Adam Kendall has explored video notation techniques that might facilitate visual composition comparable in detail and scope to music composition. He’s documented what he believes are common criteria that universal video notation needs to address, and he’s developed personal approaches for his own compositions for live and studio-based performative video. Stemming from his artistic approach […]

Morton Subotnick is an American composer of electronic music, best known for his Silver Apples of the Moon, the first electronic work commissioned by a record company, Nonesuch. He was one of the founding members of California Institute of the Arts, where he taught for many years. Subotnick has worked extensively with interactive electronics and […]

Juraj Kojs is a Slovakian composer, performer, multimedia artist and producer permanently residing in the US. Juraj’s creative and research work reaches to the areas of music at the threshold of hearing, action-based acoustic and electroacoustic music, cyberinstruments created with physical modeling synthesis, tactile music, native instruments from central Europe, contemporary concert music, dance music, […]

Suzanne Thorpe is an interdisciplinary artist-scholar whose creative research intersects electronic music, feminist and ecological theory. She interweaves critical listening practices with acoustic ecology, improvisation and technology to craft immersive sound engagements and creative research sites that question circulations of power within human and nonhuman systems. As an electroacoustic flutist and sound artist she’s performed […]

Daniel Temkin is a Queens-based artist who makes images, programming languages, and interactive pieces exploring our inherently broken patterns of thought. He studies the interaction between people and machines to explore how computers teach us to think. His writing on Glitch Art has been taught at schools such as Bard College, Penn State, and Clark […]