Richard Garet holds an MFA from Bard College, NY. Recent projects
include Primitivo, Casa Hoffman, Bogota, Colombia; The Festival of the Image,
Manizales, Colombia; CIFO Grants & Commissions Program Exhibition 2017, Florida,
USA; RED-Splice, Fridman Gallery, NYC; SOUND ONE, Cindy Rucker, NYC; Periscope,
Zipper Gallery, Sao Paulo, Brazil; Screen Memory, Galerie Burster, Berlin; Midnight
Moment, site specific work created for the electronic billboards of Times Square,
NY; Alusiones, Carmen Araujo Arte, Hacienda de la Trinidad, Caracas, Venezuela;
Meta-residue: Input Material, Space, Studio 10, NY; Theorem: You Simply Destroy the
Image I Always Had of Myself, Maná Contemporary, NJ; Adrenalina, Red Bull Station,
Sau Paulo, Brazil; International Biennial of Contemporary Art of Cartagena de
Indias, Cartagena, Colombia; Bioderivas, Museo de la Naturaleza y el Hombre,
Tenerife, Spain; Queens International, Queens Museum of Art, Queens, New York;
Soundings: a Contemporary Score, Museum of Modern Art, New York; Extraneous to the
Message, Julian Navarro Projects, NY; The Spacious Now and the Scale of the
Instantaneous, Studio 10, NY; 5×5 Real Unreal, Museum of Art Acarigua-Araure,
Venezuela; EAC: Espacio de Arte Contemporáneo, Montevideo, Uruguay; Fine Arts Museum
of Montreal; San Francisco Museum of Modern Art; Museum of Contemporary Art of
Barcelona (MACBA), Barcelona, Spain; Art Museum of Puerto Rico, San Juan, Puerto
Rico; and El Museo del Barrio, NYC. His sonic constructions have been published
through sound art labels such as 23five, And-Oar, Non Visual Objects, Winds Measure
Recordings, Unframed Recordings, Con-V, Leerraum, White_Line Editions, OBS, Line
Imprint, and Contour Editions.
