array(22) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2729 (10) { [“term_id”]=> int(149) [“name”]=> string(12) “Installation” [“slug”]=> string(12) “installation” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(149) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(175) [“filter”]=> string(3) “raw” } } [“location”]=> string(17) “Governor’s Island” [“other_location_name”]=> string(0) “” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20220827” [“end_date”]=> string(8) “20221030” [“time”]=> string(0) “” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(11) “Su Hyun Nam” [“secondary_artists”]=> string(11) “Hans Tammen” [“listed_artists”]=> array(2) { [0]=> object(WP_Post)#2704 (24) { [“ID”]=> int(5386243) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1004) “Su Hyun Nam, based in New York and Seoul, works as an interdisciplinary media artist and researcher at the intersection of art, technology, science, and philosophy to investigate relationships with diverse nonhumans. She is an artist-in-residence at the Harvestworks Media Art Center and the Lower Manhattan Cultural Council Art Center. Her work, including experimental video, interactive media, 3D game art, and media performance, has been exhibited nationally and internationally at venues from Spain, UAE, Greece, and Singapore to South Korea. Su Hyun Nam earned an MFA in Art and Technology Studies from the School of the Art Institute of Chicago and a Ph.D. in Media Study from the State University of New York at Buffalo. 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He produces rapid-fire juxtapositions of radically contrastive and fascinating noises, with micropolyphonic timbres and textures, aggressive sonic eruptions, but also quiet pulses and barely audible sounds. Signal To Noise called his guitar works “…a killer tour de force of post-everything guitar damage”, All Music Guide recommended him: “…clearly one of the best experimental guitarists to come forward during the 1990s.” He currently plays an analog modular synthesizer built around chaotic behaviors, where small changes in the settings may yield widely diverging sonic and rhythmic changes, forcing the player to constantly rethink and rearrange music. Hans Tammen’s numerous projects include site-specific performances and collaborative efforts with dance, light, video, and theatre, utilizing technology from planetarium projectors to guitar robots and disklavier pianos. He received a Fellowship from the New York Foundation of the Arts (NYFA) in the category Digital/Electronic Arts in 2009 for the ”Endangered Guitar” – a hybrid guitar/software instrument used to control interactive live sound processing. His THIRD EYE ORCHESTRA open form compositions for large ensembles and live sound processing, or laptop/electronic ensembles, are inspired by Earle Brown’s Available Forms, and based on numerous scored “building blocks” that are constantly rearranged when performed. His works have been presented on festivals in the US, Canada, Mexico, Russia, India, South Africa and all over Europe. He recorded on labels such as Innova, ESP-DISK, Nur/Nicht/Nur, Creative Sources, Leo Records, Potlatch, Cadence, and Hybrid. 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