In 1995-96, David Tudor collaborated with Sophia Ogielska on a visual
language for representing David’s music compositions created in analog circuits.
Focusing on Tudor’s composition Toneburst for Merce Cunningham’s Sounddance, they
developed Toneburst Maps and Fragments — a collaborative installation work which
used visual elements derived from David Tudor’s scores. The work was first exhibited
at the Ezra and Cecile Zilka Gallery at Wesleyan University in 1996.
