array(13) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2683 (10) { [“term_id”]=> int(150) [“name”]=> string(11) “Performance” [“slug”]=> string(11) “performance” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(150) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(317) [“filter”]=> string(3) “raw” } } [“location”]=> string(19) “Harvestworks Studio” [“other_location_name”]=> string(0) “” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20050101” [“end_date”]=> string(8) “20051210” [“time”]=> string(0) “” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(165) “Andrea Polli, David Stout, Shadow Puppies and Lemur GuitarBots, Bruce Gremo, Jeff Feddersen, James Fei, Guillermo Brown, Nicolas Collins, Leroy Jenkins, Mary Griffin” [“secondary_artists”]=> string(116) “Featuring Joe Gilmore, Steve Symons, Chris Jordan, Laura Steele, Robert Lisek, Zoe Beloff, Marc Lafia, Terry Nauheim” [“listed_artists”]=> array(9) { [0]=> object(WP_Post)#2704 (24) { [“ID”]=> int(5156323) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(378) “Andrea Polli will perform works using climate data from the “Heat and the Heartbeat of the City” and the “Arctic Oscillation” projects created in collaboration with Joe Gilmore,UK web artist and programmer. Also, Steve Symons (www.muio.org) will present his new USB system for sensing and effecting the real world.” [“post_title”]=> string(12) “Andrea Polli” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “andrea-polli” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5156323” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2701 (24) { [“ID”]=> int(5064750) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(852) “David Stout is an interactive video-sound artist and one of the worlds leading laptop performers exploring real-time cross-synthesis of sound and image. He is the recipient of the Harvestworks Interactive Technology Award and the Sun Micro Systems Award for Academic Excellence (2004) and a nominee for the both the WTN World Technology Award (2003) and the International Media Art Prize (2004). His work in interactive media includes electro-acoustic scores for stage and screen, live cinema, video-dance, data-base narrative, noise performance and telematic video events that emphasize multi-screen projection as an extension of performer, audience and environment. 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Nick Didkovsky and Hans Tammen stretch the boundries of the electric guitar with an arsenal of objects, electronics, and homebrew computer software. Simultaneasly, Kurt Ralske interactively captures and processes video using digital technology of his own design. 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The Cilia mouthpiece is capable of responding to the shakuhachi’s complex way of generating pitch but provides direct control over the computer sound generating preocesses. and does not have a sound of its own. A Harvestworks Interactive Residency.” [“post_title”]=> string(30) “Bruce Gremo and Jeff Feddersen” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(30) “bruce-gremo-and-jeff-feddersen” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5388644” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [4]=> object(WP_Post)#2695 (24) { [“ID”]=> int(5752138) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(323) “Guillermo Brown (Music) for development of a live solo and ensemble performance piece for CD, mp3 and vinyl focusing on the absorption of perfected jazz techniques into contemporary musical expression. 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Ware Quartet.” [“post_title”]=> string(15) “Guillermo Brown” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(15) “guillermo-brown” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5752138” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [5]=> object(WP_Post)#2727 (24) { [“ID”]=> int(5522798) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(280) “Nicolas Collins will perform two semi-composed works relying on ensembles of “hacked” circuits: “Bower Bird.” for battery activated loudspeakers; and “Sleight of Hand” for flesh-controlled portable radios. 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