Nathan Cearley is a member of Long Distance Poison–the Brooklyn based
experimental electronics duo of both himself and Erica Bradbury. LDP explores
non-subjective musical practices that minimize intention, self and hylomorphic
design. They have experimented with video synthesis for various projects including
their 2015 residency at Pioneer Works for The Clocktower Gallery, Sound & Time:
Sacred Music After A God, and their 2017 audio/visual release Rheomodes (Oxtail
Recordings) and their Rheomodes video installation at Printed Matter.