array(13) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2683 (10) { [“term_id”]=> int(195) [“name”]=> string(8) “Festival” [“slug”]=> string(8) “festival” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(195) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(24) [“filter”]=> string(3) “raw” } } [“location”]=> string(19) “Harvestworks Studio” [“other_location_name”]=> string(6) “Tellus” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20030515” [“end_date”]=> string(0) “” [“time”]=> string(7) “12:00am” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(25) “Lisa Karrer, David Simons” [“secondary_artists”]=> string(0) “” [“listed_artists”]=> array(22) { [0]=> object(WP_Post)#2691 (24) { [“ID”]=> int(5939882) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(333) “Nelson will present new media works including interactive pieces using MAX/MSP/JITTER and a screening of several short films made in collaboration with painter/filmmaker Christine Gorbach. Nelson teaches at Oberlin College and has performed more than 250 concerts in the US and abroad since 1987. Funded in part by Meet The Composer.” [“post_title”]=> string(15) “Gary Lee Nelson” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(15) “gary-lee-nelson” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5939882” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2643 (24) { [“ID”]=> int(5039262) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(480) “Jody Zellen, an LA-based artist, will present “Disembodied Voices”, a web project illustrating the collision of personal/private and public space. Using cell phone sounds and images of the urban environment, this project looks at how private conversations have become public spectacles. Harvestworks Certificate Student Tomie Arai is an installation artist who recently designed her first web project, “Triple Happiness,” a document of the experiences of Asians of mixed heritage.” [“post_title”]=> string(24) “Jody Zellen & Tomie Arai” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(22) “jody-zellen-tomie-arai” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5039262” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [2]=> object(WP_Post)#2719 (24) { [“ID”]=> int(5825436) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(4133) “Bill Fontana (b. 1947, United States) is an American composer and media artist who has developed an international reputation for his pioneering experiments in sound. Since the early 70s, Fontana has used sound as a sculptural medium to interact with and transform our perceptions of visual and architectural spaces. He has realized sound sculptures and radio projects for museums and broadcast organizations around the world. His work has been exhibited at the Whitney Museum of American Art; the San Francisco Museum of Modern Art; the Museum Ludwig, Cologne; the Post Museum in Frankfurt; the Art History and Natural History Museums in Vienna; the Tate Modern and Tate Britain, London; the 48th Venice Biennale; the National Gallery of Victoria, Melbourne; the Art Gallery of New South Wales, Sydney; MAXXI, Rome; and MAAT, Lisbon. He has done major radio sound art projects for the BBC, the European Broadcast Union, the Australian Broadcasting Corporation, National Public Radio, West German Radio (WDR), Swedish Radio, Radio France and the Austrian State Radio. He is currently working on new commissions for the Kunsthaus Graz, the International Renewable Energy Agency, and the 2018 Venice Architecture Biennale. “I began my career as a composer. What really began to interest me was not so much the music that I could write but the states of mind I would experience when I felt musical enough to compose. In those moments, when I became musical, all the sounds around me also became musical. I have worked for the past 50 years creating installations that use sound as a sculptural medium to interact with and transform our perceptions of visual and architectural settings. These have been installed in public spaces and museums around the world including San Francisco, New York, Rome, Paris, London, Chicago, Vienna, Berlin, Venice, Sydney, Tokyo, Barcelona, Linz, Manchester, Istanbul and Abu Dhabi. My sound sculptures use the human and/or natural environment as a living source of musical information. I am assuming that at any given moment there will be something meaningful to hear and that music, in the sense of coherent sound patterns, is a process that is going on constantly. My methodology has been to create networks of simultaneous listening points that relay real time acoustic data to a common listening zone (sculpture site). Since 1976 I have called these works sound sculptures. I have produced a large number of works that explore the idea of creating live listening networks. These all use a hybrid mix of transmission technologies that connect multiple sound retrieval points to a central reception point. What is significant in this process are the conceptual links determining the relationships between the selected listening points and the site-specific qualities of the reception point (sculpture site). Some conceptual strategies have been acoustic memory, the total transformation of the visible (retinal) by the invisible (sound), hearing as far as one can see, the relationship of the speed of sound to the speed of light, and the deconstruction of our perception of time. From the late nineties until the present my projects have explored hybrid listening technologies of acoustic microphones, underwater sensors (hydrophones) and structural/material sensors (accelerometers). Some of my most recent works I call Acoustical Visions and are explorations of the image that a sound makes and the sound that an image makes.”” [“post_title”]=> string(12) “Bill Fontana” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “bill-fontana” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5825436” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [3]=> object(WP_Post)#2712 (24) { [“ID”]=> int(5042522) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(771) “Douglas Henderson (Installation) for completing an interactive sound/sculpture installation piece titled Petals on a Wet, Black Bough. Consisting of thirty voices, each individual element of the piece reflects a part of humanity. All autonomous to each other yet connected by the aggregate sound woven into part of a larger composition or rather a social fabric. Henderson is a composer and performer who recently won a Bessie award for Kriyas, a collaboration with Guy Yarden and Mia Lawrence. (Radio) for preparing Aural Safari for radio broadcast. Aural Safari is based on a “sound hunting” expedition Christopher recently made in New York.” [“post_title”]=> string(17) “Douglas Henderson” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(17) “douglas-henderson” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5042522” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [4]=> object(WP_Post)#2721 (24) { [“ID”]=> int(5903284) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(784) “Joseph Reinsel will create a DVD that will contain a new multi-movement video and surround-sound work entitled Liminal Presence to be shown in galleries and film festivals. An audio-visual investigation of Baltimore, Maryland where the artist currently resides, each movement will exist as a visual poem on its own, but will also be connected to the other works in the sequence by common themes in the visuals and sound. With his background in music composition, Reinsel creates aural and visual art using digital and analog tools and instruments. He is currently Assistant Professor of Digital Media Arts at College of Notre Dame of Maryland in Baltimore.” [“post_title”]=> string(14) “Joseph Reinsel” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “joseph-reinsel” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5903284” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [5]=> object(WP_Post)#2717 (24) { [“ID”]=> int(5003089) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(398) “A 4-channel audio installation using Marcel Duchamp’s “With Hidden Noise” sculpture as a controller. The replica of the sculpture will control the sounds of machines (coffee grinders, railroads, pulleys, spinning disks, etc) intended to conjure aural images relating to Duchamp’s work. Holland is a composer currently living in Texas.” [“post_title”]=> string(14) “Holland Hopson” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “holland-hopson” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5003089” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [6]=> object(WP_Post)#2690 (24) { [“ID”]=> int(5979463) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(373) “Zack Settel will perform “Punjar,” a work for solo soprano saxophone and interactive electronic improvisation which marries hi-tech with lo-tech, as electrified skateboards and kitchen utensils are combined with saxophone and guitar and subjected to real-time Digital Signal Processing. Settel composes music full-time and teaches composition at the University of Montreal.” [“post_title”]=> string(11) “Zack Settel” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “zack-settel” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5979463” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [7]=> object(WP_Post)#2722 (24) { [“ID”]=> int(5982489) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(326) “The 242.pilots (HC Gilje / Lukasz Lysakowski / Kurt Ralske) will present their real-time video performance system accompanied with a discussion of their strategies for improvising with images (and simultaneously with sound). Their DVD ” Live in Bruxelles” is nominated for an Image Award at Transmediale.03 Festival in Berlin.” [“post_title”]=> string(30) “Kurt Ralske and the 242.pilots” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(29) “kurt-ralske-and-the-242pilots” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5982489” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [8]=> object(WP_Post)#2720 (24) { [“ID”]=> int(5840100) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(446) “A 3-machine performance with the YoYo Pay drums. The YoYo Pay drums are part of the community of 60 interactive, computer-controlled robotic sculptures that perform in creative, technological concert with one another. Chico MacMurtrie is the artistic Director of Amorphic Robot Works. “ARW” is an award-winning collaboration of artists, technicians and programmers that make sculptural anthropomorphic robots and robotic performance environments.” [“post_title”]=> string(16) “Chico Macmurtrie” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(16) “chico-macmurtrie” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5840100” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [9]=> object(WP_Post)#2637 (24) { [“ID”]=> int(5117436) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(286) “Joshua will perform a work in progress for computer and odd objects. Downtown experimenter Joshua Fried has played at Lincoln Center, Bang On a Can and the HERE Art Center, plus LA, Berlin, Paris, Tokyo, Amsterdam, Prague. His recording “Jimmy Because” was released by Atlantic Records.” [“post_title”]=> string(36) “Joshua Fried and the Lemur Orchestra” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(36) “joshua-fried-and-the-lemur-orchestra” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5117436” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [10]=> object(WP_Post)#2693 (24) { [“ID”]=> int(5406409) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(796) “Allyn will present an audio tour of her recent installation, “A Chair is a Throne is A Freedom Fighter’s Camp Stool,” produced in collaboration with award-winning radio producer Helene Rosenbluth. “A Chair is a Throne is a Freedom Fighter’s Camp Stool” consists of 21 life size chairs with CD players in the design of every seat for the public to listen to audio stories and soundscapes that act as portraits of people who are resolving conflicts creatively or have rendered thought-provoking alternatives to punishment. The chairs are set in a continuously changing formation, inviting audience members to experience how seating arrangements affect communication.” [“post_title”]=> string(11) “Jerri Allyn” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “jerri-allyn” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5406409” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [11]=> object(WP_Post)#2715 (24) { [“ID”]=> int(5250879) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(528) “”Risk Management” determines itself by strategies through which the two players force themselves constantly into unfamiliar terrain. The musical tension resides in the response to this unknown, and both are experts in navigating between the common and the obscure. Computers allow them to travel with multiple identities through a complex landscape. This time the topography is defined by Harvestworks’ state-of-the-art 5.1 Surround Sound system, encircling the audience as it will join the artists on their adventurous journey.” [“post_title”]=> string(25) “Bruce Gremo & Hans Tammen” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(23) “bruce-gremo-hans-tammen” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5250879” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [12]=> object(WP_Post)#2688 (24) { [“ID”]=> int(5593756) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(796) “Latasha Diggs (Music) for work on Imperfecciones: La Magic de la Television, an audio project using the spoken word and sound motifs exploring the use of television amongst working poor African American women and how this particular medium is commonly used as a means of escape and therapy not only to African American women but also to the masses. Latasha will record, mix and master a CD using various vocal loops, bits from various television shows and a one on one interview with mom combined with different instruments. This project is scheduled to perform at various venues through out Manhattan and broadcast on WBAI’s Liquid Sound Lounge in Fall/Winter 2002.” [“post_title”]=> string(13) “Latasha Diggs” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(13) “latasha-diggs” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5593756” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [13]=> object(WP_Post)#2631 (24) { [“ID”]=> int(5205642) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(163) “”psi” is a Brooklyn, NY based electro-acoustic trio featuring Jaime Fennelly (electronics), Chris Forsyth (guitar), and Fritz Welch (drums & amplified percussion).” [“post_title”]=> string(3) “PSI” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(3) “psi” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5205642” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [14]=> object(WP_Post)#2716 (24) { [“ID”]=> int(5301808) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(139) “Harvestworks presents Studio Project Films: Mark Eisenstein’s “God Is On Their Side” followed by Yasuaki Nakajima’s “After the Apocalypse”.” [“post_title”]=> string(34) “Mark Eisenstein & Yasuaki Nakajima” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(32) “mark-eisenstein-yasuaki-nakajima” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5301808” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [15]=> object(WP_Post)#2718 (24) { [“ID”]=> int(5531472) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(118) “Wands presents “Variations 703,” an interactive music installation recently exhibit at SIGGRAPH 2003 in San Diego, CA.” [“post_title”]=> string(11) “Bruce Wands” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “bruce-wands” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5531472” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [16]=> object(WP_Post)#2713 (24) { [“ID”]=> int(5089376) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(478) “As a flutist and composer in multiple genres, Yael Acher’s Solo Flute & electronics performance gives expression to her free improvisation and eclecticism. Acher uses polyrhythm, polytonality and atonality with the deep, burning, cool pulse of jazz and a variety of ritualistic elements inspired by nomadic cultures. In this performance, Acher´s flute is connected via Max/MSP to the electronic audio system to create real time soundscapes in a structured but freeform style.” [“post_title”]=> string(10) “Yael Acher” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(10) “yael-acher” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5089376” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [17]=> object(WP_Post)#2723 (24) { [“ID”]=> int(5984438) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(209) “Iki Nakagawa presents “On The Table”, an installation commissioned by Harvestworks with NYSCA funds. Torsten Burns (AIR 2003) presents “Extending trainer: Pressure Suits & Broom Crafts”, an experimental video.” [“post_title”]=> string(28) “Iki Nakagawa & Torsten Burns” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(26) “iki-nakagawa-torsten-burns” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5984438” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [18]=> object(WP_Post)#2714 (24) { [“ID”]=> int(5245517) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(130) “Ana Busto (AIR 2003) presents “Cuban Boxing”, a new video work and other pieces. Jerome Annum, (AIR 2003) presents new video work.” [“post_title”]=> string(24) “Ana Busto & Jerome Annum” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(22) “ana-busto-jerome-annum” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5245517” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [19]=> object(WP_Post)#2675 (24) { [“ID”]=> int(5176450) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(151) “Wago Kreider (AIR 2003) will present “Menagerie of the City”, a new video work, Alison Crocetta (AIR 2003) presents “Reveal/Clear/Fill”, super-8 films.” [“post_title”]=> string(30) “Wago Kreider & Alison Crocetta” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(28) “wago-kreider-alison-crocetta” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5176450” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [20]=> object(WP_Post)#2676 (24) { [“ID”]=> int(5003546) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(172) “International MAX/MSP Certificate Artist Ariel Bustamante will present new work. Matthew Ostrowski (AIR 2003) will present his “Telemusic”, a new Internet-based audio work.” [“post_title”]=> string(33) “Ariel Bustamante & Matt Ostrowski” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(31) “ariel-bustamante-matt-ostrowski” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5003546” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [21]=> object(WP_Post)#2689 (24) { [“ID”]=> int(5576296) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(434) “Stuart will present music from the “NowThenAfter” Collection of electronic music he has produced for Harvestworks, as well as a selection from “The Bi Conicals Of The Rammellzee” Album, remixed and rendered in 5.1 by Paul Geluso. A producer and director who has worked in music and multimedia in NYC since 1978, Stuart has created The Futants, Ike Yard, Dominatrix, DCC aka Death Comet Crew, The Voodooists, black rain and Dystopians.” [“post_title”]=> string(17) “Stuart Argabright” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(17) “stuart-argabright” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5576296” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } } }