array(13) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2683 (10) { [“term_id”]=> int(149) [“name”]=> string(12) “Installation” [“slug”]=> string(12) “installation” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(149) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(175) [“filter”]=> string(3) “raw” } } [“location”]=> string(19) “Harvestworks Studio” [“other_location_name”]=> string(0) “” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20101022” [“end_date”]=> string(8) “20101024” [“time”]=> string(0) “” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(14) “Rebecca Adorno” [“secondary_artists”]=> string(0) “” [“listed_artists”]=> array(17) { [0]=> object(WP_Post)#2720 (24) { [“ID”]=> int(5321111) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(332) “First gravitated to the modular audio environment Plogue Bidule through his Heads project which sought to bridge electronic music production with head based jazz. This exploration led to the creation of a series of DSP instruments in Bidule which exploited the environments flexibility for both sound generation and modular control.” [“post_title”]=> string(11) “Primus Luta” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “primus-luta” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5321111” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2722 (24) { [“ID”]=> int(5453003) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(132) “Led the workshop in vocal music with electronics developing Charlie’s solo voice work, The Song of Deborah, from the Book of Judges.” [“post_title”]=> string(14) “Charlie Morrow” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “charlie-morrow” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5453003” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [2]=> object(WP_Post)#2690 (24) { [“ID”]=> int(5433376) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(149) “Creator of the legendary audio tool SoundHack, will be presenting a collection of free Max and PD externals that he has developed over the past year.” [“post_title”]=> string(8) “Tom Erbe” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(8) “tom-erbe” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5433376” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [3]=> object(WP_Post)#2693 (24) { [“ID”]=> int(5597557) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1039) “Laetitia Sonami is a sound artist, performer and researcher. Sonami’s sound performances, live‐film collaborations and sound installations focus on issues of presence and participation. She has devised new gestural controllers for performance and applies new technologies and appropriated media to achieve an expression of immediacy through sound, place and objects. Best known for her unique instrument, the elbow-length lady’s glove, she currently performs on her new instrument, the Spring Spyre which is based on the application of neural networks to real-time audio synthesis. Upcoming projects include the completion of a composition in collaboration with Zeena Parkins as well as a live-film with SUE-C, the fourth in their series. Sonami has received numerous awards among which the Herb Alpert Awards in the Arts and the Foundation for Contemporary Performance Awards.” [“post_title”]=> string(15) “Laetitia Sonami” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(15) “laetitia-sonami” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5597557” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [4]=> object(WP_Post)#2696 (24) { [“ID”]=> int(5431859) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(937) “Caroline Chen is a classical trained musician and electronic music composer. Her works explore the effect of spatial and temporal arrangement on one’s listening experience. There are constant aural stimulus in our daily life, in particular in new york city, sound of broken glasses, siren, subway noise, or sound in the nature– the sound of the ocean, or walking in the park, the sound of breathing, leaves rustling, and so on. “At times, I record these sounds, at times, I use the pre-recorded samples. I take and manipulate them generating new sounds which one may not recognize its sonic source, thus, giving a listener a different aural experience. I also integrate these new sounds with video that I create. I scan and render 2D paintings into 3D animated digital images that transform over time. 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Described by Molly Sheridan as a “shining beacon” of inspiration, his diverse work illuminates ideas about our culture, issues concerning creativity, and even the very nature of music itself. His eclectic output includes Love Songs, an album of hybrid pop/art songs that combine Shakespeare’s Sonnets with contemporary poetry (described in NM421 as “elegantly rendered”), 60×365, a year-long podcast project for which he composed a new one-minute piece every day (labeled “impressive” by NPR’s All Things Considered), and Broken Memory, an album of noisy drones and beats extracted from a vintage Nintendo Gameboy. A review on Grindthieves International exclaims that Broken Memory “absolutely wrecks shop…. 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He will focus on the guitar as an H.I. device and the implementation of the video game PONG using Max/Msp/Jitter. A brief performance of guitar-controlled PONG will include collaborator Evan Drummond as the ensemble Modal Kombat. Hindman is an interactive artist and designer working in music, video games, and interface design. At NYU’s ITP he designed and developed systems for controlling video games with musical instruments. 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He generally performs as a guitarist, or as a highland bagpiper. Watson has a long-standing project with Lee Ranaldo, he has recorded with Christian Marclay, Ikue Mori, Chris Mann, John Zorn and many others. He has released work on XI, Avant, Tzadik, Braille, Doctor Jim’s, Le Station Radar, FMR, Three Lobed, Circulasione, Grapefruit and the Cafe Oto label. He has scored music for dance (recently for Moriah Evans), for films (Martin Lucas “Hiroshima Bound”,) directed music-theater (“The Inquisitive Musician” at The Stedlijk Museum) and has an ongoing project using the procession tradition. Watson also curates the experimental music series WOrK ØØ.” [“post_title”]=> string(12) “David Watson” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “david-watson” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5294132” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [9]=> object(WP_Post)#2725 (24) { [“ID”]=> int(5939764) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(772) “New York City-based visual artist Saya Woolfalk will digitize and animate a series of her drawings and produce a sound component to create a ten-minute animation called The Land of the Pleasure Machines. Described as a fictional future constructed for the investigation of human possibilities and impossibilities, this new animation will be presented at the Studio Museum in Harlem in November 2009. Saya Woolfalk is a graduate of the School of the Art Institute of Chicago and participated in the Whitney Independent Study Program. 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Inspired by the geometrical shape, the tesseract, the intent of this work is to create music based on the experience of perceiving individual auditory events as shapes that interact and evolve in a kind of kinetic, mutable work of sculpture. The completed work will be performed and exhibited in New York City and will be reproduced for distribution as a DVD. 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Described as an integrated-media performance synthesizing theater, dance, live video and music, the completed work will be presented during the 2009-2010 season of the HERE Arts Center in New York City. 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