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With a background in interactive media and corporate communication, she combines creative vision with technical skills to produce impactful multimedia projects. Her latest documentary, created for Harvestworks, captures the dynamic intersection of art and technology, bringing a fresh perspective to contemporary narratives. 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NightGames brings audiences together to collaboratively control an interactive sound and lighting environment, further expanding their understanding of game play and theatre to include freeform interaction. By leveraging technological systems in smart phones, a rich terrain for exploration fills the exhibit space. The installation rewards group cooperation, in addition to personal expression, bringing a conscious awareness to players that individual can impact and form a collective ecosystem. Meud works on scalable collaborative experiences mediated by technology. Phoenix Perry is the head developer of Meud; from digital arts curator to Creative Director, Perry has extensive experience in new media, design, and user interfaces. Adelle Lin has worked as an architectural design team member designing retail fitouts and design strategy for Australia. Currently she works with renewable energy technology to deliver leading edge sustainable infrastructure. 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With a background in software engineering and a passion for sculpture and physics, he creates immersive, interactive lighting sculptures and volumetric installations that engage and connect people in timeless, limitless experiential spaces. Holding a degree in Math and Astrophysics from the Colorado School of Mines, Matt has had impactful roles such as Head of Architecture and Technical Director for projects like The Illuminated River Project and Intel’s Robot Dance Party. Deeply involved in the Creative Technology community, he leads global projects, creates fashion technology, collaborates on projects like Crashspacela and SPARK FUN. He also worked with artists such as DJ Qbert and Lady Gaga at events like the Grammys and CES. Matt’s recent work focuses on interactive sculptures that foster discussions about the future of technology, positioning him at the forefront of novel interactions between art and technology.” [“post_title”]=> string(11) “Matt Pinner” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “matt-pinner” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5167324” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [3]=> object(WP_Post)#2724 (24) { [“ID”]=> int(5275155) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(849) “Mónica de la Torre’s most recent book, Repetition Nineteen (Nightboat), centers on experimental translation. Other books include The Happy End/All Welcome (Ugly Duckling Presse)—a riff on Kafka’s Amerika—and Public Domain. She has published several books in Spanish, including Taller de Taquimecanografía (Tumbona), written jointly with the eponymous women artists’ collective she co-founded. She is a contributing editor to BOMB Magazine and, with Alex Balgiu, co-edited the anthology Women in Concrete Poetry 1959–79 (Primary Information). She is recipient of the 2022 Foundation for Contemporary Arts C.D. Wright Award for Poetry and a 2022 Creative Capital grant. She teaches poetry at Brooklyn College.” [“post_title”]=> string(19) “Mónica de la Torre” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(17) “mnica-de-la-torre” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5275155” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [4]=> object(WP_Post)#2726 (24) { [“ID”]=> int(5019431) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2585) “​​Hans Tammen creates sounds that have been described as an alien world of bizarre textures and a journey through the land of unending sonic operations. He produces rapid-fire juxtapositions of radically contrastive and fascinating noises, with micropolyphonic timbres and textures, aggressive sonic eruptions, but also quiet pulses and barely audible sounds. Signal To Noise called his guitar works “…a killer tour de force of post-everything guitar damage”, All Music Guide recommended him: “…clearly one of the best experimental guitarists to come forward during the 1990s.” He currently plays an analog modular synthesizer built around chaotic behaviors, where small changes in the settings may yield widely diverging sonic and rhythmic changes, forcing the player to constantly rethink and rearrange music. Hans Tammen’s numerous projects include site-specific performances and collaborative efforts with dance, light, video, and theatre, utilizing technology from planetarium projectors to guitar robots and disklavier pianos. He received a Fellowship from the New York Foundation of the Arts (NYFA) in the category Digital/Electronic Arts in 2009 for the ”Endangered Guitar” – a hybrid guitar/software instrument used to control interactive live sound processing. His THIRD EYE ORCHESTRA open form compositions for large ensembles and live sound processing, or laptop/electronic ensembles, are inspired by Earle Brown’s Available Forms, and based on numerous scored “building blocks” that are constantly rearranged when performed. His works have been presented on festivals in the US, Canada, Mexico, Russia, India, South Africa and all over Europe. He recorded on labels such as Innova, ESP-DISK, Nur/Nicht/Nur, Creative Sources, Leo Records, Potlatch, Cadence, and Hybrid. Hans Tammen received grants and composer commissions from MAPFund, Mid-Atlantic Arts Foundation, American Music Center, Chamber Music America, New York State Council On The Arts (NYSCA), New York Foundation For The Arts (NYFA), American Composers Forum w/ Jerome Foundation, New York State Music Fund, Goethe Institute w/ Foreign Affairs Office, among others.” [“post_title”]=> string(11) “Hans Tammen” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “hans-tammen” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-17 16:44:27” [“post_modified_gmt”]=> string(19) “2025-03-17 16:44:27” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5019431” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [5]=> object(WP_Post)#2609 (24) { [“ID”]=> int(5897901) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1117) “Tansy Xiao is an artist, curator and writer based in New York. Xiao creates theatrical installations with non-linear narratives that often extend beyond the fourth wall. Her work explores the immense power and inherent inadequacy of language through the assemblage of stochastic audio and recontextualized objects. She finds solace in the unknown, ludicrousness in the authorities, and absurdity in the geopolitical demarcations that separate and differentiate people. Xiao’s work has been shown at Queens Museum, New Media Caucus, Piksel Festival, Sound Scene at Hirshhorn Museum, Torrance Art Museum, NARS Foundation, HASTAC Conference, UKAI Projects, The American Society for Theatre Research, University of Porto, Osaka University of Art, Taipei Digital Arts Festival, WIP Arts and Technology Festival, New Adventures in Sound Art, Pelham Art Center, among others. She has received grants and support from NYSCA Electronic Media & Film” [“post_title”]=> string(10) “Tansy Xiao” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(10) “tansy-xiao” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5897901” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [6]=> object(WP_Post)#2725 (24) { [“ID”]=> int(5233619) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1675) “Gisela Gamper, (b. Germany) is known for her photography and experimental video work. Since 1968, she has lived and worked in the United States. Gamper began working with photography in 1971 and since then has built a body of work that is personal and inspired by her life experiences. In 1999, Gamper began working with video and so began a long and creative collaboration with her husband, musician and composer, David Gamper. Together they created, See Hear Now, a live music and video installation that was performed and presented in New Music venues in New York and elsewhere. Returning to photography in 2013, Gisela created a series of photographs called ‘Longing for David’ dedicated to him, who died in 2011. In 2023, she published a limited edition art-book, No Longer Sleeping Alone, that is distributed by Printed Matter, Inc. Among Gamper’s grants and awards are two Fellowship Grants from the Vermont Council on the Arts in 1985 and 1990, and the Hasselblad Cover Award in 1991. For two concurrent solo exhibitions in New Orleans in 1997, the Contemporary Artists Collection of Station Hill Press, Barrytown, NY. published Fabrications, a catalogue of Gamper’s photographs with text by Rachel Pollack. Gamper’s photographs are in numerous private collections and in the collection of the Albany Institute of History & Art, Albany, NY. 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El Shaer is a multi-disciplinary artist whose practice spans the mediums of installation, photography, sound, and moving images, with a particular interest in new technologies. holds a B.F.A. from the Faculty of Art and Education and is currently a Ph.D. student at the computing and games department at Abertay University, Scotland, UK. He exhibited in various international art venues, including the 56th Venice Biennal, Venice, Italy (2015). Bamako Biennale, Bamako-Mali (2011) Cairotronica New Media Festival, Cairo, Egypt. Sanctioned Array, White Box, New York, USA (2010). Solo show at the Museum of the Moving Image, New York, USA (2019). 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She has presented these works throughout North America and Europe at many important venues, festivals, museums and galleries including the Academy of Media Arts Cologne (Germany), Alternative Museum (NYC), Bang on a Can Festival (NYC), Everson Art Museum (Syracuse), Frau Musica Nova (Germany), the Guelph Jazz Festival (Canada), Lincoln Center Out-of-Doors (NYC), the New Museum of Contemporary Art (NYC), Performance Space 122 (NYC), Podewil (Berlin), Roulette (NYC), the Roy and Edna Disney Center (Los Angeles), Seltsame Musik Festival (Austria) and STEIM (Netherlands). Her discography includes CDs on the CRI and Innova labels. Her awards/grants/residencies include the Electronic Music Studios Stockholm, New York State Music Fund. the Aaron Copland Fund Recording Grant, the American Composers Forum’s Composers Commissioning Fund, ZKM, Harvestworks and the National Endowment for the Arts performance fund. She has given academic presentations about her works at many colleges and universities, including The Berlin University of the Arts, Cornell University, Rennselaer Polytechnic, Tufts University, Syracuse University, Juilliard School of Music, Musik Akademie Basel (Switzerland), University of Gothenberg (Sweden), Accademia di Belle Arti di Brera (Milan, Italy) and Hochschule fuer Gestaltung, Karlsruhe (Germany). She has a Ph.D. in music composition from Stony Brook University and an M.A. with emphasis in experimental music composition from Wesleyan University, where she studied with Alvin Lucier. She has been a Visiting Lecturer at Massachusetts College of Art and Design since 2005. 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