array(13) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2683 (10) { [“term_id”]=> int(150) [“name”]=> string(11) “Performance” [“slug”]=> string(11) “performance” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(150) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(317) [“filter”]=> string(3) “raw” } } [“location”]=> string(19) “Harvestworks Studio” [“other_location_name”]=> string(0) “” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20020225” [“end_date”]=> string(0) “” [“time”]=> string(7) “12:00am” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(22) “Yael Kanarek, Yoav Gal” [“secondary_artists”]=> string(22) “Featuring Sarah Rivkin” [“listed_artists”]=> array(30) { [0]=> object(WP_Post)#2706 (24) { [“ID”]=> int(5372493) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(400) “Yael Kanarek (Web) for the development of the sonic component of World of Awe, in collaboration with composer, Yoav Gal, World of Awe is an ongoing multi-media project based on an orginal narrative where determination to find a lost treasure meets nostolgia for speculated technology. 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Martha Burgess’s CD-Rom exploring “visual thinking as composed of a unique blend of images, sounds, words and the experiences that contain them”; collaborating architects/artists Christine Calderon and Omar Calderon; Melanie Crean’s interactive kinetic sculpture “Golem”; Jeff Gompertz and his project “Fakeshop”; Ian Spalter’s CD-Rom “The Cassandra Project”; Beth Stryker’s Web site project “disseminet.walkerart.org”; and Andrea Summers’ video animation serial entitled “World Without Femmes.”” [“post_title”]=> string(16) “Helen Thorington” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(16) “helen-thorington” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5473353” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [4]=> object(WP_Post)#2676 (24) { [“ID”]=> int(5604014) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(579) “Works included artist Prashant Bhargava’s computer-generated animation; Martha Burgess’s CD-Rom exploring “visual thinking as composed of a unique blend of images, sounds, words and the experiences that contain them”; collaborating architects/artists Christine Calderon and Omar Calderon; Melanie Crean’s interactive kinetic sculpture “Golem”; Jeff Gompertz and his project “Fakeshop”; Ian Spalter’s CD-Rom “The Cassandra Project”; Beth Stryker’s Web site project “disseminet.walkerart.org”; and Andrea Summers’ video animation serial entitled “World Without Femmes.”” [“post_title”]=> string(13) “Jesse Gilbert” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(13) “jesse-gilbert” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5604014” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [5]=> object(WP_Post)#2712 (24) { [“ID”]=> int(5631301) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(252) “An investigation into improvisation, form and presentation in multi-site, network-based performance, composer-improvisers and technologists will come together to create a dynamic, structured, experimental sonic exploration on the Web and in real space.” [“post_title”]=> string(16) “Wadada Leo Smith” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(16) “wadada-leo-smith” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5631301” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [6]=> object(WP_Post)#2714 (24) { [“ID”]=> int(5788459) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(252) “An investigation into improvisation, form and presentation in multi-site, network-based performance, composer-improvisers and technologists will come together to create a dynamic, structured, experimental sonic exploration on the Web and in real space.” [“post_title”]=> string(11) “Mark Trayle” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “mark-trayle” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5788459” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [7]=> object(WP_Post)#2689 (24) { [“ID”]=> int(5993106) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(328) “Composer/performer Pamela Z will discuss her performance and recorded works, and perform pieces for voice, Max/MSP, and the Body/Synth gesture controller. Included will be “Metal/Vox/Water,” a work for live performance and video which includes some of the Max patches she developed during her August 2001 Harvestworks residency.” [“post_title”]=> string(16) “Maritess Zurband” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(16) “maritess-zurband” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5993106” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [8]=> object(WP_Post)#2641 (24) { [“ID”]=> int(5327925) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(470) “Shahar presents her video, “Floating Inside Out (WTC)”, which records a party on the 91st floor of the World Trade Center. The camera captured the city lights below and the movements of the party participants in the dark. The piece was created in September during a World Views Residency at the WTC. Naomi Ben Shahar’s work examines the intersection of physical and inner reality through the elemental vocabulary of the photographic image: light, reflections, materials.” [“post_title”]=> string(16) “Naomi Ben Shahar” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(16) “naomi-ben-shahar” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5327925” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [9]=> object(WP_Post)#2716 (24) { [“ID”]=> int(5884810) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1778) “Brazilian multimedia artist, poet, and activist, lives and works in New York City and Rio de Janeiro. Over the past four decades, she has assembled a body of work in a wide range of media that gives eloquent voice to matters of memory, identity and social justice while consistently challenging the boundaries between artist and audience, and between politics and art. ​Her present project Diary of Smells, is an on-going cross-disciplinary sensorial project. The inclusion of olfaction results from her long examination of society`s basic need to be sheltered in a moment in which the sense of home/nest is threatened by wars, refugee camps, migrations and the fragility of the environment – the collective shelter. She has been awarded with her installation Glass Ceiling: Resilience the 6th Art and Olfaction Sadakichi Award for Experimental Work with Scent in Amsterdam, The Netherlands in 2019. Among her grants and residences are Pollock-Krasner Foundation; Creative Capital Foundation; Frans Masereel Print Center, Kasterlee, Belgium; NYSCA; Harvestworks Digital Media Arts Center; Rockefeller Foundation`s Bellagio International Conference and Research Center, Italy; NYFA; NEA. Her pioneer webwork, Book of Roofs/ Livro das Telhas [www.bookofroofs.com], from 1999, has received grants and has been shown in several venues. 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Listen to the tale of Not-a-Superhero’s old-fashioned radio and watch him zoom around the Unisphere through a very special telescope.” [“post_title”]=> string(17) “Jeffrey Lependorf” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(17) “jeffrey-lependorf” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5437610” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [11]=> object(WP_Post)#2637 (24) { [“ID”]=> int(5689223) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(336) “Jeffrey Lependork and Luca Buvoli team up to present glimpses of “Around, Around, and Away: Not-a-Superhero and the Myth of New York,” their multimedia installation created for the Queens Museum of Art. Listen to the tale of Not-a-Superhero’s old-fashioned radio and watch him zoom around the Unisphere through a very special telescope.” [“post_title”]=> string(11) “Luca Buvoli” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “luca-buvoli” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5689223” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [12]=> object(WP_Post)#2688 (24) { [“ID”]=> int(5494356) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(510) “Ina Archer (Installation) for work on an installation that explores issues surrounding labor and ownership in the film industry, the interactions between racial/ethnic representations and transitional technological movements in media. Ina is an installation and video artist whose works include: Bert Wheeler(ing): Just keep On Doin’ What You’re Doin’ and A Minstrel Show, exhibited in Whitney Independent Study Open Studios Show.” [“post_title”]=> string(10) “Ina Archer” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(10) “ina-archer” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5494356” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [13]=> object(WP_Post)#2883 (24) { [“ID”]=> int(5093399) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(371) “Lemur is a group of artists, organized by Eric Singer, who have created an orchestra of robotic musical instruments. These instruments are playable under computer control and by human performers using electronic interfaces. Initial designs focused on percussive and string instruments ultimately for use by new music composers. In collaboration with Madagascar Institute.” [“post_title”]=> string(5) “Lemur” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(5) “lemur” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5093399” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [14]=> object(WP_Post)#2897 (24) { [“ID”]=> int(5150098) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(261) “Since 1997, Michigan’s Wolf Eyes have been experimenting in modified electronics and crude tape manipulations. They will be performing a short set and demonstrating their homemade instruments as well as a showing of their many handmade cassette and CD releases.” [“post_title”]=> string(9) “Wolf Eyes” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(9) “wolf-eyes” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5150098” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [15]=> object(WP_Post)#2891 (24) { [“ID”]=> int(5115081) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(172) “Roses presents excerpts from “The Vocabulary of the Veils,” a performance work incorporating video. Kathy Rose has been working with performance, film and video since 1982.” [“post_title”]=> string(11) “Kathy Roses” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “kathy-roses” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5115081” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [16]=> object(WP_Post)#2717 (24) { [“ID”]=> int(5891033) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(305) “World premiere of Manfred Stahnke’s Internet opera “Orpheus Crystal,” utilizing the potential of computers and global networks. Based on George Hajdu’s quintet.net software. Commissioned by the City of Munich and the Siemens Art Program, a co-production of the Munich Biennale and the Siemens Art Program.” [“post_title”]=> string(15) “Manfred Stahnke” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(15) “manfred-stahnke” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5891033” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [17]=> object(WP_Post)#2893 (24) { [“ID”]=> int(5030921) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(330) “Danny Hobart (Film/Video) for audio editing his recently completed video Debut and Soon. Danny is a New York-based video artist whose works have been shown at Postmasters Gallery, The Standard Hotel, and Sothebys. And will be premiering at the Gorney-Bravin-Lee Gallery in New York.” [“post_title”]=> string(12) “Danny Hobart” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “danny-hobart” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5030921” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [18]=> object(WP_Post)#2715 (24) { [“ID”]=> int(5836908) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(440) “Sound artist Christopher DeLaurenti will discuss the concept of the aural safari: sound art made from field recordings that convey the (sometimes dangerous) act of hunting sound. He’ll present excerpts from several aural safaris including “cocaine,” “N30: Live at the WTO Protest,” and “Your 3 minute Mardi Gras,” as well as a new work to be completed in Harvestworks’ studio.” [“post_title”]=> string(22) “Christopher DeLaurenti” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(22) “christopher-delaurenti” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5836908” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [19]=> object(WP_Post)#2707 (24) { [“ID”]=> int(5414336) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(494) “Onome Ekeh New York-based writer/filmmaker and Artist-in-Residence Onome Ekeh is currently focused on creating sound design-based work in the theater. For this event, she will present “lovemad,” a “sound-cinema event” (for radio broadcast/CD release) conceived as a love story in five parallel universes. 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Audience members will be invited to play the game during the presentation. 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This program will be presented live at Harvestworks by composers Monique Buzzarte and Kristin Nordeval, with simultaneous broadcasts over the Internet and throughout Winnipeg, Canada on CKUW 95.9 fm. Visit http://www.sendandreceive.org for updates and current information. Sponsored by send + receive, CKUW, Video Pool and Harvestworks.” [“post_title”]=> string(16) “Kristin Nordeval” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(16) “kristin-nordeval” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5671765” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [22]=> object(WP_Post)#2899 (24) { [“ID”]=> int(5232921) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(513) “2001 Artist-in-Residence Jay Critchley will screen his film “Toilet Treatments,” a “dank” comedy featuring Katrina, a psychologically repressed Midwesterner whose spiritual journey takes her to a seaside town where she confronts her demons, her father and her subconscious in an abandoned backyard septic tank. The film won first place in the HBO Audience Award for short feature at the Provincetown International Film Festival 2002.” [“post_title”]=> string(13) “Jay Critchley” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(13) “jay-critchley” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5232921” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [23]=> object(WP_Post)#2710 (24) { [“ID”]=> int(5024698) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(604) “Nadine Robinson is an artist who sees the social phenomenon critically and expresses her ideas through installations, pieces, or events. Also, she is known as a conceptual artist who works with light and sound. Over the years, she has created a sound installation, sculptures, and “sonic paintings” All of her works are based on race, culture, and music. 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Topics include the history of 8-bit graphics, Guns n’ Roses [1987-1991], hacking video games, new swing jack, TCP/IP protocol, packet sniffing, net.art & the Boo-Yaa Tribe.” [“post_title”]=> string(5) “BEIGE” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(5) “beige” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5770184” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [26]=> object(WP_Post)#2810 (24) { [“ID”]=> int(5307640) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(584) “Anne Wellmer is a composer, performer, singer, and sound artist. She studied electronic music at the Institute of Sonology in The Hague and composition with Alvin Lucier and Anthony Braxton at Wesleyan University in Middletown CT/USA. Her works include sonic environments for performances, sound installations, live music for dance and theater, radio art, music theater pieces, network projects, and improvisation with electronics. Anne Wellmer lives and works in The Hague and in Berlin.” [“post_title”]=> string(12) “Anne Wellmer” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “anne-wellmer” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5307640” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [27]=> object(WP_Post)#2711 (24) { [“ID”]=> int(5535916) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2454) “Toni Dove lives and works in NYC. She writes, directs and performs live mix cinema events, installations and hybrid film projects that utilize embodied interface, interactive technologies and robotics. Presented in the United States, Europe and Canada as well as in print and on radio and television, her projects include: Archeology of a Mother Tongue, a virtual reality installation with Michael Mackenzie, Banff Centre for the Arts. Artificial Changelings, an interactive installation, premiere at the Rotterdam Film Festival, part of the exhibitions: “Body Mecanique” at the Wexner Center for the Arts, Ohio; at the Institute for Studies in the Arts at Arizona State University, International Performance Studies Conference, other venues. Spectropia, her current touring project, is a feature length live-mix movie performance for two players. Previewed 2006: work in progress at Lincoln Center in Scanners, the New York Video Festival, Univ of West Va. BIOS Conf.; Cleveland at the Ingenuity festival 2007; premiere: the Wexner Center for the Arts Nov 1-3, 2007; presented: REDCAT, LA Nov 2007; Zero1 Festival of Art on the Edge, San Jose, 2008; EMPAC, Troy, N.Y., 2008; Miami Sleepless Night Festival, 2009. The Kitchen, NYC, Dec. 9,10,11, 2010. Lucid Possession, the work in progress has been presented at: HERE Culturemart, 2009, 2010; Spielart Festival, Munich, 2009; Republique Theater, Copenhagen, 2009, 2011. Dove served by appointment on the 2000/2003 Government Advisory Committee on Information Technology and Creativity, Computer Science and Telecommunications Board, National Research Council, USA. Dove has received numerous grants and awards including support from the Rockefeller Foundation, the Greenwall Foundation, the Langlois Foundation, New York State Council on the Arts, National Endowment for the Arts, New York Foundation for the Arts, The LEF Foundation, MediaThe Foundation, Experimental TV Center, and the Eugene McDermott Award in the Arts from M.I.T. Web site: http://www.tonidove.com. See also www.lucidpossession.com.” [“post_title”]=> string(9) “Toni Dove” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(9) “toni-dove” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5535916” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [28]=> object(WP_Post)#2806 (24) { [“ID”]=> int(5317648) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(322) “Van Lier Resident Taketo Shimada will make an invisible history of electronic music visible by using four turntables with his collaborator Toshio Kajiwara. 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