Mónica de la Torre’s most recent book, Repetition Nineteen (Nightboat),
centers on experimental translation. Other books include The Happy End/All Welcome
(Ugly Duckling Presse)—a riff on Kafka’s Amerika—and Public Domain. She has
published several books in Spanish, including Taller de Taquimecanografía (Tumbona),
written jointly with the eponymous women artists’ collective she co-founded. She is
a contributing editor to BOMB Magazine and, with Alex Balgiu, co-edited the
anthology Women in Concrete Poetry 1959–79 (Primary Information). She is recipient
of the 2022 Foundation for Contemporary Arts C.D. Wright Award for Poetry and a 2022
Creative Capital grant. She teaches poetry at Brooklyn College.
