Reviewing

OYSTER

Joe Diebes

Phil Soltanoff, John Rose, Christina Campanella, Saori Tsukada, Michael Chinworth

Tickets available for this week’s Tuesday and Wednesday performances of Joe Diebes new opera, OYSTER at Roulette.  Phil Soltanoff has worked his magic with the staging, and the performances from John Rose, Christina Campanella, Saori Tsukada, and Michael Chinworth are not to be missed!
If you’re wondering what this Alan Lomax business is all about here’s a podcast interview Joe did a couple days ago with George Grella of The Brooklyn Rail:
Also, Roulette just released some artist discount tickets (using the code “oyster18” at the online ticket checkout).
oyster a new opera by Joe Diebes
February 20 and 21, 2018 @ 8:00 pm
at Roulette Intermedium 509 Atlantic Ave, Brooklyn, NY
Tickets ($20) on sale here
Joe Diebes – Music, Libretto, and Video
Phil Soltanoff – Stage Direction
Damian Calvo – Cinematography
Poe Saegusa – Lighting designPerformed by:
John Rose
Christina Campanella
Michael Chinworth
Saori Tsukada
Piano: Melinda Faylor
Developed as a sponsored project with Harvestworks


Tickets on sale here
… and here‘s a trailer!

What might the singing style in folk music from “Arctic Asia” or “Insular Pacific” say about these regions’ respective cultural levels of…sexual repression? Such was one type of question monumental blues and folk music archivist Alan Lomax sought to answer with Cantometrics. Introduced in the mid-1960s, and harnessing some of the earliest computer technologies, Cantometrics was Lomax’s little-known, yet astronomically ambitious system of numerically coding and analyzing sung music from around the world. In oyster, the score reverses this process of turning songs into numbers by turning Lomax’s numbers back into songs.  This data vocalization begs a larger, pervasive contemporary question—how much can we really know of people and culture through computer profiling?In oyster, Alan Lomax (played by John Rose) gives a lecture on his ethnomusicological findings in a sung-spoken and rhythmic style, accompanied by prepared piano and electronics.  He brings the audience on a “world tour,” evoked through brightly color-coded videos, in which BOTCH Ensemble performs songs based on the data for each of the nine regions into which Lomax divided the world. Meanwhile, live onstage, Christina Campanella, Michael Chinworth, and Saori Tsukada piece together Lomax’s life, parsing and scanning an extensive, recently declassified FBI file. Theater director Phil Soltanoff infuses the work with his signature physical language of quotidian movements and geometric patterns.BOTCH Ensemble was formed in 2010 to rigorously explore spoken language as a basis for a contemporary form of opera.  The group (Joe Diebes, Christina Campanella, John Rose, Michael Chinworth and Saori Tsukada) has recently performed at HERE Arts Center, The Watermill Center, STEIM (Amsterdam), and Experimental Intermedia.

oyster was developed through Harvestworks Digital Media Arts Center and made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.  

 

Joe Diebes

Joe Diebes combines sound, visual media, and the human voice in many
ways. His sound installations, video, performances and works on paper have been
exhibited in numerous galleries, museums, and public spaces including Paul
Rodgers/9W (New York), The Hammer Museum, the Torino Winter Olympics, David Winton
Bell Gallery (Brown University), Yuanfen Gallery (Beijing), Prix Ars Electronica and
the Liverpool Biennial. Some performance projects include his broken-word opera
BOTCH (HERE Arts Center) and WOW (with Christian Hawkey and David Levine, BRIC Arts

Phil Soltanoff

Stage Direction

Damian Calvo

Cinematography

Poe Saegusa

Lighting design

John Rose

Performed by

Christina Campanella

Christina Campanella is a composer, performer and sound artist in
music, theater, visual art and film. She has worked with composer-visual artist Joe
Diebes, kinetic sculptor Arthur Ganson, multidisciplinary theater-artist Jim
Findlay, and directors Phil Soltanoff, Toni Dove, Mallory Catlett, and Richard
Foreman. Scores for film and live performance include: Parts Are Extra (with
filmmaker Peter Norrman), Red Fly/Blue Bottle and Tinder (with Stephanie Fleischmann
and Latitude 14). Her live-sound installation Breathe (Ganson) is on view in the
Museum at MIT in Cambridge, and she will appear in Dream Of A Red Chamber at Mass
Live Arts (Summer 2015). She has performed throughout the US and abroad, and
received support from NYSCA, Mass MOCA, HARP, American Music Center, Whitman
College, Mid-Atlantic Arts, Meet the Composer, LMCC, and NY State Music Fund.

Michael Chinworth

Performed by

Saori Tsukada

Performed by

Melinda Faylor

Piano