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He is committed both to the traditional literature for flute as well as to contemporary music and concepts that cross the boundaries between classical music and jazz. Accordingly, his performances take place in a vast range of contexts: he plays principal flute with the Zurich Chamber Orchestra, has toured with the percussionist Pierre Favre and performed with the pianist George Gruntz as well as with the American contrabass player Mark Dresser. He is also a member of the ”Collegium Novum Zurich“, where he has worked with Mauricio Kagel, Heinz Holliger and George Crumb. Concert tours have brought him to the US, Japan, Australia, South America and Israel. Many recordings on CD document his inclusive musical interests. 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At 12, he graduated to the trumpet where he began to discover his musical voice and focus. In, 1984, he moved to New York and played with the Cecil McBee Quintet for five years and then recorded with Tom Harrell, with Weldon Erving and Sam Rivers. Zollar was featured in Robert Altman’s motion picture Kansas City, in Madonna’s music video My Baby’s Got a Secret, as well as Malcolm Lee’s film The Best Man and the sound track of The Perez Family. He is proud to be included in The Biographical Encyclopedia of Jazz. James was also a featured soloist with Jon Faddis and Carnegie Hall Jazz Orchestra as well as Wynton Marsalis and The Lincoln Center Jazz Orchestra. He is currently playing with The Duke Ellington Orchestra, The Count Basie Orchestra, Don Byron’s Bands, The Marty Ehrlich Sextet, working with the Latin piano master Eddie Palmieri and Tony Bennett & Lady Gaga Live at Lincoln Center. 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Her work includes concerts, soundwalks, workshops and installations, exploring people’s sense of place and the link with personal history and memory. She has received international recognition and her work has been presented in twenty six countries on five continents. Educational background includes an MA Sonic Art with Distinction from Middlesex University, London, England and a BA Theatre Design from Nottingham Trent University, England. She is a certified teacher of Deep Listening, having studied and worked with composer Pauline Oliveros. Awards: She is a 2012 and 2006 McKnight Composer Fellow. Other grants and awards have come from the English and Irish Arts Councils, Jerome Foundation, Harvestworks NY, Jazz Services UK, Millennium Funding UK, London Arts Board, Chisenhale Awards, Creative Partnerships, Awards for All and Meet the Composer. Work has been presented in venues including Hong Kong Arts Centre, Fonoteca Nacional de Mexico, Issue Project Room New York, Onassis Centre Athens, Institute of Contemporary Art London, Serralves Museum Portugal, Taipei University Taiwan, Ohrenhoch Sound Gallery Berlin, Shantou University China, Bangalore, Calcutta and Delhi universities, Ftarri Tokyo and Tempo Reale Florence. Invited Artist Residencies include soundpocket Hong Kong; Harvestworks NYC; Srishti Bangalore, Emily Harvey Foundation Venice; Montalvo Art Center CA; Guild Hall East Hampton NY, Memorial University Newfoundland; Cal State University; Sound Meetings Greece; Cobh Art Centre Ireland; Radio Papesse Florence; Serralves Museum of Contemporary Art Portugal; NAISA Toronto; Soundworks Cork Ireland; Deep Listening Institute NY and Binaural Media Portugal. Articles about her work have appeared in many publications, including In the Field (UK), Leonardo Music Journal (US), Walking from Scores (Belgium), Art of Immersive Soundscapes (Canada), Organised Sound (UK), Musicworks (Canada), Catskill Made (US), Playing With Words (UK) and For Those Who Have Ears (Ireland). Recordings are available on Innova, Flaming Pines, Zeromoon, Farpoint, Linear Obsessional, FMR, Slowfoot, NoMansLand, ARC Music, MASH, Slam, Rhiannon, Jungle Records, Emanem, Move, Artship and Third Force.” [“post_title”]=> string(14) “Viv Corringham” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “viv-corringham” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-11 19:55:09” [“post_modified_gmt”]=> string(19) “2025-03-11 19:55:09” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5264406” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [7]=> object(WP_Post)#2806 (24) { [“ID”]=> int(5442299) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(911) “Ximena Alarcón is a UK-based Colombian new media artist who focuses on listening to social context related sound, connecting it to individual and collective memories. 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She is currently visiting scholar at the University of California, Riverside, working on a research on telematic performance under the supervision of Prof. Paulo C. Chagas. From 1999 to 2018 she was principal flutist of the Symphonic Orchestra of the Municipal Theater of São Paulo and, from 2000 to 2014, principal flutist of the São Paulo State Symphonic Jazz Orchestra. She was member of the Brazilian contemporary music ensemble Camerata Aberta since its foundation in 2010. She received the APCA Contemporary Music Award (São Paulo Association of Arts Critics) in 2010 and the 8th Bravo Award in 2012. As a soloist, she performed with several orchestras in Brazil and abroad and gave concerts in many countries such as Hungary, Holland, France, Portugal, Belgium, the United States and Argentina. 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Both an accomplished violinist and composer, Anne Sophie Andersen is an unusually diverse artist seeking to explore music from a variety of angles. One of her greatest passions is performing and promoting contemporary music, and she has collaborated with several composers in the US as well as her native region of Scandinavia. Ms. Andersen’s compositions include orchestral, ensemble and solo pieces for a variety of instruments, as well as works with live electronics. She has written, performed and lectured on works by Schubert, Carter and Grisey and was a presenter at the 2015 TEDxSBU conference.

 

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She has an enormous musical range and has initiated a great number of genre-bending projects and focuses on bridging traditional and folk music from India and Europe, sacred music and jazz, field recordings and electronic with acoustic music, compositions and improvisations.” [“post_title”]=> string(14) “Biggi Vinkeloe” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “biggi-vinkeloe” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 16:10:53” [“post_modified_gmt”]=> string(19) “2025-03-14 16:10:53” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5743549” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [11]=> object(WP_Post)#2710 (24) { [“ID”]=> int(5747475) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1795) “Lynn is an active performer and clinician, performing on Soprano and Tenor Saxophones, and Percussion with his own Lynn Baker Quartet, the free-improvisation trio Rhythmic_Void, and the soundpainting ensemble The Noise Gallery. His clinician appearances at colleges, universities, high schools, and festivals have taken him across the North American continent, Europe, and to Asia. He is a Conn-Selmer Artist Clinician and Origin Records recording artist and his debut release Azure Intention, was released September 2010 and appears on many “Best Jazz CD” of 2010 lists. His latest Origin recording LectroCoustic was released May 2013. In addition to his performing activities Malcolm Lynn Baker is a Professor of Jazz and Improvised Music at the Lamont School of Music, University of Denver, where he teaches graduate-level courses in Advanced Bebop Concepts, Sound Painting, and Free Improvisation, Jazz History classes, and Jazz Techniques classes. Lynn holds degrees from the University of Oregon and Western Oregon University and has also studied at Mt Hood Community College with Larry McVeigh and at Indiana University with David Baker, Dominic Spera and Eugene Robinson. Before coming to Denver in 1993 Lynn taught at Indiana University and before that Carleton College, and universities in Oregon. Lynn is an award-winning composer, performer, and educator winning the 1987 Westside Composer Award (Minneapolis, MN), the 1995 COVisions Award for Jazz Composition, the 1980 Ruth Loraine Close award in performance from the University of Oregon, and the 2005 Downbeat Magazine award for Outstanding Achievement in Jazz Education – College Level and students and ensembles from Lamont are frequent Downbeat Student Music Award winners.” [“post_title”]=> string(10) “Lynn Baker” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(10) “lynn-baker” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 16:21:23” [“post_modified_gmt”]=> string(19) “2025-03-14 16:21:23” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5747475” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [12]=> object(WP_Post)#2712 (24) { [“ID”]=> int(5840483) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(55) “Colin James Gibson is a guitarist based in Toronto, CA.” [“post_title”]=> string(18) “Colin James Gibson” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(18) “colin-james-gibson” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 16:24:25” [“post_modified_gmt”]=> string(19) “2025-03-14 16:24:25” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5840483” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [13]=> object(WP_Post)#2632 (24) { [“ID”]=> int(5443791) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2079) “ ” [“post_title”]=> string(12) “Diane Roblin” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “diane-roblin” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 16:33:30” [“post_modified_gmt”]=> string(19) “2025-03-14 16:33:30” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5443791” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [14]=> object(WP_Post)#2640 (24) { [“ID”]=> int(5861538) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(322) “Jane Wang is a composer, music improvisor, and plays the double bass, toy piano, piano, cello, and various other musical instruments. She is also an installation artist, performance artist, pedestrian movement artist and a former member of the Mobius Artists Group and part of the collaborative record company Hao Records.” [“post_title”]=> string(9) “Jane Wang” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(9) “jane-wang” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 16:40:14” [“post_modified_gmt”]=> string(19) “2025-03-14 16:40:14” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5861538” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [15]=> object(WP_Post)#2883 (24) { [“ID”]=> int(5140303) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(564) “Gloria Damijan studied piano and music pedagogy at Music University Vienna where she focused on contemporary music and free improvisation. She has led workshops with with Manon-Lìu Winter, Burkhard Stangl, Franz Hautzinger and Ian Pace. Since 2003 Gloria has been active in the Viennese Free Improvisation-scene with the ensembles ctrl and lsd. Gloria is a member of the international cooperation-project Improvisation-Orchestra ÖNCZskequist, the duo fesch, and is part art of the Viennese Improvisers-Network snim.

” [“post_title”]=> string(14) “Gloria Damijan” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “gloria-damijan” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 16:44:44” [“post_modified_gmt”]=> string(19) “2025-03-14 16:44:44” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5140303” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [16]=> object(WP_Post)#2707 (24) { [“ID”]=> int(5564508) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2278) “Rebekkah Palov is a time-based artist with videos and sound-art exhibited at experimental film festivals and exhibitions including MassArt Boston, Museum of Arts and Design NYC, SAT Montréal, QC, Bushwick Starr NYC, Oblo Film Festival Lausanne CH and SoundFjord Gallery London UK. She is a member of the electroacoustic ensembles NowNet Arts Hub and Carrier Band. Her recent practice has pivoted toward lens based video, spatial AV, and custom AV performance software. Rebekkah has a range of experiences in artist and activist communities. She was a member of 1990s punk / indie / metal and third-wave feminist music communities in Washington, DC and Olympia WA, where she played bass guitar. Her early interest was with the materials of electronic arts, instruments and amplification. This engagement with electro-mechanical materials continued while studying experimental film and electronic music composition at the University of Wisconsin Milwaukee. Following her BFA she worked in professional film production in Portland OR. Rebekkah also became involved with community bike shops in Austin TX, and Baltimore, MD. While in Austin and Baltimore, Rebekkah continued to make time-based works with exhibitions at AMODA (Austin Museum of Digital Art) and Anthology Film Archives. Baltimore projects included bands, experimental theatre performance, video and html-css art. Rebekkah received her MFA in Electronic Integrated Arts from Alfred University. Following this she became an artist / educator. At Kutztown University, Rebekkah was sole-faculty for Time-based Experimental Media where she developed new studios and curriculum. Her students have moved onto top graduate programs, solo and group exhibitions. Continuing her work as artist / educator Rebekkah ran the Electronic Media artist residencies at Institute for Electronic Arts, Alfred, NY. She is currently the Principle at The-Mind-Agency LLC.” [“post_title”]=> string(14) “Rebekkah Palov” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “rebekkah-palov” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 16:47:10” [“post_modified_gmt”]=> string(19) “2025-03-14 16:47:10” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5564508” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [17]=> object(WP_Post)#2899 (24) { [“ID”]=> int(5280607) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(28) “audio technology (Wisconsin)” [“post_title”]=> string(15) “Mike O’Connor” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “mike-oconnor” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 16:57:13” [“post_modified_gmt”]=> string(19) “2025-03-14 16:57:13” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5280607” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [18]=> object(WP_Post)#2713 (24) { [“ID”]=> int(5847917) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1016) “Kit Fitzgerald is a video artist, director, and educator. She has been pioneering video with collaborators Peter Gordon and Max Roach at BAM Next Wave Festival, Lincoln Center, LaMama, Het Muziektheater and other opera houses and theaters abroad. Other collaborators include choreographers Bill T. Jones, Donald Byrd, Yoshiko Chuma; musicians Ryuichi Sakamoto, Ned Sublette and Matt Mottel; poets Bob Holman, Ann Waldman, and Sekou Sundiata; and theater companies The Talking Band, Northern Netherlands Theatre, and The Wooster Group. Notable work includes video design for the Gertrude Stein and Virgil Thomson opera, The  Mother of Us All (a collaboration between The Juilliard School, the New York Philharmonic, and MetLiveArts), video performance and projection design for Arthur Russell’s Instrumentals directed by Peter Gordon at the Sydney Festival, Primavera Festival in Barcelona, MoFo Festival in Tasmania, and venues throughout Europe, as well music videos for major record labels.” [“post_title”]=> string(14) “Kit Fitzgerald” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “kit-fitzgerald” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 17:01:38” [“post_modified_gmt”]=> string(19) “2025-03-14 17:01:38” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5847917” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [19]=> object(WP_Post)#2708 (24) { [“ID”]=> int(5709902) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(816) “Beth Warshafsky is a NYC-based artist whose work includes video, animation, photography, drawing, writing, artist books, dynamic visuals and dance. Beth’s artwork has been shown at the International Short Film Festival in Hamburg, Follow the work Sound Jazz Festival – Antwerp, Belgium, The Guelph Jazz Festival & Nuit Blanche – Ontario, Canada, The Tricky Woman Animation Festival – Vienna, Austria, The BITT Festival – Seoul Korea, The 9th Korea Experimental Arts Festival, The MadCat Film Festival, SIGGRAPH, Imagina in France, The 5th International Digital Art Exhibit and Colloquium in Havana – Cuba, Experimental Intermedia’s Screen Compositions, New York City, Video-Ex, Zurich. 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A Korean-Canadian improvising vocalist and pianist, Choi has been based in New York City since 2000. Her main musical projects are with her longtime collaborative duo with pianist Jacob Sacks, her solo voice/piano work. Choi has performed and collaborated with renown artists such as Jane Ira Bloom, Samir Chatterjee, Steve Coleman, Mark Dresser, Mark Elias, Gerry Hemmingway, Darius Jones, D.D. Jackson, Oliver Lake, Mat Maneri, Ben Monder, the Tri-Centric Orchestra, Sarah Weaver, Kenny Werner and Kenny Wheeler. She has performed in some of the finest concert houses and music venues including The Blue Note, Birdland, The Stone, Roulette, The River Theater, Roy Thompson Hall and Carnegie Hall.Choi received a BMus in classical piano and composition at Queen’s University in Kingston, Ontario and a BMus in voice and jazz performance at the University of Toronto. She studied voice with Thomas Schilling and piano with the late Sofia Rosoff.” [“post_title”]=> string(13) “Yoon Sun Choi” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(13) “yoon-sun-choi” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 17:04:18” [“post_modified_gmt”]=> string(19) “2025-03-14 17:04:18” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5823847” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [21]=> object(WP_Post)#2697 (24) { [“ID”]=> int(5941134) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(630) “Soaring, poetic, quick silver, spontaneous and instantly identifiable are words used to describe the soprano sound of saxophonist Jane Ira Bloom. She’s been steadfastly developing her singular voice on the soprano saxophone for over 40 years creating a body of music that marks her as an American original. She is a pioneer in the use of live electronics and movement in jazz, as well as the possessor of “one of the most gorgeous tones and hauntingly lyrical ballad conceptions of any soprano saxophonist – Pulse.” She is the winner of the 2018 Grammy Award for Best Surround Sound Album for her trio album “Early Americans.”” [“post_title”]=> string(14) “Jane Ira Bloom” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “jane-ira-bloom” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 17:06:51” [“post_modified_gmt”]=> string(19) “2025-03-14 17:06:51” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5941134” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [22]=> object(WP_Post)#2636 (24) { [“ID”]=> int(5785211) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2254) “Receiving B.S. and M.S. degrees from The Julliard School of Music, David Taylor started his playing career as a member of Leopold Stowkowski’s American Symphony Orchestra, and with appearances with the New York Philharmonic under Pierre Boulez. Simultaneously, he was a member of the Thad Jones Mel Lewis jazz band, and recorded with groups ranging from Duke Ellington to The Rolling Stones. He has also recorded numerous solo CDs on the following labels: Koch, New World, ENJA, DMP, Tzadik, CIMP, PAU, and TLB. Mr. Taylor performs recitals and concerts around the world: from Lincoln Center in NY to the Musikverein in Vienna and Suntory Hall in Japan. In addition to his own compositions, he has been involved in well over a hundred commissioning projects for solo bass trombone collaborating with composers including Alan Hovhaness, Charles Wuorinen, George Perle, Frederic Rzewski, Lucia Dlugoszchewski, Eric Ewazen, Dave Liebman, and Daniel Schnyder. He has appeared and recorded chamber music with Yo Yo Ma, Itzhak Perlman, and Wynton Marsalis and performs with the Lincoln Center Chamber Music Society, the Mostly Mozart Festival Orchestra, Orpheus, and the St. Luke’s Chamber Orchestra. Throughout his career, Taylor has appeared and recorded with major jazz and popular artists including Barbara Streisand, Miles Davis, Quincy Jones, Frank Sinatra, and Aretha Franklin. Mr. Taylor has won the National Academy of Recording Arts and Sciences Most Valuable Player Award for five consecutive years, and has been awarded the NARAS Most Valuable Player Virtuoso Award, an honor accorded no other bass trombonist. He has also won The International Trombone Association’s Award “in recognition of his distinguished career and in acknowledgement of his impact on the world of trombone performance.

He has been a member of the bands of Gil Evans, Thad Jones-Mel Lewis, Jaco Pastorius, Charles Mingus, JJ Johnson, Joe Henderson, George Russell, Michele Camilo, Bob Mintzer, Dave Matthews, Dave Grusin, Randy Brecker, and the Words Within Music Trio (Daniel Schnyder, David Taylor, Kenny Drew Jr., The Art of the Duo (with D Schnyder) and B3+. He has performed on numerous GRAMMY Award winning recordings.

” [“post_title”]=> string(12) “David Taylor” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “david-taylor” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 17:11:58” [“post_modified_gmt”]=> string(19) “2025-03-14 17:11:58” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5785211” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [23]=> object(WP_Post)#2711 (24) { [“ID”]=> int(5754721) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2260) “Fostering intercultural collaboration has been an important focus of her work. She currently works with refugees from several areas in the Middle East. Her project SonicExchange during documenta13 in Kassel (2012) featured over 50 artists from nine countries and is documented on the DVD SonicExchange. SonicExchange has continued as a concert series ever since. CDs featuring her as leader or co-leader are on Nemu, Cadence, CIMP, Hybrid, Konnex, Muse-Eek and Leo Records and Nemu Records. She is part of Hans Tammen’s Third Eye Orchestra, Sarah Weaver’s SLM Orchestra, and various smaller groups with Anna Jonsdottir, Ute Völker, Andrew Drury, Stephanie Griffin, Catherine Sikora, Lou Grassi, Ken Filiano, Andrea Wolper, Christian Ramond, Klaus Kugel, Detlef Landeck, Georg Wolf, et al. Performances include: Festival Cervantino (Mexico), Juneau Jazz & Classics (Alaska), Guelph Jazz Festival (Canada), Festival for Creative Music in Seattle (US), International Music Meeting in Monterrey (Mexico), Melbourne Women’s International Jazz Festival (Australia), Merkin Hall Interpretations Series (New York), Roulette (New York), et al. Ursel Schlicht holds a doctorate in musicology from the University of Hamburg, Germany, and has published a book about the working conditions of women jazz musicians, including Marian McPartland, Carline Ray, Joanne Brackeen, Connie Crothers, Geri Allen, Jane Ira Bloom, and Myra Melford (Coda Verlag, Germany). She lived in Brooklyn for many years as a freelance musician and educator; she designed and taught seminars on Music & Gender and on Improvisation at Ramapo College of New Jersey, has taught Music Appeciation at Rutgers University and Masterpieces of Western Music at Columbia University in New York until 2013. She currently lives in Germany and teaches Improvisation at the University of Kassel. Her compositions interweave notated and improvised material. Also, she interprets silent film classics Nosferatu, The Cabinet of Dr. Caligari, Faust, and The Adventures of Prince Achmed with an avant-improv approach. As an artist-in-residence at Harvestworks Digital Media Arts Center in New York, she created a score for F.W. Murnau’s silent classic film Faust. She is currently working on a solo CD.” [“post_title”]=> string(14) “Ursel Schlicht” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “ursel-schlicht” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-14 17:16:15” [“post_modified_gmt”]=> string(19) “2025-03-14 17:16:15” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5754721” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [24]=> object(WP_Post)#2810 (24) { [“ID”]=> int(5382305) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1839) “Stephan Moore is a composer, improviser, audio artist, sound designer, teacher, and curator based in Brooklyn and Providence. His creative work currently manifests as electronic studio compositions, solo and group improvisations, sound installation works, scores for collaborative performance pieces, and sound designs for unusual circumstances. Evidence, his long-standing project with Scott Smallwood, has performed widely and released several recordings over the past decade. He also performs with the improvisation quartets Bumpr and Volume(n), and is a frequent collaborator with the performance groups The Nerve Tank and a canary torsi. His company, Isobel Audio, produces unique Hemisphere speakers. Since receiving an Electronic Arts MFA from Rensselaer Polytechnic Institute in 2003, where he studied with Pauline Oliveros and Curtis Bahn, he has created custom music software for a number of composers and artists, and taught workshops and numerous college-level courses in composition, programming, sound art and electronic music. He is the vice president of the American Society for Acoustic Ecology, and the curator and artistic director of In The Garden of Sonic Delights at the Caramoor Center for Music and the Arts, a 5-month exhibition of outdoor sound art across Westchester County in 2014. From late 2004 to mid-2010, he performed over 250 concerts with the Merce Cunningham Dance Company, serving as a touring musician, sound engineer, and music coordinator. 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