array(13) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2618 (10) { [“term_id”]=> int(192) [“name”]=> string(8) “Workshop” [“slug”]=> string(8) “workshop” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(192) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(172) [“filter”]=> string(3) “raw” } } [“location”]=> string(19) “Harvestworks Studio” [“other_location_name”]=> string(18) “596 Broadway, #602” [“address”]=> string(38) “596 Broadway, #602, New York, NY 10012” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20120526” [“end_date”]=> string(0) “” [“time”]=> string(7) “12:00pm” [“end_time”]=> string(6) “6:00pm” [“time_notes”]=> string(0) “” [“artists”]=> string(45) “Diemo Schwartz, Hans Leeuw, Matthew Ostrowski” [“secondary_artists”]=> string(0) “” [“listed_artists”]=> array(3) { [0]=> object(WP_Post)#2705 (24) { [“ID”]=> int(5179380) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(889) “Diemo Schwarz is a researcher–developer in real-time applications of computers to music with the aim of improving musical interaction, notably sound analysis–synthesis, and interactive corpus-based concatenative synthesis. Since 1997 at Ircam (Institut de Recherche et Coordination Acoustique–Musique) in Paris, France, he combined his studies of computer science and computational linguistics at the University of Stuttgart, Germany, with his interest in music, being an active performer and musician. He holds a PhD in computer science applied to music from the University of Paris, awarded in 2004 for the development of a new method of concatenative musical sound synthesis by unit selection from a large database. 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Expression in electronic music is and has always been an issue and subject to both artistic and scientific debate. Hans Leeuw approaches this from a blend between the acoustic and digital handling of sound in such a way that the two are really integrated. Not only is all the sound coming originally from the trumpet but also the design of the handling and mapping of the sensors on the instrument are aimed at a true integration and not just an addition of some buttons and sliders. The instruments original and most important purpose is to play in cooperative contexts. The instrument is used in Hans Leeuw’s own big band Tetzepi but also in diverse more loose contexts within the Amsterdam Jazz scene or in his duo with Diemo Schwarz from IRCAM. Many appearances in combined talks and demonstration contexts (e.g. radio interviews, electric spring festival, IRCAM forum, divers academic invitations) made the step to a solo program logical though. This solo program is now developed on a grand from the Dutch cultural ministry. In his composition work Hans Leeuw combines a very diverse (musical) background. In the pieces and patches you can hear Jazz influences, world music, micro tonality, Psychoacoustics. In the review from the Dutch cultural committee it states: “The Jury is especially positive about the professional quality of the works”. Although Hans works very meticulously that does not mean that his pieces are rigid. Improvisation is an important aspect of his work. 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Using digital tools and formalist techniques to engage with quotidian materials — sonic, physical, and cultural – Ostrowski’s work explores the liminal space between the virtual and phenomenological worlds. His work ranges from live electronic performance to installations incorporating video, multichannel sound, and computer-controlled objects. He is a freelance developer of interactive technology for artists, and teaches at New York University and Ramapo State College of New Jersey. Educated at at Oberlin College and the Institute of Sonology in The Hague, Ostrowski has collaborated with a large number of artists in the US and abroad, including David Behrman, John Butcher, Diamanda Galás, Nicolas Collins, Anne LaBerge, The Flying Karamazov Brothers, and many others. He was composer-in-residence for the MacArthur-award winning choreographer Elizabeth Streb, and has designed interactive technologies for performing and fine artists ranging from Laurie Anderson to Martha Rosler. He regularly performs in the duo KRK, with Prague-based contrabassist George Cremaschi, and with Andrea Parkins in the duo Elective Affinities. Ostrowski’s productions have been seen or performed on six continents, including the Wien Modern Festival, Transmediale and Maerz Musik in Berlin, the Kraków Audio Art Festival, Sonic Acts in Amsterdam, PS 1 and The Kitchen in New York, the Rencontres Internationales video festival in Madrid, and Yokohama’s dis_locate Festival. 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