array(22) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2628 (10) { [“term_id”]=> int(150) [“name”]=> string(11) “Performance” [“slug”]=> string(11) “performance” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(150) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(317) [“filter”]=> string(3) “raw” } } [“location”]=> string(17) “Governor’s Island” [“other_location_name”]=> string(0) “” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20240615” [“end_date”]=> string(0) “” [“time”]=> string(6) “2:45pm” [“end_time”]=> string(6) “8:15pm” [“time_notes”]=> string(0) “” [“artists”]=> string(66) “Judy Dunaway, Dúa de Pel, Katherine Liberovskaya, Sarah Bernstein” [“secondary_artists”]=> string(56) “Featuring Sonia Megías, Eva Guillamón, Ztimhcs Aidualc” [“listed_artists”]=> array(5) { [0]=> object(WP_Post)#2726 (24) { [“ID”]=> int(5708047) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2360) “For the past twenty years Judy Dunaway has primarily been known for her numerous works for latex balloons as sound producers, including free improvisations, electronic and multi-media works, sound installations, and compositions. She has presented these works throughout North America and Europe at many important venues, festivals, museums and galleries including the Academy of Media Arts Cologne (Germany), Alternative Museum (NYC), Bang on a Can Festival (NYC), Everson Art Museum (Syracuse), Frau Musica Nova (Germany), the Guelph Jazz Festival (Canada), Lincoln Center Out-of-Doors (NYC), the New Museum of Contemporary Art (NYC), Performance Space 122 (NYC), Podewil (Berlin), Roulette (NYC), the Roy and Edna Disney Center (Los Angeles), Seltsame Musik Festival (Austria) and STEIM (Netherlands). Her discography includes CDs on the CRI and Innova labels. Her awards/grants/residencies include the Electronic Music Studios Stockholm, New York State Music Fund. the Aaron Copland Fund Recording Grant, the American Composers Forum’s Composers Commissioning Fund, ZKM, Harvestworks and the National Endowment for the Arts performance fund. She has given academic presentations about her works at many colleges and universities, including The Berlin University of the Arts, Cornell University, Rennselaer Polytechnic, Tufts University, Syracuse University, Juilliard School of Music, Musik Akademie Basel (Switzerland), University of Gothenberg (Sweden), Accademia di Belle Arti di Brera (Milan, Italy) and Hochschule fuer Gestaltung, Karlsruhe (Germany). She has a Ph.D. in music composition from Stony Brook University and an M.A. with emphasis in experimental music composition from Wesleyan University, where she studied with Alvin Lucier. She has been a Visiting Lecturer at Massachusetts College of Art and Design since 2005. She has been working with Cycling 74‘s Max for the past 10 years and received a Max/MSP/Jitter certificate from Harvestworks in May 2011.” [“post_title”]=> string(12) “Judy Dunaway” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “judy-dunaway” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5708047” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2727 (24) { [“ID”]=> int(5585489) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(883) “Dúa de Pel is an ensemble that erases the borders between past and present, between local and universal. Their creations have a notable influence from Spanish folklore, but in them naturally coexist multiple styles, from different periods and cultures, giving rise to an original and inimitable sound. The group was born in Madrid in 2014, when composer Sonia Megías and writer Eva Guillamón decided to join their respective knowledge and their long artistic career to create a music full of poetry. Since then, they developed an extensive international career, singing their own compositions in places such as the National Auditorium or Teatro Real in Madrid, The Juilliard School in New York, British Museum in London, Culture Square Theater in Shanghai, Instituto Cervantes in Tokyo, through extensive tours throughout Latin America, Asia or Europe. More info: www.DuadePel.com” [“post_title”]=> string(11) “Dúa de Pel” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(9) “da-de-pel” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5585489” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [2]=> object(WP_Post)#2731 (24) { [“ID”]=> int(5249721) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(3357) “Katherine Liberovskaya is an intermedia artist based in New York City and Montreal, Canada. Involved in experimental video since the 80s, she has produced many single-channel videos, video installation works and video and music performances which have been presented at a wide variety of events and venues around the world. Among these: MOMA PS1 PrintShop NYC; The Duolun Museum and The Aurora Museum, Shanghai, China; The Museum of Arts and Design, NYC; The Bitola Museum, Macedonia (FYROM); The Tito Museum, Belgrade, Serbia; The Kyoto University Museum, Japan; The Serralves Contemporary Art Museum, Porto, Portugal; The Roskilde Museum of Contemporary Art, Denmark; The National Center for Contemporary Art, Moscow, Russia; The Beirut Art Center, Lebanon; The Contemporary Art Center Bunkier Sztuki, Krakow, Poland. Since 2001 her work predominantly focuses on the intersection of image and sound, in solo video-audio installation/environments and often in collaborations with composers and sound artists notably in live video+sound performance. Frequent collaborators include Phill Niblock, Al Margolis/If,Bwana, Keiko Uenishi, David Watson, Shelley Hirsch, Guy de Bievre… among many others. Since 2003 she has been exploring improvised video in live video+sound performance situations where her live visuals seek to create improvisatory “music” for the eyes. Over the years she has performed in concert with numerous artists including: Monique Buzzarte, Anne Wellmer, Tom Hamilton, Margarida Garcia, Manuel Mota, Anthony Coleman, Barry Weisblat, Mazen Kerbaj, murmer, Andre Gonçalves, Giuseppe Ielasi, Alessandro Bossetti, Andre Eric Letourneau, Jason Khan, Jim Bell, David Grollman, Doug Van Nort, among many others. Recent projects have involved: Anna Homler, Leslie Ross, Chantal Dumas, Richard Garet, Mia Zabelka, Dorit Chrysler, Emilie Mouchous, Erin Sexton, Corinne Rene and Philippe Lauzier, Magali Babin. Recent solo projects include: the audiovisual installations “Mise-en-Abyme Cu29” (2016), “Rake” (2015-16), “sonimaginations tissulaires” (2014-16), “NoizeBreeze” (2014), “Air-Play” (2013), “Amplifontana” (2012-16) and “Shines” (2008-16) and the intermedia installation “Muidebrugge Wave (Matisse/Haacke Blues)” (2015). Since the late 1980s she has received over 30 grants and arts awards in Canada, U.S.A. and France. Concurrently she curates and organizes the Screen Compositions evenings at Experimental Intermedia, NYC, since 2005 and, since 2006, the OptoSonic Tea salons with Ursula Scherrer at Diapason, NYC, and in various nomadic locations, in New York, North America and Europe, with OptoSonic Tea On the Road. In 2014 she completed a PhD in art practice entitled “Improvisatory Live Visuals: Playing Images Like a Musical Instrument” at the Universite du Quebec in Montreal (UQAM).” [“post_title”]=> string(22) “Katherine Liberovskaya” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(22) “katherine-liberovskaya” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5249721” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [3]=> object(WP_Post)#2698 (24) { [“ID”]=> int(5332566) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(329) “Sarah is a New York-based violinist/composer whose work blurs the lines between innovative jazz, new chamber music, experimental pop and noise music. Over the course of ten albums as a leader, and countless collaborations, she has garnered international acclaim for her multi-disciplinary performances and distinctive recordings.” [“post_title”]=> string(15) “Sarah Bernstein” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(15) “sarah-bernstein” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5332566” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [4]=> object(WP_Post)#2612 (24) { [“ID”]=> int(5830668) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(702) “Artist’s Statement “My work starts where the media intersect. I am not interested in the modernity of technology as such but in its capacities for creating new imaginary dimensions. My arrangements constantly assume temporary states, reject and re-invent themselves, exploring the space-time continuum, rendering visible and questioning its borders. They investigate the limitations of media arrangements and modes of participation.“ As an international media artist, AIDUALC ZTIMHCS explores boundaries: Limits of perception, real and imagined barriers, liquid processes, body discourses. 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