ALESSANDRA ERAMO (1982, Taranto, Italy) is a sound artist and performer based in Berlin, working in the area of extended vocal techniques, sound-and visual poetry. Her research is mainly focused upon the interferences between Sign and Voice: writing and sign in its multiple forms, and the human voice as a multi-faceted instrument. Playing with voice, with text and field recordings, with found-objects and analogue electronics, she creates an intuitive, non-narrative musique concrète collage, investigating sound and its relationship to a territory and challenging concepts like “identity”, “intimacy/fragility”, “unexpected/unknown”, therefore the concept of “noise”. Her works include text-sound compositions, participatory performances, videos, music for theatre and dance, installations that were exhibited and performed internationally, among others, at: International Art Exhibition Venice Biennale 2011 / Sonic Circuits Festival Washington DC / Lyd & Litterature Festival Aarhus / Festival Bandit’ Mages Bourges / Harvestworks New York / Wizytujaca Gallery Warsaw / Italian Culture Institute Stuttgart / Galerie Haus am Lützowplatz Berlin. Since 2010 she’s co-founder of the vinyl & sound art production Corvo Records in Berlin, where she has also co-released the LP ‘Popewaffen’ and her solo LP ‘Come ho imparato a volare’. She has worked and performed among others, with Gino Robair, Marta Zapparoli, Seiji Morimoto, Fred Frith, Phillip Greenlief, David Fenech. She has trained in classical singing and piano since an early age. She studied Visual Arts and Performance at the Academy of Fine Arts Brera in Milan (Italy) and in Stuttgart (Germany). In 2006 she holds the Master Degree at the Faculty of Philosophy and Science Theory of Ca’ Foscari State University, Venice (Italy).
