array(22) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2703 (10) { [“term_id”]=> int(150) [“name”]=> string(11) “Performance” [“slug”]=> string(11) “performance” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(150) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(317) [“filter”]=> string(3) “raw” } } [“location”]=> string(17) “Governor’s Island” [“other_location_name”]=> string(39) “Harvestworks Art and Technology Program” [“address”]=> string(42) “Building 10a, Nolan Park, Governors Island” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20240817” [“end_date”]=> string(0) “” [“time”]=> string(6) “6:00pm” [“end_time”]=> string(6) “6:30pm” [“time_notes”]=> string(0) “” [“artists”]=> string(80) “Ai Onoda, Judy Dunaway, Grace Schmidhauser, Jay Reinier, Adelle Lin, Matt Pinner” [“secondary_artists”]=> string(22) “Featuring Dharma Esmat” [“listed_artists”]=> array(7) { [0]=> object(WP_Post)#2609 (24) { [“ID”]=> int(5961379) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(361) “Grace Schmidhauser is a sound-maker currently based in Brooklyn. She is one half of the experimental rock duo Or Best Offer. She oscillates between making guitar-driven post-rock music and experimental ambient work, often at the same time. Her work centers around tactile experimentations with material, synchronicity, the spirit of play, and new age mysticism.” [“post_title”]=> string(18) “Grace Schmidhauser” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(18) “grace-schmidhauser” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5961379” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2724 (24) { [“ID”]=> int(5585697) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(839) “Born in 1988 and living in Tokyo, Ai Onoda is a contemporary artist working in paintings, videos, performances, and installations. He is also the only Japanese to have performed Erik Satie’s “Vexations”, which took 20 hours to complete without a break. Onoda holds a BA from the Musashino Art University and an MFA in the Inter-Media Art from the Tokyo University of the Arts. His works have been exhibited at Echigo-Tsumari Art Triennale, BankART, and Arts Maebashi. He is known to have performed Satie’s “Vexations” at places such as bookstores, cafes, public restrooms besides art spaces. Onoda also curated an art exhibition and organized a series of poetry, literature, and philosophy workshops at the Hirosegawa Court, an art space in Gunma, Japan. 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She has presented these works throughout North America and Europe at many important venues, festivals, museums and galleries including the Academy of Media Arts Cologne (Germany), Alternative Museum (NYC), Bang on a Can Festival (NYC), Everson Art Museum (Syracuse), Frau Musica Nova (Germany), the Guelph Jazz Festival (Canada), Lincoln Center Out-of-Doors (NYC), the New Museum of Contemporary Art (NYC), Performance Space 122 (NYC), Podewil (Berlin), Roulette (NYC), the Roy and Edna Disney Center (Los Angeles), Seltsame Musik Festival (Austria) and STEIM (Netherlands). Her discography includes CDs on the CRI and Innova labels. Her awards/grants/residencies include the Electronic Music Studios Stockholm, New York State Music Fund. the Aaron Copland Fund Recording Grant, the American Composers Forum’s Composers Commissioning Fund, ZKM, Harvestworks and the National Endowment for the Arts performance fund. She has given academic presentations about her works at many colleges and universities, including The Berlin University of the Arts, Cornell University, Rennselaer Polytechnic, Tufts University, Syracuse University, Juilliard School of Music, Musik Akademie Basel (Switzerland), University of Gothenberg (Sweden), Accademia di Belle Arti di Brera (Milan, Italy) and Hochschule fuer Gestaltung, Karlsruhe (Germany). She has a Ph.D. in music composition from Stony Brook University and an M.A. with emphasis in experimental music composition from Wesleyan University, where she studied with Alvin Lucier. She has been a Visiting Lecturer at Massachusetts College of Art and Design since 2005. 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Inspired by posthumanist ideas, their work challenges anthropocentrism, using technology and multimedia to articulate technological, ghostly ways of being. Jay attended Oberlin College and Conservatory, where they studied composition and comparative literature. They received Highest Honors for his undergraduate thesis, “Demons of Analogy: The Encounter Between Music and Language After Mallarmé,” which investigates how French Symbolist poet Stéphane Mallarmé theorizes a musical poetics, and how music speaks back at this poetics. They have designed and taught four courses in Oberlin’s Experimental College which explore experimental literature and posthumanist philosophies. 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NightGames brings audiences together to collaboratively control an interactive sound and lighting environment, further expanding their understanding of game play and theatre to include freeform interaction. By leveraging technological systems in smart phones, a rich terrain for exploration fills the exhibit space. The installation rewards group cooperation, in addition to personal expression, bringing a conscious awareness to players that individual can impact and form a collective ecosystem. Meud works on scalable collaborative experiences mediated by technology. Phoenix Perry is the head developer of Meud; from digital arts curator to Creative Director, Perry has extensive experience in new media, design, and user interfaces. Adelle Lin has worked as an architectural design team member designing retail fitouts and design strategy for Australia. Currently she works with renewable energy technology to deliver leading edge sustainable infrastructure. 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With a background in software engineering and a passion for sculpture and physics, he creates immersive, interactive lighting sculptures and volumetric installations that engage and connect people in timeless, limitless experiential spaces. Holding a degree in Math and Astrophysics from the Colorado School of Mines, Matt has had impactful roles such as Head of Architecture and Technical Director for projects like The Illuminated River Project and Intel’s Robot Dance Party. Deeply involved in the Creative Technology community, he leads global projects, creates fashion technology, collaborates on projects like Crashspacela and SPARK FUN. He also worked with artists such as DJ Qbert and Lady Gaga at events like the Grammys and CES. 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