Kim Alpert combines analog and digital technologies, movement, music, and interactivity, to create sculptural and performance-based video systems. Kim’s visual practice centers on humanism with inquisitions into psychology and spirituality – understanding and translating the impact of visual language to create meaning. Kim uses digital and analog techniques, feedback, and found footage to weave dream tapestries both recorded and improvised. A significant part of Kim’s performed work is in collaboration with improvisational musicians, blending pre-rendered content with live visualizations. Kim performs in collaborative and cross-discipline works such as Mike Reed’s Flesh and Bone, Ken Vandermark’s Momentum, The Instigation Orchestra, and with her project Scan Lines. Kim Alpert holds degrees in Digital Art & Design from Full Sail University and was inducted into their hall of fame in 2013. Kim has displayed work at SOFA Expo, The Stony Island Arts Bank and Facets Cinematheque. Kim’s interactive room, Bodyphonic, a gesture driven instrument and longitudinal sound visualizer, is on display at the Studio Bell, National Music Center of Canada.
