Tristan Kneschke’s Metamyther project explores three-movement song structures to craft cinematic industrial odysseys. Kneschke has quickly gained a reputation in the local New York scene for his intense live shows, and works to support his local community by producing live events like the dark-themed Electric Abyss through the New York Modular Society, as well as a monthly showcase of local artists at Wonderville. He has contributed scores to several films, including the documentary Conceiving Our Future, which enjoyed the distinction of screening DocNYC, America’s biggest documentary film festival. Kneschke has taught classes at the School of the Visual Arts in New York City as an adjunct professor. He has contributed anthology chapters published by Bloomsbury Academic, Routledge, and Dancecult, and has focused on writing about electronic music for cultural publications including Tiny Mix Tapes, Pop Matters, Metal Sucks, Decoder Magazine, Echoes and Dust, and Hyperallergic, among others.