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Luke Dubois, Liam Baum (Mister Bomb), Chirag Davé (casualsalad), Snow Schwartz, Jay Tobin, Shelly Xiong, Sylvia Ke” [“listed_artists”]=> array(23) { [0]=> object(WP_Post)#2702 (24) { [“ID”]=> int(5335539) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(519) “Roxanne Harris (she/her) is a multidisciplinary artist. She approaches programming as a medium for creative expression. Roxanne specializes in programming as performance, modifying real-time processes to create dynamic audiovisual experiences. She spends her time finding new ways to engage with the world, destructing and reconstructing existing structures as she goes. Website: alsoknownasrox.com. 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He has been creating generative art since 2011, and his work has been exhibited, installed, and performed in galleries, theaters, clubs, and venues across the U.S. Cameron is a member of the New York-based collective livecode.nyc, where he organizes shows, gives livecoding workshops, and performs livecoded visuals and music at algoraves.” [“post_title”]=> string(17) “Cameron Alexander” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(17) “cameron-alexander” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-07 19:14:12” [“post_modified_gmt”]=> string(19) “2025-03-07 19:14:12” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5226212” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [2]=> object(WP_Post)#2727 (24) { [“ID”]=> int(5093860) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(965) “Katarina Hoeger (she/her) uses code to generate or modify audio and visuals in her works. Many of Katarina’s works reflect her interest in sounds and motions fostered by lifelong participation in music and dance. These influences combined with the experience of having been raised with a variety of cultural and philosophical backgrounds shape the intention behind her works. She holds a Master of Fine Arts in Intermedia from the University of Maine in Orono, Maine, a Master of Science in Computer Science with a specialization in Operations Research from the College of William & Mary, and a Bachelor of Science in Mathematics from Harvey Mudd College. She has been an artist-in-residence at Bethany Arts Community in Ossining, NY. Katarina Hoeger is a founding board member of Music Community Lab and long-time volunteer organizer at its series Monthly Music Hackathon NYC. Website: katarinahoeger.com. Instagram: @katarina_hoeger_art. 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Sumanth’s solo computer-songwriter project, Reckoner, has released a full length album and several EPs. Drawing from krautrock, trip hop and glitch, his music is a fusion of live sampling, guitar, live coded rhythms and melodic vocals. Matthew builds tools for live coding, performing music and visuals as archaic.tech. 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She specializes in developing prototypes of future possibilities with technology. Her recent work combines blockchain technology with traditional Japanese wordplay, exploring the untapped potential of blockchain’s future. With a passion for innovation, she invites audiences to experience a fresh perspective on the intersection of tradition and cutting-edge technology. 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They try to create evocative ambient soundscapes using field recordings, modular synthesis, and their voice. Inspired by the free jazz movement and structureless improvisation they collaborate with the cosmos and embrace uncertainty. 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Visual works use modern robotic manufacturing equipment with traditional art printing methods. Audio works merge natural acoustics with digital processing. Both mediums aim to find the balance of intricate technical detail and precision against the variation of natural materials. 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Since then, her sound has significantly transformed, emerging as a unique fusion of live sampling, modular synthesis, and live coding. A defining feature of her music is the incorporation of screaming, adding a layer of rawness. Messica has showcased her talent across the US, Canada, and Europe, opening for notable artists such as Oliver Ackerman of A Place to Bury Strangers and Eric Schlappi from Schlappi Engineering. 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He experiments with methods such as live coding, physical computing and machine learning. He brings these methods into his own middle school classrooms as well as having led several workshops both in person and virtually about combining music with coding and technology using different languages and hardware. Website: www.youtube.com/mrbombmusic. 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It is also a space to grieve current relationships we are coerced into holding with technology inside capitalism. In this installation, I ask what it would mean to treat technology as memory – as something that connects time and is distributed among people through careful practices of sharing. Finally, this is a space to uplift the work people are already doing to build and sustain technologies that are life affirming and rooted in community needs. I invite everyone visiting to share resources, stories, reflections, or anything that might help us form more symbiotic relationships with technology.” [“post_title”]=> string(13) “Snow Schwartz” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(13) “snow-schwartz” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5837416” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [13]=> object(WP_Post)#2617 (24) { [“ID”]=> int(5626631) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(486) “Jay Tobin (he/him) is an audiovisual artist based out of Brooklyn, New York. He’s been featured at the Millennium Film Workshop, ARS Electronica, and the Creative Code Festival at Lightbox NYC. He specializes in creative coding, procedural soundscapes, and digital instrument building, with extensive experience building games in Unity. 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Creative technologist – retro tech enthusiast – sometimes educator

” [“post_title”]=> string(12) “Shelly Xiong” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(12) “shelly-xiong” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-07 18:08:07” [“post_modified_gmt”]=> string(19) “2025-03-07 18:08:07” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5524341” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [15]=> object(WP_Post)#2699 (24) { [“ID”]=> int(5245307) [“post_author”]=> string(1) “3” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(504) “Sylvia Ke (any/all) is a multimedia artist, performer, creative technologist, first-gen immigrant (legal, for now), and transexual degenerate living and aging in Brooklyn, NY. In their thoughts and works, they contemplate a lot about how existing and emerging technologies transform, redefine, and create bodies, intimacy, materiality, myth, labor, and spacetime, while vice versa. Their hobby is to suck on the juicy, rubbery nails of pickled chicken feet and describe it to people in graphical details.” [“post_title”]=> string(9) “Sylvia Ke” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(9) “sylvia-ke” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-03-04 21:31:01” [“post_modified_gmt”]=> string(19) “2025-03-04 21:31:01” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5245307” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [16]=> object(WP_Post)#2731 (24) { [“ID”]=> int(5489763) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(817) “

elekhlekha (Nitcha Tothong–ณิชชา โตทอง & Kengchakaj–เก่งฉกาจ) is a Bangkok-born collaborative artist practice focusing on research that examines and decoded past histories by creating, using code, algorithm, multimedia, and technology to experiment, explore, and define decolonized possibilities. They are currently based in Lenapehoking (Brooklyn). elekhlekha has received support from Babycastles, Rhizome, Processing Foundation and etc. In 2022, they were awarded The Lumen Prize Gold Award for their debut project, Jitr (จิตร), a performative audio-visual that utilizes historical research, Southeast Asian sound cultures, and live coding tools to reconcile Southeast Asia’s shared heritage.

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Originally from Baltimore, Maryland, she is now based in Brooklyn, NY. PRESWERVE blends influences from trap, shoegaze, ambient, and noise. She also solely runs an independent media company Let’s Not Pretend, which focuses on experimental sounds, visuals, and art. Her company seeks to find communities and learn about culture by engaging in conversations and shows. More equipped in FL, she wants to challenge her musical abilities by trying new formats – such as coding. As a coding beginner, she is excited to immerse herself in something new. Not only an educator, PRESWERVE is also familiar with a variety of disciplines, as she is completely self-taught in all of her art and music. She has created album artwork, music videos, digital and physical collages, and loves to write. Her poetry has been published in her college magazine and Beast Grrrl zine. In the past, she has attended EMP collective’s poetry workshops and performed at multiple poetry readings/writings. 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