array(22) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2628 (10) { [“term_id”]=> int(148) [“name”]=> string(10) “Exhibition” [“slug”]=> string(10) “exhibition” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(148) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(61) [“filter”]=> string(3) “raw” } } [“location”]=> string(17) “Governor’s Island” [“other_location_name”]=> string(0) “” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20240502” [“end_date”]=> string(8) “20240818” [“time”]=> string(0) “” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(32) “Mónica de la Torre, Hans Tammen” [“secondary_artists”]=> string(90) “Featuring Adelle Lin, Matt Pinner, Tansy Xiao, Gisela Gamper, Ahmed El Shaer, Judy Dunaway” [“listed_artists”]=> array(8) { [0]=> object(WP_Post)#2727 (24) { [“ID”]=> int(5275155) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(849) “Mónica de la Torre’s most recent book, Repetition Nineteen (Nightboat), centers on experimental translation. Other books include The Happy End/All Welcome (Ugly Duckling Presse)—a riff on Kafka’s Amerika—and Public Domain. She has published several books in Spanish, including Taller de Taquimecanografía (Tumbona), written jointly with the eponymous women artists’ collective she co-founded. She is a contributing editor to BOMB Magazine and, with Alex Balgiu, co-edited the anthology Women in Concrete Poetry 1959–79 (Primary Information). She is recipient of the 2022 Foundation for Contemporary Arts C.D. Wright Award for Poetry and a 2022 Creative Capital grant. She teaches poetry at Brooklyn College.” [“post_title”]=> string(19) “Mónica de la Torre” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(17) “mnica-de-la-torre” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5275155” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2736 (24) { [“ID”]=> int(5019431) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2585) “​​Hans Tammen creates sounds that have been described as an alien world of bizarre textures and a journey through the land of unending sonic operations. He produces rapid-fire juxtapositions of radically contrastive and fascinating noises, with micropolyphonic timbres and textures, aggressive sonic eruptions, but also quiet pulses and barely audible sounds. Signal To Noise called his guitar works “…a killer tour de force of post-everything guitar damage”, All Music Guide recommended him: “…clearly one of the best experimental guitarists to come forward during the 1990s.” He currently plays an analog modular synthesizer built around chaotic behaviors, where small changes in the settings may yield widely diverging sonic and rhythmic changes, forcing the player to constantly rethink and rearrange music. Hans Tammen’s numerous projects include site-specific performances and collaborative efforts with dance, light, video, and theatre, utilizing technology from planetarium projectors to guitar robots and disklavier pianos. He received a Fellowship from the New York Foundation of the Arts (NYFA) in the category Digital/Electronic Arts in 2009 for the ”Endangered Guitar” – a hybrid guitar/software instrument used to control interactive live sound processing. His THIRD EYE ORCHESTRA open form compositions for large ensembles and live sound processing, or laptop/electronic ensembles, are inspired by Earle Brown’s Available Forms, and based on numerous scored “building blocks” that are constantly rearranged when performed. His works have been presented on festivals in the US, Canada, Mexico, Russia, India, South Africa and all over Europe. He recorded on labels such as Innova, ESP-DISK, Nur/Nicht/Nur, Creative Sources, Leo Records, Potlatch, Cadence, and Hybrid. Hans Tammen received grants and composer commissions from MAPFund, Mid-Atlantic Arts Foundation, American Music Center, Chamber Music America, New York State Council On The Arts (NYSCA), New York Foundation For The Arts (NYFA), American Composers Forum w/ Jerome Foundation, New York State Music Fund, Goethe Institute w/ Foreign Affairs Office, among others.” [“post_title”]=> string(11) “Hans Tammen” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “hans-tammen” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-17 16:44:27” [“post_modified_gmt”]=> string(19) “2025-03-17 16:44:27” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5019431” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [2]=> object(WP_Post)#2725 (24) { [“ID”]=> int(5906513) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1482) “Adelle Lin, representing the artists collective Meud, will develop NightGames, an interactive musical public artwork based on an app for smartphones. NightGames brings audiences together to collaboratively control an interactive sound and lighting environment, further expanding their understanding of game play and theatre to include freeform interaction. By leveraging technological systems in smart phones, a rich terrain for exploration fills the exhibit space. The installation rewards group cooperation, in addition to personal expression, bringing a conscious awareness to players that individual can impact and form a collective ecosystem. Meud works on scalable collaborative experiences mediated by technology. Phoenix Perry is the head developer of Meud; from digital arts curator to Creative Director, Perry has extensive experience in new media, design, and user interfaces. Adelle Lin has worked as an architectural design team member designing retail fitouts and design strategy for Australia. Currently she works with renewable energy technology to deliver leading edge sustainable infrastructure. In addition to Phoenix Perry and Adelle Lin, Meud artists include Sophi Kravitz, Margaret Schedel, Colin Snyder, and Emi Spicer.” [“post_title”]=> string(10) “Adelle Lin” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(10) “adelle-lin” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5906513” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [3]=> object(WP_Post)#2726 (24) { [“ID”]=> int(5465130) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1086) “Adelle Lin Yingxi is a Malaysian artist, activist, and creative technologist based in Brooklyn. Their art seeks to heal and connect through joy and contemplation, aiming to advocate for women’s rights, champion climate justice, and bridge divides. Adelle holds a master’s degree in art and engineering from NYU Tandon. They recently completed NEW INC, the New Museum’s art incubator program and other residencies including One of Many “Wadi Rum” in Jordan and Harvestworks “Creativity + Technology = Enterprise” in NYC. With a foundation in architecture and engineering, Adelle crafts magical objects, performance rituals, and interactive installations that merge the tangible with the digital. They have received grants and support from Meta Open Arts, Onassis ONX, and PlayNYC. Their artworks were recently featured in group shows at FiveMyles, Ed.Varie Gallery, and ChangWon Sculpture Biennale. They have also performed live calligraphy rituals at One of Many and Work In Progress events and have appeared on Al Jazeera’s The Stream for activism work within virtual worlds.” [“post_title”]=> string(17) “Adelle Lin Yingxi” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(17) “adelle-lin-yingxi” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5465130” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [4]=> object(WP_Post)#2698 (24) { [“ID”]=> int(5167324) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1233) “Matt Pinner is a dynamic artist and creative technologist originally from Colorado, now based in Brooklyn, NY. With a background in software engineering and a passion for sculpture and physics, he creates immersive, interactive lighting sculptures and volumetric installations that engage and connect people in timeless, limitless experiential spaces. Holding a degree in Math and Astrophysics from the Colorado School of Mines, Matt has had impactful roles such as Head of Architecture and Technical Director for projects like The Illuminated River Project and Intel’s Robot Dance Party. Deeply involved in the Creative Technology community, he leads global projects, creates fashion technology, collaborates on projects like Crashspacela and SPARK FUN. He also worked with artists such as DJ Qbert and Lady Gaga at events like the Grammys and CES. Matt’s recent work focuses on interactive sculptures that foster discussions about the future of technology, positioning him at the forefront of novel interactions between art and technology.” [“post_title”]=> string(11) “Matt Pinner” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “matt-pinner” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5167324” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [5]=> object(WP_Post)#2617 (24) { [“ID”]=> int(5897901) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1117) “Tansy Xiao is an artist, curator and writer based in New York. Xiao creates theatrical installations with non-linear narratives that often extend beyond the fourth wall. Her work explores the immense power and inherent inadequacy of language through the assemblage of stochastic audio and recontextualized objects. She finds solace in the unknown, ludicrousness in the authorities, and absurdity in the geopolitical demarcations that separate and differentiate people. Xiao’s work has been shown at Queens Museum, New Media Caucus, Piksel Festival, Sound Scene at Hirshhorn Museum, Torrance Art Museum, NARS Foundation, HASTAC Conference, UKAI Projects, The American Society for Theatre Research, University of Porto, Osaka University of Art, Taipei Digital Arts Festival, WIP Arts and Technology Festival, New Adventures in Sound Art, Pelham Art Center, among others. She has received grants and support from NYSCA Electronic Media & Film” [“post_title”]=> string(10) “Tansy Xiao” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(10) “tansy-xiao” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5897901” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [6]=> object(WP_Post)#2731 (24) { [“ID”]=> int(5097547) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1023) “Ahmed El Shaer is a contemporary artist born in Cairo, Egypt, in 1981 who currently lives and works in New York, USA. El Shaer is a multi-disciplinary artist whose practice spans the mediums of installation, photography, sound, and moving images, with a particular interest in new technologies. holds a B.F.A. from the Faculty of Art and Education and is currently a Ph.D. student at the computing and games department at Abertay University, Scotland, UK. He exhibited in various international art venues, including the 56th Venice Biennal, Venice, Italy (2015). Bamako Biennale, Bamako-Mali (2011) Cairotronica New Media Festival, Cairo, Egypt. Sanctioned Array, White Box, New York, USA (2010). Solo show at the Museum of the Moving Image, New York, USA (2019). Rencontres Internationales Festival Paris/Berlin: Represent Egypt at the 59th Venice Biennale 2022.” [“post_title”]=> string(14) “Ahmed El Shaer” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “ahmed-el-shaer” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5097547” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [7]=> object(WP_Post)#2612 (24) { [“ID”]=> int(5708047) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(2360) “For the past twenty years Judy Dunaway has primarily been known for her numerous works for latex balloons as sound producers, including free improvisations, electronic and multi-media works, sound installations, and compositions. She has presented these works throughout North America and Europe at many important venues, festivals, museums and galleries including the Academy of Media Arts Cologne (Germany), Alternative Museum (NYC), Bang on a Can Festival (NYC), Everson Art Museum (Syracuse), Frau Musica Nova (Germany), the Guelph Jazz Festival (Canada), Lincoln Center Out-of-Doors (NYC), the New Museum of Contemporary Art (NYC), Performance Space 122 (NYC), Podewil (Berlin), Roulette (NYC), the Roy and Edna Disney Center (Los Angeles), Seltsame Musik Festival (Austria) and STEIM (Netherlands). Her discography includes CDs on the CRI and Innova labels. Her awards/grants/residencies include the Electronic Music Studios Stockholm, New York State Music Fund. the Aaron Copland Fund Recording Grant, the American Composers Forum’s Composers Commissioning Fund, ZKM, Harvestworks and the National Endowment for the Arts performance fund. She has given academic presentations about her works at many colleges and universities, including The Berlin University of the Arts, Cornell University, Rennselaer Polytechnic, Tufts University, Syracuse University, Juilliard School of Music, Musik Akademie Basel (Switzerland), University of Gothenberg (Sweden), Accademia di Belle Arti di Brera (Milan, Italy) and Hochschule fuer Gestaltung, Karlsruhe (Germany). She has a Ph.D. in music composition from Stony Brook University and an M.A. with emphasis in experimental music composition from Wesleyan University, where she studied with Alvin Lucier. She has been a Visiting Lecturer at Massachusetts College of Art and Design since 2005. 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