For many years I have been at work on an alternate history of the
global movie industry, based on the projects of an imaginary film company. Over
these years, I’ve accumulated a large archive, or in transmedia terms, a
“storyworld”, of images, real/digital objects, and narrative, which I use to create
fictions, in mixed media, around this alternate history. The stories arrive from an
imaginary form of “telepathic cinema” invented by the company, known as “silent
sound film”, where telepathic “movietalkers” project thoughts during a film,
creating a movie both interior and exterior.
