array(13) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2751 (10) { [“term_id”]=> int(192) [“name”]=> string(8) “Workshop” [“slug”]=> string(8) “workshop” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(192) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(172) [“filter”]=> string(3) “raw” } } [“location”]=> string(0) “” [“other_location_name”]=> string(0) “” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20120512” [“end_date”]=> string(0) “” [“time”]=> string(0) “” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(0) “” [“secondary_artists”]=> string(0) “” [“listed_artists”]=> array(3) { [0]=> object(WP_Post)#2730 (24) { [“ID”]=> int(5177981) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1906) “Dafna Naphtali is a sound-artist, electronic-musician composer/performer and singer. She creates works for multi-channel audio, musical robots, and interactive soundwalks, drawing on her eclectic musical background (jazz, rock, gospel, contemporary classical, experimental improvisation) in work with musicians and video artists in the US and abroad. Projects and recordings include “Landmine” an interactive work for pianist Kathleen Supové on Disklavier piano with live processing on “Ear to Ivory” (Starkland 2019), as well as “What is it Like to be a Bat?” digital punk trio w/Kitty Brazelton (Tzadik), “Pulsing Dot” duo with Gordon Beeferman and “We Q” with Austrian saxophonist Edith Lettner (both on Clang label), “Microcosmopolitan” with Chatter Blip duo (with Chuck Bettis, on Contour Editions). Her upcoming release “Fusebox” with saxophonist Ras Moshe Burnett will be released on Gold Bolus May 2021. Dafna’s audio-augmented reality soundwalks (free iOS/Android apps for U-GRUVE AR and running continuously), include Walkie Talkie Dream Garden at the Williamsburg Waterfront (Brooklyn, NY) and Walkie Talkie Dream Angles at Washington Square Park (NYC). She’s authored two book chapters on her work and articles on “Live Sound Processing and Improvisation” for New Music Box. Dafna was a 2019 Artist-in-Residence at Harvestworks Digital Media Arts for a new multichannel work for her “Audio Chandelier” series. After pandemic-related postponements in 2020, she will realizes the new work in collaboration with metalsmith Ayala Naphtali May-July 2021 on Governors Island.” [“post_title”]=> string(14) “Dafna Naphtali” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(14) “dafna-naphtali” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5177981” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2701 (24) { [“ID”]=> int(5630744) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(801) “With equally deep roots in classical music old and new and in free improvisation and new jazz, Robert Dick has established himself as an artist who has not only mastered, but redefined the flute. Known worldwide for creating revolutionary visions of the flute’s musical role, listening to Robert Dick play solo has been likened to the experience of hearing a full orchestra. As one of the flute world’s most respected masterclass teachers, Robert Dick has been in residence in literally hundreds of universities, colleges and conservatories throughout the US, Europe, Asia and Australia. His performances typically include flute (with his invention, the Glissando Headjoint®) piccolo, alto flute, and bass flutes in C and F. On special occasions, he’ll bring out the giant, stand-up contrabass flute.” [“post_title”]=> string(11) “Robert Dick” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(11) “robert-dick” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5630744” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [2]=> object(WP_Post)#2697 (24) { [“ID”]=> int(5424253) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1792) “Satoshi Takeishi, drummer, percussionist, and arranger is a native of Mito Japan. He studied music at Berklee College of Music in Boston, Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was “Macumbia” with composer/arranger Francisco Zumaque in which traditional, jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia, Lucho Bermudes. In 1986 he returned to the U.S. in Miami where he began work as an arranger. In 1987 he produced “Morning Ride” for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the middle east where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded with many musicians such as Ray Barretto, Carlos “Patato” Valdes, Eliane Elias, Marc Johnson, Eddie Gomez, Randy Brecker, Dave Liebman, Anthony Braxton, Mark Murphy, Herbie Mann, Paul Winter Consort, Rabih Abu Khalil, Toshiko Akiyoshi Big Band, Erik Friedlander and Pablo Ziegler to name a few. 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