Kim Foundation, Susan Berko-Conde Gallery & Electroacoustic Music Festival. Jaffé has been awarded 3 Individual Artist grants from NYSCA, 4 QAF grants from Queens Council on the Arts and is a 4 time fiscally sponsored artist of NYFA & was Artist-in-Residence to the Computer Music Department at Brooklyn College and has been awarded residencies at MacDowell Colony, Djerassi, The Exchange Museum and Newlyn Gallery in England.” [“post_title”]=> string(15) “Michelle Jaffé” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “michelle-jaffe” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5702012” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [13]=> object(WP_Post)#2621 (24) { [“ID”]=> int(5739180) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1754) “David Reeder is a media arts software developer who combines software design with music composition, sound invention and inter-media installations. Reeder’s current focus is data engineering and cloud architecture, data sonification, niche problem solving, custom network protocols, micro-networking, deep services and backend support. His research interests include developing enhanced features for Open Sound Control (OSC) and novel means to present musical experiences via pocket computers, ubiquitous computing, wearable devices, brain-computer interfaces (BCI) and gestural control systems. Reeder has over 15 years professional experience in software development and Internet protocol design spanning commercial, educational and government operations in the areas of networking, operating systems, security, Internet standards and data management. As a musician, Reeder has performed or presented compositions and installations at the Darmstadt Internationale Ferienkurse für Neue Musik and cities around the US. As a music technologist, David has built an iOS app to synchronize performances via Internet atomic clocks, presented solo and team installations, presented new research at ICMC and has worked as consultant with a variety of projects and artists. He is co-organizer of NYC SuperCollider, serves on the executive steering committee of the New York City Electroacoustic Music Festival (NYCEMF) and is co-founder of the NYCEMS (Society) (2013-2017).” [“post_title”]=> string(12) “David Reeder” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “david-reeder” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5739180” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [14]=> object(WP_Post)#2719 (24) { [“ID”]=> int(5677482) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(838) “Zach Layton is a New York based composer and artist interested in biofeedback techniques, psychoacoustics, perception and generative algorithms. Zach’s work has been performed by the Cleveland Chamber Symphony and has been exhibited at the International Congress for Performance Art in Berlin, Neue Berliner Initiative, and many other venues in New York and Europe. He also is the curator of Brooklyn’s monthly experimental music series “darmstadt: classics of the avant garde” which features leading composers and improvisers from around New York City. 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