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Lavender, Claudia Robles” [“listed_artists”]=> array(9) { [0]=> object(WP_Post)#2727 (24) { [“ID”]=> int(5067296) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(302) “Katie Porter is a clarinetist and curator specializing in experimental music. 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After focusing entirely on their unusual acoustic instrumentation over the course of six years, consisting of trumpet and two sets of percussion, they invented an electro-acoustic version of the group as their second musical leg. Whether acoustic or electronic, these three gentlemen create bewildering sound worlds rich in detail and of tight musical interaction. 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Involved at the crossroads of mediums, Anaïs has been an in-demand creative force for artists such as William Parker, Daria Faïn, Shelley Hirsh, César Alvarez, Steffani Jemison – to give a sense of an eclectic company. Anaïs is dedicated to substantial creations from solo to large ensembles, music direction of cross-disciplinary works, and to expanding the power of music as a healing & transformative act. Anaïs performs and teaches extensively in New York, throughout the Americas and Europe. Both solo albums hOULe & in the garden, out on Gold Bolus Recordings, received international acclaim. Lastly, Anaïs Maviel is developing her composition language, especially thanks to the support of the 2019 Van Lier Fellowship, 2020 American Composers Forum Create commission with The Rhythm Method String Quartet and 2021-2022 Jerome Hill Artist Fellowship.” [“post_title”]=> string(13) “Anaïs Maviel” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “anas-maviel” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-04 21:07:10” [“post_modified_gmt”]=> string(19) “2025-03-04 21:07:10” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5359998” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [3]=> object(WP_Post)#2617 (24) { [“ID”]=> int(5179584) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(659) “Rashaan Carter worked and gained experience in the local scene in Washington D.C. and after high school, moved to New York City to attend the New School University. Rashaan studied with Buster Williams and Reggie Workman. Since moving to New York Rashaan has become entrenched in the jazz scene and has worked with Benny Golson, Curtis Fuller and Louis Hayes, Wallace Roney, Marc Cary, Cindy Blackman, Doug and Jean Carn, Antoine Roney, Sonny Simmons, and many more. He’s also studied with one of his prime influences, Ron Carter. 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She seeks to further her knowledge on audio synthesis, programming, and 3D audio spatialization.” [“post_title”]=> string(11) “Mimi Allard” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(6) “mimi-a” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-04 21:13:30” [“post_modified_gmt”]=> string(19) “2025-03-04 21:13:30” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5173406” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [5]=> object(WP_Post)#2618 (24) { [“ID”]=> int(5409402) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(833) “C. Lavender is a multi-disciplinary sound artist, sound healing practitioner and educator whose work spans through live performance, recording, installations, compositions, videos and workshops. She seeks to create an immersive aural landscape for the listener, an experience which is intensely physical, emotional, and ultimately cathartic. C. Lavender has performed, lectured and hosted workshops at MoMA, The Whitney, and The Guggenheim, among other venues. C. Lavender has albums and recordings featured on the labels Editions Mego, Ecstatic Peace!, and RVNG Intl. C. Lavender published her debut book “Transcendent Waves: How Listening Shapes Our Creative Lives,” with Anthology Editions in 2020.” [“post_title”]=> string(11) “C. 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Over the last 30+ years he has been involved in creating and presenting a wide range of sonic activities – experimental music, sound art, noise, junk metal percussion ensembles, soundtracks for dance/ theater/ video/ performance art, and sound / video installations. 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She blends an amalgam of improvised electronic music from an array of sources: processed vocals, vocal loops, hand-triggered sampler, theremin, Q-chord, autoharp, electric mbira, and glass armonica. Previous band projects include Wiremouth, Floating People, and BlowOut, and current and past projects span solo song-cycle series, solo instrumental improvisational compositions, immersive solo and ensemble-based multimedia performance and generative installation projects, and collaborations with Nicole Mitchell, Laraaji, Vernon Reid, Hprizm/Priest, Roscoe Mitchell, and The Bakol, with Greg Tate and Satch Hoyt. 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Her work and research cover different aspects of visual and sound art, which extend from audiovisual fixed-media compositions to performances and installations interacting with bio-data via the usage of interfaces such as, for example, the EEG (electroencephalogram, measuring brain waves activity). 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