array(22) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2646 (10) { [“term_id”]=> int(148) [“name”]=> string(10) “Exhibition” [“slug”]=> string(10) “exhibition” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(148) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(61) [“filter”]=> string(3) “raw” } } [“location”]=> string(17) “Governor’s Island” [“other_location_name”]=> string(0) “” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20240830” [“end_date”]=> string(8) “20241027” [“time”]=> string(0) “” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(126) “Max Chung, Victoria Vesna, Monica Duncan, Senem Pirler, Luc Vitk, GH Hovagimyan, Jessica Segall, Raphaele Shirley, Tilen Lebar” [“secondary_artists”]=> string(54) “Featuring Walter Gekelman, Haley Marks, Allison Berkoy” [“listed_artists”]=> array(11) { [0]=> object(WP_Post)#2618 (24) { [“ID”]=> int(5188215) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1487) “Max Chung is a contemporary multi-media sound artist and composer in New York City who blurs the boundaries between EDM, interactive responsive visual technologies and acoustical instrumentation. His recent work has been focused on our shifting perceptions of time that affect our relationship between emotion and temporal illusions. His work explores the current psychological instability that shapes our culture today. Chung creates immersive audiovisual experiences that incorporates technology like body tracking AI systems to create electronic instruments that explore the connection between audio and physical gestures. His work focuses on creating responsive architecture that captures the relationship of sound and movement to define a new kind of embodied experience that highlights the psychological instability that shapes our experience of the world. Max’s work has been performed by the Neave Trio, Hypercube, the International Contemporary Ensemble, the PRISM saxophone quartet, Alice Ivy-Pemberton and the Yarn/Wire Ensemble. Performance of his compositions include the Mostly Mozart Festival at Lincoln Center, the DiMenna Center for Classical Music, the New York Interactive Arts Performance Series, the Perry and Marty Granoff Center for performing Arts, the Longy School of Music and the Atlantic Music Festival. He received a B.A. from Brown University in Music and a M.M. in music technology from New York University. 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In 2011, she was invited by evolutionary biologist and artificial life expert Charles Taylor to join his highly interdisciplinary research group and help with the outreach for “Mapping Acoustic Network of Birds.” It took her three full years of absorbing, learning, and going along with the researchers recording and mapping bird sounds early mornings in Santa Monica Mountains to start conceptualizing the piece. She noticed that her relationship to space changed as she was hearing bird songs in open spaces, both in natural and urban environments, and became keenly aware of how we have edited this acoustic richness out of our daily experience.” [“post_title”]=> string(14) “Victoria Vesna” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “victoria-vesna” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5442829” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [2]=> object(WP_Post)#2726 (24) { [“ID”]=> int(5008649) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1113) “Monica Duncan and Senem Pirler have been collaborating since 2017, creating audiovisual performances that investigate everyday objects, concepts of agency and queer potentiality. Their collaborative work has been shown in numerous festivals and venues such as Revolutions Per Minute, Kuala Lumpur Experimental Film, Video & Music, Transient Visions, Light Matter, Athens International Film + Video, Re-connect Art Festival as part of the Prague Biennale, Intermediale Festival of Audiovisual Forms, Chicago Underground Film Festival, Festival ECRÃ, Fisura, International Festival of Experimental Film & Video and forthcoming CURRENTS New Media Festival. Duncan and Pirler performed their audiovisual performance, “Surface Connection” at the 61st Ann Arbor Film Festival’s Expanded Cinema program and exhibited their work in the LEAF2023 Sync Exhibition. They have been artists-in-residence at Signal Culture (Owego, NY), PACT Zollverein (Essen, Germany), Institute for Electronic Arts (Alfred, NY) and LMCC at Governors Island (NYC). They are recipients of the 2024 Harvestworks New Works Artist Residency.” [“post_title”]=> string(30) “Monica Duncan and Senem Pirler” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(30) “monica-duncan-and-senem-pirler” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5008649” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [3]=> object(WP_Post)#2612 (24) { [“ID”]=> int(5013913) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(815) “Luc Vitk is a composer, improviser, and performer (accordion, hichiriki, synthesizer, harmonica, voice, and dance) from the Czech Republic, living in New York. Their compositions focus on sonification, while in their improvisation practice, Luc works with the characteristics of discrete spaces through the interaction between sound and movement. In Luc’s recent work, they are interested in the social-political aspects of music in relation to everyday life and in reusing materials to build sonic costumes and instruments. Luc has been commissioned by the Roulette Intermedium, where they were a resident artist in 2018. They have organized the NYC Constellation Ensemble and the OPERA Ensemble. 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Hovagimyan is an experimental artist working in a variety of forms. His work ranges from new media and hypertext works to digital performance art, video art, photography and interactive installations. His work has been showcased and a part of collections in many museums and festivals, including The Whitney Museum, MOMA, The New Museum and more.” [“post_title”]=> string(15) “G.H. Hovagimyan” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(15) “gh-hovagimyan-2” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5174206” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [5]=> object(WP_Post)#2620 (24) { [“ID”]=> int(5803551) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1211) “Hostile and threatened landscapes are the sites for multimedia artist Jessica Segall’s work. While embedded in these sites, she plays with both the risk of engaging with the environment and the vulnerability of the environment itself, examining a queer ecology. She exhibits her work internationally, including at COP 26, The Fries Museum, The Queen Museum. The Coreana Museum of Art, The Havana Bienal, The Aldrich Contemporary Art Museum, The National Museum of Jewish American History and The Mongolian National Modern Art Gallery. Jessica is a 2023 Guggenheim Fellow and received grants from The Pollock Krasner Foundation, New York Foundation for the Arts, New York State Council on the Arts and Art Matters. She attended residencies at Harvestworks, Van Eyck Academie, MacDowell, Skowhegan among others. Her work has been featured in Cabinet Magazine, e-flux, and The New York Times. She received her MFA from Columbia University and her BA from Bard College. She will participate in this year’s Bangkok Biennial.” [“post_title”]=> string(14) “Jessica Segall” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “jessica-segall” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5803551” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [6]=> object(WP_Post)#2609 (24) { [“ID”]=> int(5331378) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1171) “Raphaele Shirley is a Franco-American multimedia artist based in New York City and upstate New York. Her work spans technology-based sculptural pieces, public art, place-making social interventions, and performance. She has presented solo and collaborative projects at venues including The Queens Museum, the Museum of Moving Image, the Emily Harvey Foundation in New York, the NCCA, the 2nd Moscow Biennale, and the Hermitage Museum in Russia, The Linz Museum in Austria, and The Kai Art Center in Estonia, among others. Her collaborators range from renowned composers to theater directors, architects, and technology experts. Raphaele, along with Algis Kizys, received the 2023 Wave Farm Grant for their performance piece 20F. She has also been an artist-in-residence at Harvestworks NYC with Rhys Chatham and GH Hovagimyan (2016) and The Arctic Circle (2009/2010). Raphaele has received several grants from the Norwegian Arts Council and awards for her collaborative projects.” [“post_title”]=> string(16) “Raphaele Shirley” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(16) “raphaele-shirley” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5331378” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [7]=> object(WP_Post)#2722 (24) { [“ID”]=> int(5657689) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1195) “Tilen Lebar is a Slovene-Dutch composer, improviser and saxophonist. His work is circulating and creating a unique connection between memory and the resonance of different acoustic spaces. Within the last decade, he developed a specific extended vocabulary for saxophone, electronics and other instruments that intrigue him personally and aim to push the boundaries of what is yet known, extend the possibilities of a conventional instrument and create pieces that create unforgettable experiences. Tilens’ sonic vocabulary besides improvisation duos with Guus Janssen, Szilard Benes and Domen Gnezda, includes sound art, sound installations, experimental operas, orchestral pieces, large ensemble works, electroacoustic performances and many instrumental pieces that were performed by Christoph Grund, Sae Lee, Luka Juhart, Anja Clift and Valentina Strucelj among others; ensembles as Asamisimasa, ensemble Oerknal, Slagwerk Den Haag, Ensemble Contrechamps, Concept Store Quartet; institutions as Experimental studio of SWR Freiburg, The Residentie Orkest, Orkest de Ereprijs, RKST21, Dutch National Opera & Ballet and conductors such as Clark Rundell, Andrew Hilary Grams and Gregory Charette.” [“post_title”]=> string(11) “Tilen Lebar” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “tilen-lebar” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5657689” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [8]=> object(WP_Post)#2725 (24) { [“ID”]=> int(5119259) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(923) “Allison Berkoy is an interdisciplinary artist based in Brooklyn. Mixing physical and electronic media, she creates video sculptures, interactive installations, and performances between humans and machines. With participatory and often absurd narratives, Berkoy’s installations become stages for performance that test the boundaries and etiquette of human-machine interaction as well as human-human relationships. Berkoy holds an MFA in Electronic Arts from Rensselaer Polytechnic Institute, an MA in Performance Studies from NYU’s Tisch School of the Arts, and a BS in Theatre from Northwestern University. She is an Assistant Professor of Emerging Media Technology at CUNY’s New York City College of Technology and serves on the Board of Directors of the New Media Caucus.” [“post_title”]=> string(14) “Allison Berkoy” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “allison-berkoy” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5119259” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [9]=> object(WP_Post)#2617 (24) { [“ID”]=> int(5110636) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1250) “currently leads the Large Plasma Device (LaPD) laboratory at the University of California, Los Angeles. The original machine was funded by the Office of Naval Research and a major upgrade funded by the National Science Foundation. The LaPD is now a national user facility funded primarily by the Department of Energy office of Fusion Science. He and his students have worked on a number of problems related to space and solar physics. These include a variety of waves (Alfven, whistler, lower hybrid, Langmuir, ion acoustic) to name a few. Experiments on magnetic reconnection, processes in which magnetic energy is converted to other forms occur when magnetic ropes collide or in intense laser plasma interactions. Additional studies involve trapped particles in the earth’s radiation belts caused by ejection of plasma from the sun. In addition to the work on basic plasma physics he is engaged in a low temperature plasma physics program with industrial support from LAM research corporation, one the world’s biggest manufacturers of etch and deposition tools used by the semiconductor industry. For years now Prof. Gekelman has engaged in projects on the intersection of science and art with Prof. Victoria Vesna in the media arts department.” [“post_title”]=> string(15) “Walter Gekelman” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(15) “walter-gekelman” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5110636” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [10]=> object(WP_Post)#2724 (24) { [“ID”]=> int(5167243) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(819) “is a biomedical engineer with interests in nano-biosensor research, translational medicine, and optics education. She has expertise in developing novel reporter dyes, nanoparticles, and has extensive experience working with spectroscopy/microscopy instrumentation, 3D printing, and developing microfluidic and lateral flow assay platforms. Since joining CNSI in 2022, Haley has served as a technical expert, providing advanced light microscopy training and services to ALMS users. She works developing and optimizing ALMS’s existing super-resolution and high-speed optical methods, developing strategies and imaging tools for in vivo imaging, and optimizing and disseminating computational imaging techniques. 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