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Carter’s practice circumvents materiality and familiarity through a variety of recording and amplification techniques to investigate notions such as space, systems of identity, oppression, control, and surveillance. Driven by the probative nature of perception and the concept of conversation and social science, he seeks to expand to narrative structures through sonic stillness. Carter’s work has been exhibited at such venues as Automata Arts, MoMA, Mama Contemporary, RISD Museum, Microscope Gallery, Lenfest Center for the Arts, WaveHill and has been featured in a range of major publications including ArtNet, Precog Magazine, LevelGround and WhiteWall. 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He strives to create pieces in various media that will help people move forward from anything that is getting them stuck in the world. His music involves heavy synthesis and interactivity, which he finds extremely important as we collectively emerge from the Covid-19 pandemic and begin to interact with each other again. Peter graduated from Brown University with degrees in Applied Mathematics and Music. After briefly pursuing a career as an opera singer, he began to work with video to create multimedia projects. 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Hanae completed both her BM and MM at Tokyo University of the Arts, Department of Musical Creativity and the Environment. During her studies in Japan, she mainly concentrated on the relationship between music and other visual/performing arts such as dance and films and has been collaborating with contemporary dancers on various projects as a composer. She studied not only classical and contemporary music composition but also learned Japanese traditional instrument Koto, traditional performance Kyogen, jazz theory etc. at Tokyo University of the arts to expand the capability of her creativity. 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His practice is oriented toward exploring the relationship between technology, play, and hybridity through electroacoustic composition, custom-built electronics, and mixed-media. He is the recipient of the 2018 Nicola De Lorenzo Prize in Music Composition, 2020 Eisner Prize for the Creative Arts, 2021 Guarini Alumni Award, and Hopkins Center for the Arts Art+Technology grant. He presented work at festivals such as New Music On the Point (2021), The Summer Institute of Contemporary Performance (2021), Labo Montreal (2021), Yarn/Wire Institute (2022) and Ensemble Evolution (2022) and has worked with a variety ensembles such as JACK Quartet, The Living Earth Show, and Chromic Duo. He holds a Bachelor of Arts degrees in Computer Science and Music Composition from UC Berkeley and a Master of Arts in Digital Music from Dartmouth College. 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