array(22) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2655 (10) { [“term_id”]=> int(148) [“name”]=> string(10) “Exhibition” [“slug”]=> string(10) “exhibition” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(148) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(61) [“filter”]=> string(3) “raw” } } [“location”]=> string(17) “Governor’s Island” [“other_location_name”]=> string(0) “” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20230428” [“end_date”]=> string(8) “20230514” [“time”]=> string(0) “” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(453) “Max Bennett, Edgardo Avilés-López, Sumanth Srinivasan, Chirag Davé, Omar Delarosa, Sarika Doppalapudi, Kengchakaj Kengkarnka, Nitcha Tothong, Cameron Alexander, Carla Guzman, Riho Hagi, Roxanne Harris, Viola He, Katarina Hoeger, Sylvia Ke, Kofi Oduro, Nico Perey, Melody Loveless, Mary Marks, Daniel McKemie, Jessica Garson, Liam Baum, Caitlin Cawley, Andrew Yoon, Jessica Stringham, Jay Tobin, Loren Tyler, Indira Ardolic, Emma Waddell, Shelly Xiong” [“secondary_artists”]=> string(179) “Featuring Archaic Reckoner, casualsalad, emptyflash, LAVA, Messica Arson, MYLAR, Ramsey Nasser, PRESWERVE, Snow Schwartz, Kate Sicchio, Sabrina Sims, Gwen Pasquerello, thisxorthat” [“listed_artists”]=> array(28) { [0]=> object(WP_Post)#2635 (24) { [“ID”]=> int(5736472) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(578) “Archaic Reckoner is Sumanth Srinivasan and Matthew Kaney. Sumanth’s solo computer-songwriter project, Reckoner, has released a full length album and several EPs. Drawing from krautrock, trip hop and glitch, his music is a fusion of live sampling, guitar, live coded rhythms and melodic vocals. Matthew builds tools for live coding, performing music and visuals as archaic.tech. 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His work combines photography, drawing, prototyping, and creative coding and is focused in exploring how technology and art can be used as amplifiers of curiosity, opportunity, and happiness. He received a MSc and a PhD in Computer Science from the CICESE Research Center. Since 2012 he has been a member of Torolab, an interdisciplinary art collective based in Tijuana, Mexico. The collective works on projects that seek to improve qualify of life through art. Website: eavl.co. Instagram: @eavilsesl. 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Max holds a B.S. in Cognitive + Brain Sciences and Computer Science from Tufts University, and an M.S. in Computer Science from Columbia University. In the past, he developed an open source python package for predicting human fMRI responses to visual stimuli (imgtofmri), designed and developed XR physical therapy minigames with/for teens with cerebral palsy, and worked as a technical product manager in humanoid robotics and robotic sortation. He scrambles human-computer interaction, neuroscience, and mixed-media to play with assumptions of what is physical vs. virtual and public vs. private. 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With over 10 years of performance, event production and audiovisual output globally, he takes inspiration from creative endeavors that are not normally seen together to create a harmonic experience for audience and users alike. His artistic practice is an observation of the world around us that he puts into artworks for others to relate to or disagree with. Through Videography, Poetry and Creative Coding, He tries to highlight the realms of the human performance and the human mind in different scenarios. These situations can be described as social, internal, or even biological, which we face in our everyday lives. Adding music and visuals often helps to perceive one’s own feelings, and to highlight the different subtleties that make us human. 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He focuses on utilizing the internet and browser technology to realize a more accessible platform for multimedia art. His current work includes realizing historical instruments, musical tools, and audio processing units in the browser; and finding new ways of remote collaboration through WebRTC, WebSockets, and shared networks. His music has been performed in Europe, Asia, South America, and Australia; and his research on computer music and web-based audio/composition techniques has been presented and published internationally in conferences as part of the Korean Electro-acoustic Music Society, the Australasian Computer Music Association, the International Symposium on Computer Music Multidisciplinary Research, the Society of Electro-acoustic Music in the United States (SEAMUS), among others. Website: danielmckemie.com. 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Originally from Baltimore, Maryland, she is now based in Brooklyn, NY. PRESWERVE blends influences from trap, shoegaze, ambient, and noise. She also solely runs an independent media company Let’s Not Pretend, which focuses on experimental sounds, visuals, and art. Her company seeks to find communities and learn about culture by engaging in conversations and shows. More equipped in FL, she wants to challenge her musical abilities by trying new formats – such as coding. As a coding beginner, she is excited to immerse herself in something new. Not only an educator, PRESWERVE is also familiar with a variety of disciplines, as she is completely self-taught in all of her art and music. She has created album artwork, music videos, digital and physical collages, and loves to write. Her poetry has been published in her college magazine and Beast Grrrl zine. In the past, she has attended EMP collective’s poetry workshops and performed at multiple poetry readings/writings. 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Her work has been shown in the US, Germany, Australia, Belgium, Sweden, and the UK at venues such as PS122 (NYC), Banff New Media Institute (CAN), Arnolfini Arts (UK). She co-edited the book Intersecting Art and Technology in Practice: Techne/Technique/Technology (Routledge) with Dr. Camille Baker. She has given invited talks at EU Parliament, Eyeo, Resonate, Node Code, Expo ‘74 and countless universities and events across the globe. She has presented work at many conferences and symposia including SIGCHI, ISEA, ACM Creativity and Cognition, and Dance Studies Association. She is currently Assistant Professor of Dance and Media Technology at Virginia Commonwealth University in both the Department of Dance + Choreography and Department of Kinetic Imaging. Website: sicchio.com. 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Her saturated multimedia work focuses on Black cosmic tech, softness as a tactile-emotional feeling and community idea sharing. She enjoys synthesizing mediums including printmaking/zines, textiles, biomaterials and livecoded audiovisuals. Sabrina organizes several COVID safer DIY music events and art fairs with a focus on accessibility for disabled creatives. 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Michael’s artistic work is often in the form of screen-based visuals, music, and/or physical installations. Michael’s academic work focuses on the application of sound analysis, music information retrieval, and machine learning for the purpose of creative applications. Michael holds a Master’s degree from NYU’s Interactive Technology Program where he currently teaches serving as an adjunct faculty.” [“post_title”]=> string(15) “Michael Simpson” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(15) “michael-simpson” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-07 19:56:34” [“post_modified_gmt”]=> string(19) “2025-03-07 19:56:34” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5608176” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [10]=> object(WP_Post)#2893 (24) { [“ID”]=> int(5138440) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(760) “Voyde, aka Indira Ardolic, is a New Media Artist and Creative Technologist from New York. She employs digital technologies to recreate experiences and dreams, merging mysticism with technology. Her favorite themes include celebrating queerness, destigmatizing mental health, and uplifting marginalized identities. She seeks to use game engines to enable unique interactions, providing a deeper understanding of our humanity. She discovered games as a perfect escape from reality during her youth. Now, she sees games and interactive 3D media as the ultimate love letter to reality itself—how beautiful is it that we learned math to mimic the movement of water? 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Lately he is writing poems that change, making sounds with code, and sharing his love of reeds through the Melodica Drone and Bach Quartet. He is the founder of the arts journal and small press Nothing to Say. As a free culture advocate, everything he makes is under copyleft licenses. Website: andrewyoon.art.” [“post_title”]=> string(11) “Andrew Yoon” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “andrew-yoon” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-07 20:20:08” [“post_modified_gmt”]=> string(19) “2025-03-07 20:20:08” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5322227” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [12]=> object(WP_Post)#2883 (24) { [“ID”]=> int(5157257) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(561) “Chirag Davé (they/them) is a Brooklyn based experimental musician and sound artist performing under the moniker casualsalad. They try to create evocative ambient soundscapes using field recordings, modular synthesis, and their voice. Inspired by the free jazz movement and structureless improvisation they collaborate with the cosmos and embrace uncertainty. Chirag actively performs in various US cities at music festivals, theaters and galleries, organized/co-organized experimental multi-modal art shows such as EMOTIONS FEST, and algoraves for LivecodeNYC.” [“post_title”]=> string(30) “Chirag Davé (aka casualsalad)” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(10) “chirag-dav” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-07 18:35:18” [“post_modified_gmt”]=> string(19) “2025-03-07 18:35:18” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5157257” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [13]=> object(WP_Post)#2711 (24) { [“ID”]=> int(5635847) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(341) “Omar Delarosa (he/him) uses AI/ML techniques and models alongside live-coding tools to drive synthesizers and samplers and explore the intersection between music, computer science and artificial life. He’s been making music since his teens using a mixture of guitars, old synths and computers. His favorite organisms are jellyfish and fungi.” [“post_title”]=> string(13) “Omar Delarosa” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(13) “omar-delarosa” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-07 19:06:29” [“post_modified_gmt”]=> string(19) “2025-03-07 19:06:29” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5635847” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [14]=> object(WP_Post)#2891 (24) { [“ID”]=> int(5227548) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1119) “Sarika Doppalapudi (she/her) is an undergraduate student at NYU Gallatin School of Individualized Study. Her concentration is focused on collective memory in public spaces, and examines the ways in which disenfranchised communities remember and archive events. Sarika was born and raised in Chicago, and has worked with various non-profits and grassroots organizations in Chicago, including working as a co-founder and organizer for Fempowerment Chicago, and research assistant for The I Project. Additionally, she has worked with the Museum of Contemporary Art in Chicago, as an artist in the 21Minus exhibition, and through hosting an interactive walk-through of the Prisoner of Love exhibition. Furthermore, she has hosted a workshop at Chicago’s Weinberg Newton gallery entitled “Revolutionary Love”. Sarika’s work explores archival spaces and their uses as spaces of liberation. She is also a freelance baker and textile artist and is interested in using non-traditional materials to create her textiles, and is currently working on a crochet project using plastic waste that she collected over the summer of 2021.” [“post_title”]=> string(18) “Sarika Doppalapudi” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(18) “sarika-doppalapudi” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-07 19:37:22” [“post_modified_gmt”]=> string(19) “2025-03-07 19:37:22” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5227548” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [15]=> object(WP_Post)#2897 (24) { [“ID”]=> int(5306891) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(354) “Carla Guzman is a visual artist who intersects abstract expressionism matrices with technology. She uses coding based visualizers and experiments with Euclidean beats on tidal cycles. She enjoys improvising her visuals with musicians in the community and is developing her sound. Instagram: @estefanylikes.” [“post_title”]=> string(12) “Carla Guzman” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “carla-guzman” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5306891” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [16]=> object(WP_Post)#2896 (24) { [“ID”]=> int(5245307) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(504) “Sylvia Ke (any/all) is a multimedia artist, performer, creative technologist, first-gen immigrant (legal, for now), and transexual degenerate living and aging in Brooklyn, NY. In their thoughts and works, they contemplate a lot about how existing and emerging technologies transform, redefine, and create bodies, intimacy, materiality, myth, labor, and spacetime, while vice versa. 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LAVA aims to explore the beauty of computing in unconventional ways by taking inspiration from the physical and digital world and finding ways they compare and contrast.” [“post_title”]=> string(10) “Nico Perey” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(10) “nico-perey” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-07 20:26:02” [“post_modified_gmt”]=> string(19) “2025-03-07 20:26:02” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5541475” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [18]=> object(WP_Post)#2892 (24) { [“ID”]=> int(5135785) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1548) “Melody Loveless is a musician, performer, educator, creative technologist, and multimedia artist based in Brooklyn, NY. Her work ranges from live coding performance, generative sound installations, multisensory performance, and more. An active performer and member of the NYC creative community, she has performed around the city in various venues, including Babycastles, Wonderville, (le) poisson rouge, Performance Space New York, and Eyebeam. Additionally, she has also organized/co-organized events including various concerts/performances, exhibitions, conferences, hackathons, and more. Past honors include artist residencies (local and international), performances and talks at conferences and festivals, and awards and press for her music and work as a creative technologist (see below for details). She has presented talks on music education and her artistic practice for various organizations and events including the New Music Gathering, Monthly Music Hackathon, Bates Digital Music Symposium, and Pathways: Art and Technology. As an educator, she has taught in various institutes and organizations including New York University, the New School, Hunter College, Music Hackspace, and Harvestworks. 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He experiments with methods such as live coding, physical computing and machine learning. He brings these methods into his own middle school classrooms as well as having led several workshops both in person and virtually about combining music with coding and technology using different languages and hardware. Website: www.youtube.com/mrbombmusic. 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She’s interested in the capacity of live performance to engender empathy and facilitate authentic contact between human beings. She has played, sang, danced and yelled in concert halls, garages, bars, living rooms, kitchens, forests, art galleries and rooftops – using megaphones, triangles, gongs, drums, balloons, lamps, speaker drivers, vibraphones, EMT pipes, plastic buckets, tin cans, wine glasses, styrofoam, power tools, and paper airplanes – with newts, birds, Talujon, Mantra Percussion, Talea Ensemble, Heartbeat Opera, Cantata Profana, The Walter Thompson Orchestra, Slavic Soul Party!, Novus NY, Peydah Company, Gamelan Galak Tika, Brian Adler’s Human Time Machine, Danse Theatre Surreality, NE14 Dance, Bash The Trash, I Dewa Ketut Alit, Paul Pinto, Richard Kim, Sarah Chien and MYLAR. She studied with David Cossin, Jeff Milarsky, John Ferrari, Tim Genis and Sam Solomon. Website: www.caitlincawley.me. 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In this project, Loveless samples Cawley’s output using Sonic Pi. 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Since then, her sound has significantly transformed, emerging as a unique fusion of live sampling, modular synthesis, and live coding. A defining feature of her music is the incorporation of screaming, adding a layer of rawness. Messica has showcased her talent across the US, Canada, and Europe, opening for notable artists such as Oliver Ackerman of A Place to Bury Strangers and Eric Schlappi from Schlappi Engineering. 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Using custom-written software, they manipulate visuals live using time, the environment, MIDI input, or a combination using expressions. They have performed live visuals around NYC. They also create generative and pen plotter art.” [“post_title”]=> string(33) “Jessica Stringham (this.xor.that)” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(13) “thisxorthat-2” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5776237” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [24]=> object(WP_Post)#2710 (24) { [“ID”]=> int(5626631) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(486) “Jay Tobin (he/him) is an audiovisual artist based out of Brooklyn, New York. He’s been featured at the Millennium Film Workshop, ARS Electronica, and the Creative Code Festival at Lightbox NYC. He specializes in creative coding, procedural soundscapes, and digital instrument building, with extensive experience building games in Unity. 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Visual works use modern robotic manufacturing equipment with traditional art printing methods. Audio works merge natural acoustics with digital processing. Both mediums aim to find the balance of intricate technical detail and precision against the variation of natural materials. 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Creative technologist – retro tech enthusiast – sometimes educator

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