array(22) { [“event_type”]=> array(1) { [0]=> object(WP_Term)#2741 (10) { [“term_id”]=> int(193) [“name”]=> string(5) “Forum” [“slug”]=> string(5) “forum” [“term_group”]=> int(0) [“term_taxonomy_id”]=> int(193) [“taxonomy”]=> string(10) “event-type” [“description”]=> string(0) “” [“parent”]=> int(0) [“count”]=> int(45) [“filter”]=> string(3) “raw” } } [“location”]=> string(5) “Other” [“other_location_name”]=> string(6) “Online” [“address”]=> string(0) “” [“location_notes”]=> string(0) “” [“date”]=> string(8) “20220227” [“end_date”]=> string(0) “” [“time”]=> string(6) “3:00pm” [“end_time”]=> string(0) “” [“time_notes”]=> string(0) “” [“artists”]=> string(31) “Claudia Schmitz, Nicola L. Hein” [“secondary_artists”]=> string(49) “Featuring Katherine Liberovskaya, Carol Parkinson” [“listed_artists”]=> array(3) { [0]=> object(WP_Post)#2731 (24) { [“ID”]=> int(5711923) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1159) “  “My work starts where the media intersect. I am not interested in the modernity of technology as such but in its capacities for creating new imaginary dimensions. My arrangements constantly assume temporary states, reject and re-invent themselves, exploring the space-time continuum, rendering visible and questioning its borders. They investigate the limitations of media arrangements and modes of participation.“ As an international timebased media artist, Claudia Schmitz explores boundaries: Limits of perception, real and imagined barriers, liquid processes, body discourses. She explores paradigms of media translation – as a solo artist and in collaborative projects. She uses sculpture, multidimensional drawing, moving image, gestural transcription and food – in real space, virtual and augmented reality to explore new forms of sound, space and experience. Exploring socio-urban fabrics, challenging hegemonial perception, sustainability, synaesthesia, identity in virtual and real space, re- vs. interactivity, inter- and transmediality, machine learning, artificial intelligence are main topics of her current artistic research.” [“post_title”]=> string(15) “Claudia Schmitz” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(15) “claudia-schmitz” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5711923” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [1]=> object(WP_Post)#2736 (24) { [“ID”]=> int(5303971) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(1794) “Nicola L. Hein is a sound artist, guitarist, composer, researcher in the field of music aesthetics and cybernetics. He is also a professor of digital creation and artistic director of the studio for electronic music at the University of Music Lübeck. His work is determined by the interaction of sound, space, light, movement and the emergent dynamics of aesthetic systems. In his artistic work he uses physical and electronic extensions of synthesizers and electric guitar, sound installations with motors/video projections/light, cybernetic human-machine interaction with interactive A.I. music systems, augmented reality, telematic real-time art, ambisonic sound projection, instrument making, conceptual compositions. Intermedia works with video art, dance, literature and other art forms. The interdisciplinary collaboration with many different artists* from music and also from video art, dance, theater, literature, painting and many more play a central role in his artistic work. With the support of the Goethe-Institut and many other institutions, his works have been realized in more than 30 countries in North America, South America, Africa, Asia and Europe. His artistic work is documented on over 30 CD, tape and vinyl publications on international labels such as Clean Feed. He has been awarded many different prizes and grants for his work. In the field of sound art and improvised music he has collaborated with many internationally renowned artists: Max Eastly, Evan Parker, Miya Masaoka, Axel Dörner, Ute Wassermann and many more. Presentations of his work have taken place at MaerzMusik Festival (Berlin), Ars Electronica (Linz), Moers Festival, A L’ARME! FESTIVAL (Berlin), Super Deluxe (Tokyo), Sonica Festival (Glasgow), Experimental Intermedia (New York) and many more.” [“post_title”]=> string(14) “Nicola L. Hein” [“post_excerpt”]=> string(0) “” [“post_status”]=> string(7) “publish” [“comment_status”]=> string(6) “closed” [“ping_status”]=> string(6) “closed” [“post_password”]=> string(0) “” [“post_name”]=> string(13) “nicola-l-hein” [“to_ping”]=> string(0) “” [“pinged”]=> string(0) “” [“post_modified”]=> string(19) “2025-01-21 18:47:00” [“post_modified_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content_filtered”]=> string(0) “” [“post_parent”]=> int(0) [“guid”]=> string(54) “http://137.184.72.135/?post_type=artist&p=5303971” [“menu_order”]=> int(0) [“post_type”]=> string(6) “artist” [“post_mime_type”]=> string(0) “” [“comment_count”]=> string(1) “0” [“filter”]=> string(3) “raw” } [2]=> object(WP_Post)#2704 (24) { [“ID”]=> int(5249721) [“post_author”]=> string(1) “2” [“post_date”]=> string(19) “2025-01-21 18:47:00” [“post_date_gmt”]=> string(19) “2025-01-21 18:47:00” [“post_content”]=> string(3357) “Katherine Liberovskaya is an intermedia artist based in New York City and Montreal, Canada. Involved in experimental video since the 80s, she has produced many single-channel videos, video installation works and video and music performances which have been presented at a wide variety of events and venues around the world. Among these: MOMA PS1 PrintShop NYC; The Duolun Museum and The Aurora Museum, Shanghai, China; The Museum of Arts and Design, NYC; The Bitola Museum, Macedonia (FYROM); The Tito Museum, Belgrade, Serbia; The Kyoto University Museum, Japan; The Serralves Contemporary Art Museum, Porto, Portugal; The Roskilde Museum of Contemporary Art, Denmark; The National Center for Contemporary Art, Moscow, Russia; The Beirut Art Center, Lebanon; The Contemporary Art Center Bunkier Sztuki, Krakow, Poland. Since 2001 her work predominantly focuses on the intersection of image and sound, in solo video-audio installation/environments and often in collaborations with composers and sound artists notably in live video+sound performance. Frequent collaborators include Phill Niblock, Al Margolis/If,Bwana, Keiko Uenishi, David Watson, Shelley Hirsch, Guy de Bievre… among many others. Since 2003 she has been exploring improvised video in live video+sound performance situations where her live visuals seek to create improvisatory “music” for the eyes. Over the years she has performed in concert with numerous artists including: Monique Buzzarte, Anne Wellmer, Tom Hamilton, Margarida Garcia, Manuel Mota, Anthony Coleman, Barry Weisblat, Mazen Kerbaj, murmer, Andre Gonçalves, Giuseppe Ielasi, Alessandro Bossetti, Andre Eric Letourneau, Jason Khan, Jim Bell, David Grollman, Doug Van Nort, among many others. Recent projects have involved: Anna Homler, Leslie Ross, Chantal Dumas, Richard Garet, Mia Zabelka, Dorit Chrysler, Emilie Mouchous, Erin Sexton, Corinne Rene and Philippe Lauzier, Magali Babin. Recent solo projects include: the audiovisual installations “Mise-en-Abyme Cu29” (2016), “Rake” (2015-16), “sonimaginations tissulaires” (2014-16), “NoizeBreeze” (2014), “Air-Play” (2013), “Amplifontana” (2012-16) and “Shines” (2008-16) and the intermedia installation “Muidebrugge Wave (Matisse/Haacke Blues)” (2015). Since the late 1980s she has received over 30 grants and arts awards in Canada, U.S.A. and France. Concurrently she curates and organizes the Screen Compositions evenings at Experimental Intermedia, NYC, since 2005 and, since 2006, the OptoSonic Tea salons with Ursula Scherrer at Diapason, NYC, and in various nomadic locations, in New York, North America and Europe, with OptoSonic Tea On the Road. 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