Peter d’Agostino’s pioneering video, photography, and new media
projects have been exhibited internationally for over five decades. His work was in
the biennial exhibitions of Sao Paulo, Brazil; Gwangju, South Korea; Whitney Museum
of American Art, New York; and is in the collections of the Museum of Modern Art,
New York; San Francisco Museum of Modern Art; Getty Museum, Los Angeles; Berkeley
Art Museum/Pacific Film Archive; Oakland Museum of California; National Gallery of
Canada; Palais des Beaux-Arts, Charleroi, Belgium; CaixaForum, Barcelona; among
others. D’Agostino’s grants and fellowships include: the National Endowment for the
Arts, Pew Trusts, Onassis Foundation, Japan Foundation, and the Center for Advanced
Visual Studies, MIT. He was an artist-in-residence at the TV Laboratory, WNET, New
York, the Banff Centre for the Arts, Canada, the Rockefeller Foundation’s Bellagio
Center, Italy as well as a visiting artist at the American Academy in Rome and the
Art / Sci Center University of California, Los Angeles. Surveys of his
World-Wide-Walks projects were exhibited at University of Paris I Pantheon-Sorbonne
Art Gallery, Bizkaia Art Gallery, Bilbao, Spain; and Laboratorio Arte Alemeda,
Mexico City. The book, World-Wide-Walks / Peter d’Agostino: Crossing
Natural-Cultural-Virtual Frontiers (2019), was published by Intellect Press, UK and
the University of Chicago Press, USA.
